Golden Age Showcase: Miss Masque

It’s been a while since we had a lady superhero on this blog that didn’t have a huge mainstream movie come out this year.

Let’s see…what femme fatale looks good this week?

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Okay, she looks good.

Today we take a look at the comic book superhero Miss Masque and no, she is not a Carmen Sandiago clone…although that would be pretty kickass.

Origin and Career

Miss Masque made her first appearance in Exciting Comics #51 in September of 1946 and was published by Nedor Comics, a division of the company Standard Comics.

Comic Book Cover For Exciting Comics #51

She shared the limelight with her slightly more famous superhero comrade, The Black Terror.

That was the cover of her first issue, this is the double page spread that introduced her to readers:

Comic Book Cover For Exciting Comics #51

I’m not going to lie, as first impressions go that’s a pretty good one.

As for creators, there are no author or artist credits on any of her stories.  However, artists Alex Schomburg and Frank Frazetta have been credited with supplying several covers featuring Miss Masque.  For anyone who might not know, Alex Schomburg was one of the most prolific and dynamic cover artists of the Golden Age of Comics.

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and Frank Frazetta is the reason why we think Conan the Barbarian looks like a chiseled barbarian warlord.

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Anyway, back to Miss Masque.  Her backstory is simple, she’s a socialite named Diana Adams and she moonlights as a superhero, that’s it.  No tragic event, no dead parents (that we know of), and no lab accidents.

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She’s just an ordinary lady with her wits, two pistols, and a lot of time on her hands.

Her first adventure is a simple one.  After her car breaks down she attempts to get help from a greedy old farmer who is currently engaged in a water dispute with his neighbor.

Comic Book Cover For Exciting Comics #51

The farmer attempts to fix the problem by hiring a bum to burn his neighbor’s property to the ground but the bum attempts to steal from him, the farmer gets violent, and Diana changes into Miss Masque in order to investigate.

Comic Book Cover For Exciting Comics #51

The farmer knocks her out (this kind of happens a lot in the future) and attempts to ditch the evidence by burning his house down.

Comic Book Cover For Exciting Comics #51

All pretty standard evil so far, but he tried to kill the dog and that is unforgivable.

Miss Masque escapes and tracks the farmer down, only to have him drown in a cruelly ironic way.

Comic Book Cover For Exciting Comics #51

That…is not a good way to go.

Most of her stories followed a similar format.  Her stories would open with a massive double page spread,

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and then she would go on to solve the “case of the week” with little to know continuity between issues.

It’s worth noting that she was a pretty capable superheroine.

Comic Book Cover For Exciting Comics #54

She would find a problem that usually involved whoever she was dating at the time, discover some dastardly scheme, and kick all kinds of butt and have the situation wrapped up in a couple of pages.

The artwork is pretty good too.

The formula must have worked because Miss Masque turned out to be pretty popular.  She got a couple of cover appearances,

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and she even became one of Nedor’s top three characters along with the Black Terror and the Fighting Yank.

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It’s worth mentioning that she underwent a costume redesign around 1947 where she showed off a bit more skin.

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Sometimes it’s important to remember that stereotypes about women in comics exist for a reason.

So what happened?

Nedor Comics must have been undergoing the same troubles the entire comic book industry was suffering through in the late 1940’s because they were consolidated into their parent company Standard Comics in 1949, which went under itself in 1956.

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It almost seems like a broken record at this point but Miss Masque most likely suffered the same fate that befell most Golden Age superheroes in the fifties when the comic book industry was gutted by parents and lawmakers worried that comics were corrupting their children.

If I had to make an educated guess she was doomed from the start since her initial publication date of 1946 lines up with the decline of the superhero genre in American comics and it’s pretty safe to assume she was created as an attempt to boost sales.

However Miss Masque, along with most of the Standard Comics’ library of characters, would receive a reboot in the 1990’s when most of them entered the public domain.

She wound up becoming pretty popular at AC Comics, making a couple of cover appearances in their annual issues,

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A team member of groups like Femforce,

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and she even got her own solo series.

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In this new continuity she retained her identity of wealthy socialite Diana Adams only this time her costume is the source of her power and her will to do good, since it’s possessed by a “spirit of justice”.

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I’d also say it was possessed by the spirit of 90’s comic book cheese.

She also appeared in Alan Moore’s Terra Obscura series in the early 2000’s,

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where she was engaged in a romantic relationship with another character named Fighting Spirit.

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Most recently Miss Masque was part of Dynamite Comics Project Superpowers series from 2008 to 2010.  In this series she got another costume change where she looks even more like Carmen Sandiago,

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she also suffers from amnesia and has actual superpowers this time.  She can replicate other people’s appearances, although her powers seem to be a bit ill defined.

Dynamite even gave her a spinoff solo series in 2009 which lasted for four issues.

Maybe it’s the red and the artists’ fascination with her legs that makes her so popular.

Miss Masque is one of the best female superheroes to come out of the Golden Age of Comics.  While we tend to look back at that time as a place where men ruled and women were considered to be side props, it’s important to remember that there were people out there who thought much differently and were willing to put a lot of time and effort into creating capable and well written female comic book characters.

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Golden Age Showcase: Target and the Targeteers

 

You know what they say…comedy comes in threes.

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And I like to think that today’s superhero group took that lesson to heart, even though I’m willing to bet any comedy was unintentional.

Today we’re talking about the rather humorously named Target and the Targeteers.

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Origin and Career

This trio of superheroes was published by a company called Novelty Press, which was created in 1940 by Curtis Publishing.  If that name isn’t familiar all you need to know is that they publish the Saturday Evening Post.  If that name isn’t familiar then you probably recognize this cover.

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Novelty Press was created as a comic book imprint in order to take advantage of the comic book craze.  They were able to draw a lot of great Golden Age talent such as Joe Simon, Jack Kirby, and Basil Wolverton and their two most famous publications were the superhero series Blue Bolt,

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and the anthology series Target Comics.

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Despite sharing the name of the title, the superhero we’re talking about today didn’t appear until issue #10 in November of 1940.

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Yes that is him on the cover and I have to admit I don’t know what’s funnier: the testicular fortitude of a man who is willing to get shot by painting a giant target on his chest or how stupid the gangsters are for not aiming at the knees or face.

The hero was created by artist Dick Briefer under the pseudonym of Dick Hamilton. Image result for golden age dick brieferBriefer’s most famous work was with the Frankenstein character and is widely considered to be the first modern comic book artist to work with horror stories.

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 Back to Dick’s most famous superhero, Target’s first adventure had him sending an ominous message to criminals everywhere: “Live your life on the straight and narrow or I’ll find you”.  He does this by buying up advertising space on nationwide newspapers, radio space, and even hijacking the phone service.

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You know how in modern movies the bad guy can mysteriously deliver a message to every computer, television, and phone around the world?  It’s nice to know that this particular cliche isn’t so modern.

The Target’s ominous message doesn’t deter a group of gangsters from kidnapping a scientist who is developing a new explosive that other countries want.

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The gangsters reach the professor’s house, only to find that the Target is already there.

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On the face of it, it would appear that the hero has a very poorly designed costume for dealing with guns, but the comic explains that while the suit protects his chest and arms (thus leaving the face and legs unprotected) the target is there to draw enemy fire to the places where the bullets can’t harm him.

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I would commend the comic for attempting to use “Batman psychology” to explain why the hero made the decisions he made but no, in real life that man is dead.

The adventure ends in typical fashion.  The bad guys are stopped, the hero saves the day, and the reader is left wondering what’s next.

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The next issue not only delves into the Target’s backstory, it also reveals that he has two friends who share a similar death wish by dressing in similar costumes.

The Target’s civilian identity is Niles Reed.  He was an athletic prodigy who decided to become a metallurgist had a brother named Bill, who decided to become a lawyer.

Unfortunately, Bill was framed for murder and arrested.  In his rage, Niles decided to rescue his brother while disguised as a masked vigilante.

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While it’s a bit unclear it would appear that the cops accidentally shot Bill as he was trying to escape with his brother.  So in an interesting twist, Niles was responsible for his brother’s death.

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Later that evening Niles happens to stumble across two orphaned boys who were in a lot trouble with some gangsters for not paying protection money.  The three become friends and decide to dress up like superheroes using the same bulletproof costumes of Niles’ design.

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The origin story ended with the reveal that Bill had been framed by a crime boss named Hammerfist, who would become something of a recurring villain for the trio.

I’ll admit, there are some interesting points to this story.  The fact that the hero is actually responsible for his brother’s death coupled with him taking in two orphans who share similar tragic stories draw a lot of similarities to more popular heroes like Spider Man and Batman.

The rest of the trio’s adventures were all one shots with a very patriotic bent them.  The three did their duty and fought against America’s enemies, both at home and abroad.

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The post war years saw a return to form for the trio where they went back to waging war against criminals in the United States.

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So what happened?

The trio of crime fighters had a pretty long shelf life for the Golden Age heroes.  They lasted until issue #95 of Target Comics where their last adventure had them foiling criminals who were sabotaging advertising signs in order to extort an advertising firm.

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Yeah, maybe it was a good thing that they got cancelled.

The trio would disappear for a while until the Target made an appearance in AC Comics’ Men of Mystery series in 1999.

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The trio itself made a comeback in Dynamite Entertainment’s Project Superpowers series in 2008.

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Their backstories remained the same, only this time they all had super speed on top of their indestructible suits.

The Target and the Targeteers embodied everything that worked and didn’t work about the Golden Age of Comics.  On one hand they were goofy, wore silly costumes, and relied on some pretty bad science in order to survive and function.  On the other hand, they had one of the better origin stories I’ve read, they had a long run, and a lot of the things that made it into their stories such as the use of psychology to fight criminals would be use to great effect in other, more popular comic hero stories.

All in all, they weren’t that bad.

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Golden Age Showcase #3: Miss Victory

Quickly, without thinking name the first patriotic superhero.  This is what you were thinking right?

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Yes if the Golden Age of superheroes is known for one thing it’s the fact that most of it took place during a little world event known as World War 2.  America’s superheroes rose the occasion and so many of them took on Hitler and the other Axis powers that if they had all been real then we would have won the war in no time.

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But believe it or not there was another patriotic hero, one who wasn’t afraid to buck tradition or assumed gender roles that the 1940’s had placed on American culture, one who used her incredible strength and invulnerability to not only help America beat back the Axis powers but to open a unholy beat down on American officials who she deemed corrupt and incapable of doing their jobs: Miss Victory.

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Origin and career:

Miss Victory debuted as a side story in Captain Fearless #1 in August, 1941.  In keeping with wartime comic tradition it shows someone beating Nazis to pulp.

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It should be noted that she predates Wonder Woman by about four months making her one of the first super heroines in comics, although not the first.   In terms of origin Miss Victory doesn’t have one, she just appears in the comic and it is simply assumed she has super strength and invulnerability (hey, it was a simpler time back than).

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Her real name was Joan Wayne, a stenographer (fancy word for someone who writes down conversations) working for the government.  However, instead of simply contenting herself with beating back Hitler, Mussolini, and Tojo she decided that it wasn’t enough and turned her attention towards corrupt and deceitful American politicians and law makers (corruption and lies in American government? THAT’S never a problem)  and holy hell was she dedicated to her work.

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Yes Miss Victory wasn’t just a Nazi hunter, she was also a champion of social justice.  As a quick side note, social commentary is another thing that the Golden Age of superheroes was known for.  Superman’s first appearance had him save a man from Death Row, stop a wife beater, and tackle political corruption, it’s just that it quickly took a back seat to Nazi punching.

So what happened?

Miss Victory continued to star in her own short stories in the back of Captain Fearless comics until the comic was discontinued in 1946.  Post war America had little use for patriotic themed heroes and her publisher, Helnit Publishing, had been bought by Holyoke Publishing (it should be noted that Holyoke was no shrinking violet publishing house.  They are responsible for the creation of the Blue Beetle and one of their original artists, Carmine Infantino, was instrumental in creating the modern day Flash) and she was cut to save money.

However, Miss Victory had a much longer career than most of the Golden Age gems we’ve talked about and she would eventually have something even rarer: a resurrection.

In 1984 writer Bill Black and artist Mark Heike resurrected Miss Victory and gave her a new team, the Femforce, which was one of the first all female superhero groups ever created.  The comic was published by AC comics, a company that was founded in 1969 and made a name for itself bringing Golden Age superheroes into the modern era.  Her look was updated.

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and she was given a back story.  In this version she was still alive for WW2 but secretly developed a serum called V-47 to help boost the strength and endurance of American troops.  Sadly, it only worked for her but thanks to the serum she now had super strength, invulnerability, and radically slowed aging which explains why someone who is over 70 years old can look like that.

Now you may be wondering where this particular title went.  The answer is that it’s still going.  AC Comics is still around and you can actually purchase recent Femforce comics on their website.  It just goes to show that when you have a staunch defender of liberty and freedom like Miss Victory it’s almost impossible to make it go away.