Golden Age Showcase: The Hand

This one is going to be a short one, but boy is it a weird one.

We’re all familiar with the idea of a giant hand that is used as a metaphor for controlling things.  The hit video game Super Smash Bros. has the “Master Hand” as a final boss,

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Marvel Comics has the super secret group of ninja demons known as “The Hand”,

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and many real life people love to claim that our lives and fortunes are at the whim of the “invisible hand of the market”.

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Yes, the hand is always there.  It’s big, it’s powerful, and it’s completely unknown to we small pathetic creatures.

But did you know that someone tried to take this idea of “The Hand” and turn it into a superhero in the 1940’s?

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Told you this was going to be weird.

Origin and Career

The Hand made his first appearance in Speed Comics #12 in 1941.

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The comic series was the first comic book title published by Harvey Comics, a relative newcomer to the comic book scene and a company that would become famous for licensed titles such as Caspar the Friendly Ghost and Richie Rich.

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Fun fact: Speed Comics had been bought from a struggling publisher called Brookwood Publications and was Harvey’s entry point into comic book publishing.  Without this title, Harvey wouldn’t go on to become a major comic book publisher.

The character of The Hand was created by Ben Flinton and Bill O’Connor, two men who would go on to create the Golden Age version of the superhero known as The Atom.

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Unfortunately, both men would wind up joining the armed services in 1942, and while both men survived they did not return to comics after that.

In his first and longest adventure, the Hand doesn’t fight Nazis or stop saboteurs.  Instead, he stops a couple of card sharks from ripping off a casino.

He is introduced with no fanfare, no explanation, and no backstory.  He just appears and warns two men that they better watch themselves.

Comic Book Cover For Speed Comics #12

The two men ignore the warning and begin to clean out the house.  The Hand warns management, who takes it all in remarkable stride and agrees to let the disembodied hand help him.

Comic Book Cover For Speed Comics #12

I like to imagine that the hand belongs to some sort of cosmic being that is actually a child and is trying to act all grown up by helping people.

Why not?  It’s more explanation than the comic gives.

The Hand is also a capable fighter…and capable of phasing through walls.

Comic Book Cover For Speed Comics #12

However, when the criminals attempt to stop The Hand by confessing, The Hand realizes that they will not be arrested or charged for their crimes.  So he brands them on the forehead so the world will know what they’ve done.

Comic Book Cover For Speed Comics #12

Apparently, The Hand has never heard of hats.  Which kind of makes sense.

On a side note: this comic issue deserves special mention for the story that came directly after this one.  Since most comics at the time were anthologies publishing short stories of only a couple of pages, we got treated to this one.

Comic Book Cover For Speed Comics #12

A kid taking out a head of state with a rifle and people being okay with it?  Boy the times really were different back then.

Anyway, The Hand would have one more story in the following issue of Speed Comics where he played the patriotic game and helped the F.B.I defeat some foreign spies.

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It was shorter, but had more action.

So The Hand was an established hero with a gimmick and a creative team behind him…

So what happened?

…and that was it, those were the only two issues that featured The Hand as a superhero.

It’s really not that surprising really.  The character was a small backup feature in a series that didn’t last very long and was published by a company that shifted focus away from original characters and into licensed stories.

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Plus, let’s be honest, the two stories that The Hand appeared in weren’t that exciting or good.

The Hand may have been a small time character with boring stories, but that doesn’t mean the concept wasn’t interesting or that he didn’t have any value.  Sure, the creature was a hero and had a sense of agency and purpose, but it always had room for normal people to step in and take over when the time was right.

Comic Book Cover For Speed Comics #13

It appeared that The Hand was some sort of benevolent spirit who helped where he could and allowed normal people to do the right thing, and if that isn’t heroic I don’t know what is.

The Hand had potential, it would be a shame to forget that.

Golden Age Showcase: Unknown Soldier

This Saturday is Veteran’s Day.

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For our non American readers, this is a holiday where America honors those who have served in the armed forces in conflicts past and present.  It’s also an exciting time for this blog because it’s a great time to talk about war comics!

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When looking at the time period, it’s easy to see why war comics became so popular.  America found itself at war and sent thousands of young men and boys to go off and fight in Europe and the Pacific.

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However, America had the advantage of being separated from the conflict by two massive oceans and it’s people didn’t have to come face to face with the true horrors of war.  With that being said, the United States became a military industrial powerhouse during the war and almost the entirety of American culture became obsessed with doing their part for the war effort and protecting the home front.

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Comic books took advantage of this shift in popular culture, and stories about ordinary soldiers fighting against the forces of evil were quite popular during the Golden Age of Comics both during and after the war.  Many of the greatest artists and writers of the Golden Age of Comics made a living writing and drawing war stories which resulted in some of the most complex and interesting stories of the time, along with some absolutely breathtaking artwork.

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The intent and purpose of the war stories that were written during this time was also pretty varied.  War and combat stories ranged from fantastical adventure stories for young boys staring ordinary soldiers fighting in fantastic situations,

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to very thinly veiled propaganda stories promoting American patriotism and fighting spirit.

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It’s worth noting that most of these adventure and propaganda stories were created and published during the Second World War.  After that war was over and the Korean War began a lot of comics became much more realistic and brutal in their depictions of war.

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So there’s a brief rundown of the early history of war comics.  Unfortunately, since most of the early stories have so much talent behind them and were published by the big important publishers of the day, there isn’t a whole lot of material out there for free reading.  However, today’s comic is available in the public domain and is a pretty interesting look at the early days of the war comic genre.

Today we’re going to talk about the thinly veiled propaganda hero The Unknown Soldier.

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Origin and Career

The Unknown Soldier made his first appearance in Our Flag Comics in 1941.  He was published by a company called Ace Comics and was the title character of the series.

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The funny thing is, despite the fact that he was popular enough to appear on the cover of his debut issue, I can’t find any information on who created him or drew his story.

The hero himself has an interesting backstory, mostly because he really doesn’t have one.

Comic Book Cover For Our Flag Comics #1

He’s just a super being who appears out of nowhere firing explosive bullets and using his superpowers to defeat injustice and oppressive “gangster nations”.

What makes this kind of interesting is that this has some pretty close ties to real world American military culture.  In Washington D.C you can visit a memorial at Arlington National Cemetery that honors the unnamed American soldiers who died in every war America has ever fought.

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It’s called the Tomb of the Unknown Soldier and while the comic doesn’t tie the hero to the memorial, I like to think the creators of the story had this monument in mind when they wrote it.

Anyway, in his debut issue the Unknown Soldier helps defeat the Nazi invasion of Britain.

Comic Book Cover For Our Flag Comics #1

It’s worth mentioning that in 1941 this was actually a scenario that was terrifyingly plausible.

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However, in this comic the Nazis don’t succeed because of superior tactics or planning, in fact their kind of idiots, but because of English traitors willing to betray their country to the Nazis known as Fifth Columnists.  We actually get to meet one and learn about his motives.  His name is John Jennings and he has made the classic mistake of believing that his country would be better under the rule of Nazism.

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The Nazi war machine starts rolling and crushes everyone in its wake.

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Thankfully the Unknown Soldier arrives just in time to murder every Nazi he can lay his hands on.

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Naturally, the invasion is turned back but not before the story does something really unique and interesting.  Remember the British fifth columnist John from the beginning?  He has a change of heart when he and his gang of saboteurs attempt to blow up a hospital.

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He actually redeems himself and dies a hero’s death while protecting his mother.

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Comic Book Cover For Our Flag Comics #1

All while the superhero stands by and does nothing.

So the story isn’t actually about the Unknown Soldier, it’s actually a story of redemption for a man who was once blinded by ideology and hatred and sacrificed himself for a noble cause.

Pretty good stuff for a Golden Age Comic.

After that first adventure the Unknown Soldier continued in a similar capacity.  While the stories were actually about ordinary people doing their part for the war effort, the Unknown Soldier would show up when it was time to knock heads or save someone from dying.

He wasn’t a hero with a secret identity, he was a representation of America’s fighting spirit.

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Also, he got a costume change.

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Despite all the murder done by our hero the creators were quick to make sure that the Nazis were just as bad if not worse.  Case in point, they invade Manhattan and use flamethrowers on civilians.

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So what happened?

Our Flag Comics only lasted five issues, but The Unknown Soldier was popular enough to be moved to another title called Four Favorites where he did pretty much the same thing.

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He lasted for over 16 issues until November of 1945 when he fell into the public domain.

While this Unknown Soldier would fade from the public eye, the idea and name would continue when DC comics published another character called The Unknown Soldier in Our Army at War #168 in 1966.

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The comic was created by DC legends Robert Kanigher and Joe Kubert, two men who knew how to create a really good war comic.

This version of the Unknown Soldier was a lot more tangible and slightly more realistic.  Instead of a real superhero, the Unknown Soldier was an intelligence operative who was so disfigured that he had to bandage his face.

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He was actually a master of disguise and in his final appearance, he kills Hitler and disguises himself as the dictator to end the war without further loss of life.

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This iteration proved to be a bit more popular and he got a new limited series in 1997 under the Vertigo imprint at DC.

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As for the original Unknown Soldier, he would make a slight comeback in 2008 when Dynamite Entertainment launched their Project Superpowers title to bring many of the Golden Age public domain heroes back into the mainstream.

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He was renamed “Soldier Unknown” to avoid copyright issues with DC.

As a superhero the Unknown Soldier is not a very good one.  He’s bland, he has no backstory or secret identity, and he’s even more overpowered than Superman.  But that’s not really important.  The Unknown Soldier isn’t a hero, he’s a symbol of something much greater than himself, the creators who made him, and any single person.  He is the personification of the fighting spirit that rises up against tyranny and oppression, and while it would be nice to have known his name, it’s important that we know that he did his job so we could live.

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Happy Veteran’s Day everyone.

Golden Age Showcase: Miss Masque

It’s been a while since we had a lady superhero on this blog that didn’t have a huge mainstream movie come out this year.

Let’s see…what femme fatale looks good this week?

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Okay, she looks good.

Today we take a look at the comic book superhero Miss Masque and no, she is not a Carmen Sandiago clone…although that would be pretty kickass.

Origin and Career

Miss Masque made her first appearance in Exciting Comics #51 in September of 1946 and was published by Nedor Comics, a division of the company Standard Comics.

Comic Book Cover For Exciting Comics #51

She shared the limelight with her slightly more famous superhero comrade, The Black Terror.

That was the cover of her first issue, this is the double page spread that introduced her to readers:

Comic Book Cover For Exciting Comics #51

I’m not going to lie, as first impressions go that’s a pretty good one.

As for creators, there are no author or artist credits on any of her stories.  However, artists Alex Schomburg and Frank Frazetta have been credited with supplying several covers featuring Miss Masque.  For anyone who might not know, Alex Schomburg was one of the most prolific and dynamic cover artists of the Golden Age of Comics.

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and Frank Frazetta is the reason why we think Conan the Barbarian looks like a chiseled barbarian warlord.

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Anyway, back to Miss Masque.  Her backstory is simple, she’s a socialite named Diana Adams and she moonlights as a superhero, that’s it.  No tragic event, no dead parents (that we know of), and no lab accidents.

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She’s just an ordinary lady with her wits, two pistols, and a lot of time on her hands.

Her first adventure is a simple one.  After her car breaks down she attempts to get help from a greedy old farmer who is currently engaged in a water dispute with his neighbor.

Comic Book Cover For Exciting Comics #51

The farmer attempts to fix the problem by hiring a bum to burn his neighbor’s property to the ground but the bum attempts to steal from him, the farmer gets violent, and Diana changes into Miss Masque in order to investigate.

Comic Book Cover For Exciting Comics #51

The farmer knocks her out (this kind of happens a lot in the future) and attempts to ditch the evidence by burning his house down.

Comic Book Cover For Exciting Comics #51

All pretty standard evil so far, but he tried to kill the dog and that is unforgivable.

Miss Masque escapes and tracks the farmer down, only to have him drown in a cruelly ironic way.

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That…is not a good way to go.

Most of her stories followed a similar format.  Her stories would open with a massive double page spread,

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and then she would go on to solve the “case of the week” with little to know continuity between issues.

It’s worth noting that she was a pretty capable superheroine.

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She would find a problem that usually involved whoever she was dating at the time, discover some dastardly scheme, and kick all kinds of butt and have the situation wrapped up in a couple of pages.

The artwork is pretty good too.

The formula must have worked because Miss Masque turned out to be pretty popular.  She got a couple of cover appearances,

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and she even became one of Nedor’s top three characters along with the Black Terror and the Fighting Yank.

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It’s worth mentioning that she underwent a costume redesign around 1947 where she showed off a bit more skin.

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Sometimes it’s important to remember that stereotypes about women in comics exist for a reason.

So what happened?

Nedor Comics must have been undergoing the same troubles the entire comic book industry was suffering through in the late 1940’s because they were consolidated into their parent company Standard Comics in 1949, which went under itself in 1956.

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It almost seems like a broken record at this point but Miss Masque most likely suffered the same fate that befell most Golden Age superheroes in the fifties when the comic book industry was gutted by parents and lawmakers worried that comics were corrupting their children.

If I had to make an educated guess she was doomed from the start since her initial publication date of 1946 lines up with the decline of the superhero genre in American comics and it’s pretty safe to assume she was created as an attempt to boost sales.

However Miss Masque, along with most of the Standard Comics’ library of characters, would receive a reboot in the 1990’s when most of them entered the public domain.

She wound up becoming pretty popular at AC Comics, making a couple of cover appearances in their annual issues,

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A team member of groups like Femforce,

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and she even got her own solo series.

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In this new continuity she retained her identity of wealthy socialite Diana Adams only this time her costume is the source of her power and her will to do good, since it’s possessed by a “spirit of justice”.

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I’d also say it was possessed by the spirit of 90’s comic book cheese.

She also appeared in Alan Moore’s Terra Obscura series in the early 2000’s,

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where she was engaged in a romantic relationship with another character named Fighting Spirit.

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Most recently Miss Masque was part of Dynamite Comics Project Superpowers series from 2008 to 2010.  In this series she got another costume change where she looks even more like Carmen Sandiago,

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she also suffers from amnesia and has actual superpowers this time.  She can replicate other people’s appearances, although her powers seem to be a bit ill defined.

Dynamite even gave her a spinoff solo series in 2009 which lasted for four issues.

Maybe it’s the red and the artists’ fascination with her legs that makes her so popular.

Miss Masque is one of the best female superheroes to come out of the Golden Age of Comics.  While we tend to look back at that time as a place where men ruled and women were considered to be side props, it’s important to remember that there were people out there who thought much differently and were willing to put a lot of time and effort into creating capable and well written female comic book characters.

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Golden Age Showcase: The Owl

Let’s talk about Batman.

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We all know Batman, we all love Batman.  Why?  Because he’s Batman!

The reason I bring this up is because like his blue Boy Scout friend, the Golden Age Batman was incredibly popular.  And as we all know, with popularity comes a host of imitators, knock offs, and copies just different enough to avoid copyright lawsuits.

Today we’re going to look at one of the more successful Batman imitators and a hero with one of the most bizarre legacies in comic books: The Owl.

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Origin and Career

The Owl was one of the few original characters created by a company called Dell Comics.

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The character was created by comic book artist Frank Tomas and made his first appearance in Crackajack Funnies in July of 1940.

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No, I don’t know why they spelled “Crackerjack” wrong.

The hero’s secret identity is Nick Terry, world famous private detective.  In his first adventure he learns about a notorious criminal who has escaped from prison.

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You’ll notice that he’s rich enough to hire a butler, keeps strange hours at night, and has a fiancee named Bella Wayne.

As if we needed any more proof that he was a ripoff of Batman.

With that being said, I will admit that the Owl has one thing on the Caped Crusader.  His costume is much more terrifying.

Comic Book Cover For Crackajack Funnies #25

In fact, the costume is so terrifying that the adventure ends with the criminal dying from a heart attack out of fear.

Comic Book Cover For Crackajack Funnies #25

The Owl got a costume redesign the next issue and continued his campaign of fear and intimidation across the city.

It’s worth mentioning that Belle Wayne was no meager damsel in distress either.  She was a fairly competent reporter and actually learned her fiancee’s identity early in the series.

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Oh, by the way, the Owl was rich enough to afford his own plane as well.

It’s worth mentioning that Belle actually managed to save the Owl as well.  After being kidnapped and imprisoned by a villain called Pantherman (hey, there are worse names), Belle pops out of nowhere wearing…

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When the Owl asks about the costume her response is pure gold.

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The two would continue their adventures for a couple more issues.  While they were popular, the rest of their adventures during the 1940’s were nothing really special.

So what happened?

The Owl and Owl Girl had a pretty good run but Dell Comics stopped publishing new stories for them in 1943.

Despite the character’s popularity, Dell wasn’t the best place for a hero like this.  You see, Dell didn’t spend a lot of time with original characters, they were making too much money off of licensed comic books like Mickey Mouse.

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In fact, they were doing so well that Dell was able to survive the comic book scares of the 1950’s relatively intact and without having to bend to the will of the Comics Code Authority.

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Sadly, internal struggles and split business partnerships meant that Dell folded in 1962 but their successor company, a publisher called Gold Key Comics, continued and even revived the Owl.

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As if the similarities between the Owl and Batman weren’t obvious enough, the entire reason why the Owl was revived was to cash in on the success of a certain tv show.

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Like the Adam West classic, the new Owl comic was campy, silly, and didn’t last very long.

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Since then he has made three appearances in the modern day.  The first in AC Comics’ Men of Mystery in 1999,

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Dynamite’s Project Superpowers in 2008,

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and Dynamite actually gave him his own limited series in 2013.

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So the Owl’s legacy is a successful one.  As a Golden Age hero he’s lasted a lot longer than many of his contemporaries and was just different enough from the crowd to stand apart from the source material he was ripping off.  But, I think it’s safe to say that his greatest legacy are all the other heroes who have adopted the owl as their symbol.

Granted, I’m sure comic book greats like Alan Moore weren’t thinking of this particular hero when they created heroes like Nite Owl,

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or several villains who go by that name,

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but the Owl was the first hero to use that name and that deserves credit and respect.

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Comic Book History: David Bowie and the British invasion of comics

Yesterday the world lost one of it’s most original and eccentric artists, David Bowie.

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I will admit that I am not personally a big fan of his music, although I do really like his song “Heroes”

 

And although I may not like his music all that much it is impossible to ignore the influence his voice, style, and sound had on modern music.   You do not sell over 100 million records and achieve tremendous commercial and critical success sustained over a career spanning three decades and change without doing something right.

So why am I talking about David Bowie on a blog series dedicated to comic book history?  Well, believe it or not you could actually make a strong case that David Bowie actually played a huge part in shaping how we view and think about comic books today.  But in order to do that we need a brief history lesson.

In the early 1980’s, right around the time David Bowie was undergoing a second career peak with songs like “Ashes to Ashes”

The comic book world decided to copy the music scene from the 1960’s with their own British Invasion.  Most people point to this guy paving the way.

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That is comic book legend and Lord of Snakes Alan Moore, who is responsible for creating some of the greatest comic book stories of all time.

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After Moore’s string of massive successes DC comics introduced even more British comic book writers and artists to American audiences such as Neil Gaiman

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Jamie Delano

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and Grant Morrison

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In order to accommodate these new writers and their penchant for deep, complex, and often mature themed works DC created an imprint called Vertigo that would go on to become one of the greatest names in modern comics.

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What’s interesting is that music, especially British pop music of the 70’s and 80’s, would play a huge part in influencing a lot of these writers.  Jamie Delano would become famous for his work on the long running Vertigo series Hellblazer which explored the life and exploits of the Alan Moore created occult magician John Constantine.

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What’s funny is that the character of Constantine was modeled after British singer/songwriter and front man for The Police: Sting.

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Grant Morrison had a more direct link to 1980’s British rock n’ roll, he was in a band called the Mixers who weren’t half bad.

 

As for Neil Gaiman, well he came out with a little known comic book series called Sandman which I have mentioned before is one of my favorite comic book series of all time.

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One of the most famous recurring characters in Gaiman’s epic was none other than Satan himself, Lucifer Morningstar the Fallen One.

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Gaiman made sure that this version of the prince of darkness was modeled after the appearance of David Bowie,

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which probably makes this David’s greatest contribution to comic books.

The fact that British comic book culture in the 1980’s took so many influences from British music at the time really isn’t that surprising.  They were both engaged in a period of tremendous change an upheaval.  The 1970’s and 80’s were a time when a lot of previously long standing conventions were being overthrown and new ideas were being brought to the forefront.  For music this meant the rise of countless genres like electronic music, glam rock (a genre that Bowie helped pioneer), soul, funk, disco, new wave, psychedelic, stadium rock, and so much more.  For comics it meant the final death of the long established Comics Code and the ability to tell meaningful and complex stories again.

The 1970’s and 1980’s were tremendous times for music and comic books and we were fortunate to have David Bowie in the middle of it.  Out of all the crazy and wonderful acts that came out of that time period Bowie was able to stand out as one of the most unique and longest lasting of them all.  His accomplishments and influence will be felt for generations and he will be sorely missed.

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If you would like to explore some comic books that are more directly about or influenced by Bowie there is a comic book series called Fame! which publishes comic books about the lives and works of famous musicians and Bowie’s book can be found here. Also, Bowie’s first hit and one of his most famous songs, Space Oddity, was made into a children’s book which you can read about here.