The Secret Lives of Villains #256

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Golden Age Showcase: A selection of comics about 9/11

So it’s September 11th today.

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They say everyone who is old enough to remember 9/11 remembers exactly where they were when they heard the news.  I don’t know if this is true for everyone, but I remember being in middle school and being hurried into an auditorium by the entire staff and not really understanding what was going on until much later.

September 11th was an important event in American history and for American comics as well.  For starters, it was the deadliest attack on American soil by a foreign threat since Pearl Harbor.

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We all know that Pearl Harbor was the principal event that brought the United States into World War 2, but it was also the event that guided the direction of American comics towards superheroes,

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and war comics.

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If we take a step back this makes a lot of sense.  Comic book publishers saw that the American people needed escapist power fantasies where all their problems could be solved by walking metaphors that could punch their problems in the face and this trend would continue as America became a world wide military superpower that became increasingly involved in world affairs.

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Just like Pearl Harbor, 9/11 was an event that rekindled our interest in superheroes.

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and it even revitalized an interest in modern military narratives, although these tended to find their way into video games and other forms of media.

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Once again, it was a way for American culture to make sense of our place in the world and give a brightly colored metaphor to our problems.  The only differences were that our heroes fought in Afghanistan instead of Europe and a lot of creators had to deal with a more complex and morally grey fallout.

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In many ways post 9/11 America paralleled post Pearl Harbor America and comic books were there to document and process it.

I know it happened a long time ago, that it brings up painful memories that a lot of us would like to forget, and that many of us would like to keep the political and social fallout that the event caused out of our comic books, but stuff like this is important and needs to be talked about.

So today I’m going to give a brief overview of three comics that dealt with the events of 9/11 and a little bit about the background and influences of each one.

Amazing Spiderman #36

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This comic hit the stores on December of 2001, a mere two months after the attacks.  As a result, it is the closest out of the three comics to the actual attacks, during a time when it was still terrifyingly fresh in our minds and we were all still standing together against a threat that we really didn’t understand.

Out of all the superheroes in the modern pop culture cannon, Spiderman is probably the one who is most connected to New York, and one of the most hard hit by the events of 9/11.

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While New York has always had a special place in comic books as the birthplace of the American superhero industry, Spider Man has had a special relationship with the city.  He’s the city’s defender, the protector of the ordinary people living there, and I’m willing to bet that he’s incredibly grateful for all of the tall skyscrapers around that allow him to actually use his webs effectively.

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The attacks would even have an effect on the Sam Raimi Spiderman movie, forcing Sony to remove a shot of the Twin Towers from a trailer,

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and inspiring Sam Raimi to include a “this is New York!  If you mess with him you mess with all of us” scene into the movie.

The comic itself was written by the legendary writer J. Michael Straczynski and was drawn by Marvel stalwart John Romita Sr.  It isn’t part of a larger story, it’s just Spiderman wandering the wreckage of Ground Zero and trying to process it all.

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Now, I have seen some criticism over the years about this comic, and I can kind of see why.  There’s a page where some of the most violent and destructive villains in the Marvel Universe are just standing in the wreckage, doing nothing.
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Hell, this wasn’t even the first time that Marvel destroyed the Twin Towers in their version of New York.  Juggernaut did it in an issue of X-Force in 1991 and laughed about it.

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but this is not the kind of comic if you ask me this comic deserves our attention and respect as a way for a company that is so engrained into the culture of New York to come to terms with an event that shook the city and the country to its core.

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In the Shadow of No Towers

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In the Shadow of No Towers was published in 2004 and was written by indie comics legend Art Spiegelman, the author of the groundbreaking graphic novel Maus.

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Mr. Spiegelman is a native New Yorker and was there during the attacks.  He was a contributor to the New Yorker magazine at the time and is responsible for the cover of the magazine published on September 24th 2001.

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He’s also a big fan and advocate of comics and takes a lot of inspiration from a lot of the early comic book artists, and it shows in his work.  The book itself is much more personal than the Spiderman comic, but at the same time it has something more to say about the event and its impact.

On one hand it’s about the author himself and where he was during the attacks.  His daughter was attending school near the Twin Towers on that day and the author is not afraid to talk about the fear and terror of actually being up close and personal to an event like that was.

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On the other hand, this book was published in 2004 and while we had come to grips with the attack itself, we were neck deep in the consequences that the attack wrought on American culture and politics. Specifically we were at the beginning of what would become a long, drawn out military occupation in Afghanistan and Iraq.

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Spiegelman saw what was going on, how the attacks were being used to justify spending billions of dollars and killing thousands of American troops (along with Lord knows how many Iraqi and Afghani citizens), and he was not happy with what he saw.

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This book uses old school comic characters and techniques to talk about 9/11 and its aftermath and it is really worth checking out.

Ex Machina

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This comic came out the same time as In the Shadow of No Towers but instead of being a one off graphic novel, it was a 50 issue comic series that lasted six years and was published by DC Comics.

The series was created and written by Brian K. Vaughn,

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who has been doing a lot of great comic book work and is most well known for creating the indie mega hit Saga.

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Now, Vaughn is not a native New Yorker but he did go to New York University and got his start there and, according to the author himself, he created Ex Machina as a rant against the political leadership of the time.

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The comic presents an alternate history of New York and America.  It’s a future where there is a single superhero called “The Great Machine” and he manages to stop one of the planes from crashing into one of the towers.  In the aftermath he is elected to become mayor of New York City and the comic deals with his term in office.

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The comic is a political drama and out of the three titles we’ve talked about it is probably the most detached from the actual events of 9/11.  While it actually changes the events of that day, it uses the superhero story to tell a gripping and meaningful story that shines a light on American politics and how our country’s leaders used the Twin Towers to guide the American public towards the future we are living in now.  The comic is brilliant and it is definitely worth your time.

So there you have it, three different comics, by three different types of comic professionals, talking about the same event through different viewpoints and motivations.  And while it is important to acknowledge the fallout and changes to our culture and way of life, it is important to never forget what happened and how we can ensure it will never happen again.

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Crowdfunded Comics that deserve more attention: Emet Comics

Normally on this blog, we talk about a single comic book project that is trying to get funded through a site like Kickstarter or Patreon.  However, today we’re going to do something a bit different.  Instead of looking at a single project we’re going to be looking at an entire company called Emet Comics.

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Emet Comics is a Los Angeles based comic book publisher that focuses on comic books written and drawn by female creators about female characters.

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They have a relatively small, but incredibly diverse, line up of titles that include everything from science fiction to slice of life stories.

One series of note, this March they completed a successful Kickstarter campaign to continue production of a title called Fresh Romance, a romance comic anthology they had acquired from a publisher called Rosy Press after it shut down in 2014.

So technically this blog post still falls within the bounds of its original purview, it’s just about a comic that has already been funded.

Emet Comics website: http://www.emetcomics.com/

Why I like this company

Because I reached out to the head of Emet Comics, a wonderful lady by the name of Maytal Gilboa, and instead of either passing me off to an assistant or simply ignoring me she took time out of her day to actually talk to me about her work, and motivations.

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Mrs. Gilboa got her start in Hollywood as a development executive and as a leading voice in Hollywood for the advancement of women in executive positions.  She founded Emet Comics in 2015 and has been steadily growing and expanding a network of highly capable female talent as a way to draw more attention to female creators and to empower women by creating better role models in fiction and in its creation.

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Long story short, she knows her stuff.

While empowering women is a noble goal but one thing that Mrs. Gilboa made very clear during the time we talked was that she was an entrepreneur and this is a business venture.  It’s worth mentioning that Emet Comics does have an open submissions policy for female creators and female driven stories, which points towards a company policy that favors new ideas and expansion.

You can find the submissions page here

Now, I know from personal experience that this kind of work isn’t easy.  You have to manage your artists, make sure the website is in working order, find new and interesting ways to get people engaged with your product and paying attention, and if you’re creating something yourself?  Then you have to do all of that while cranking out an original story on a fairly regular basis.

For me, it’s exhausting…and all I do is write a couple of blogs and produce a webcomic!

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So what we have here is a company run by a capable, dedicated, and highly motivated founder with a clear cut mission and an ever expanding library of books and creators.

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I think I might have a new role model.

Why you should donate/be on the lookout for their books

We all know how the cutthroat, knuckle dragging, razor thin profit margin world of comic book publishing is dominated by male creators.  While that does need to change I’m not going to focus on that.  Instead, I’m going to talk about another buzzword that’s been floating around the comic book world for some time now: diversity.

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It’s a pretty powerful word.  In fact, it’s such a powerful word that there are some people who infamously said that diversity is the thing that’s actually killing established companies like Marvel Comics.

That is simply not true.  It’s not diversity that is hurting sales, it’s a lack of diversity (and a handful of other things but we don’t have time for that right now).  But not just in the racial or sexual identity of its characters, it’s the lack of diversity in the types of stories that are being told.

Want historical proof?  During the Golden Age of Comics, a time in comic book history where comic books were sold to boys and girls, publishers put out all sorts of books from superheros,

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to crime comics,

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to romance comics.

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It was this diversity of content that allowed the budding comic book industry make a tidy profit and become a pop culture phenomenon.

Today we have an industry that is dominated by a core group of superheroes owned by two companies that dominate over two thirds of the market.

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One could be forgiven for growing weary of the endless parade of costumed vigilantes.

Granted, there are a growing number of comics and comic book publishers who are branching out, but in an industry that is dominated by male creators creating stories for a male audience I would like to make the argument that if the comic book industry wants to survive, publishers need to start finding new stories and new audiences.

Emet Comics is a new comic book publisher that has made it their mission to destroy many of the long held assumptions about women in the comic book industry, even if they wind up being the only ones who do it.  They have new and different creators telling new and different stories across new and different genres.  It is the right publisher, doing the right thing, at the right time and more than worthy of your attention and money.

Emet Comics website: http://www.emetcomics.com/

Crowdfunded Comics that deserve more attention: After the Gold Rush

Today we’re talking about a Kickstarter comic called “After the Gold Rush”.

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The book is about a scientist coming back to Earth after some mass exodus and seeks to bring back “optimistic sci fi and show that there is better living through science”.

The campaign is run by Miles Greb and has already passed its goal of $4,500 with 26 days left in the campaign.

Kickstarter link:  https://www.kickstarter.com/projects/919052445/after-the-gold-rush-1-3-a-return-to-optimistic-sci?ref=category_newest

Why I like it

In order to understand why I like this project there are two things you have to understand about me.

First, I’m a sucker for cool artwork and this book has some really good art.

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The comic is primarily drawn by a gentleman named Issac La Russa and while it’s difficult for me to describe, I like to think that his art style would be perfect in everything from lighthearted kid’s books to grim and gritty superhero work.

The cover art is done by a guy named Barry Blakenship,

Cover art by Barry Blankenship

This is high caliber work that would be at home with Marvel or DC.  Instead we’re lucky enough to have this on a creator owned project.

The second reason I like this project is because I’m a massive history nerd.

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Now, it would seem strange for a science fiction book to have ties to the past, but hear me out.

A lot of people think that history is about single individuals or events but the reality is different.  Take something like the California Gold Rush of 1849,

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It wasn’t an event driven by a single individual within a set period of time.  It was a mass migration of ordinary people looking for a better life and wound up changing the future of California forever.

“After the Gold Rush” takes this idea and uses it to tell a fantastic story.

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I don’t know much about the plot, but it appears that the story takes place after some sort of human mass migration into space, most likely done by people who were looking for a better life.  This book takes a look at what happens after the people have left and what’s become of Earth.

It’s a book that understands that history isn’t just made up of individuals, it’s made up of masses of people who are trying to better themselves and that’s something special.

Why you should donate

The headline for the campaign states that this comic is “a return to optimistic sci fi”.  That alone should be something to celebrate.

The reason I say this is because it’s probably safe to say that science fiction has gotten pretty grim and gritty these days.

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If science fiction is how we view the future, than I would have to say that we’re being incredibly pessimistic.  Don’t get me wrong, I like grim and gritty stories, and there have been some pretty good ones over the years,

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but we live in an age where the greatest work of optimistic science fiction of our time,

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isn’t immune to being run through a couple of filters in an effort to provide a more realistic and morally questionable story.

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(holy crap, references to two beloved science fiction franchises in an article!)

Again, I have no problem with making science fiction more realistic, but at some point you just have to say “Enough with grim and depressing reality, give us something happy for once!”.

That’s the void that “After the Gold Rush” looks to fill and by God, I think it can actually pull it off.

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Kickstarter link: https://www.kickstarter.com/projects/919052445/after-the-gold-rush-1-3-a-return-to-optimistic-sci?ref=category_newest