Tag Archives: comic book
Crowdfunded Comics that deserve more attention: The Kugali Anthology
So I thought the Black Panther movie was awesome,
and if the box office numbers have anything to say, everyone reading this is probably thinking the same thing.
I’m willing to bet that the creators of today’s Kickstarter comic looked at the release of the movie and thought that now would probably be the best time to try and raise money for their project: The Kugali Anthology.
The Kugali Anthology is a collection of comic stories and characters written and drawn by black creators, with an emphasis on creators from Africa.
The comic is being funded out of Britain, so any funding information is converted into American dollars. At the time of writing this comic has currently raised $5,922 out of $13,782 and has 26 days left in its campaign.
Kickstarter link: https://www.kickstarter.com/projects/kugalimedia/the-kugali-anthology?ref=discovery
Why I like it
Before we start I should make one thing incredibly clear, I am not an expert on Africa and I have no ancestral or familial ties to Africa. Outside of a few close family friends and an extremely brief section of my school’s history curriculum, my knowledge of African history and culture is very limited. I am simply writing as a very curious, and very white, comic book fan and tourist.
From the looks of it, this particular anthology is focusing on fantasy stories and folk tales.
I will admit that I could be wrong, but even if I am, the very idea of having a magazine that brings more attention to creators and artists from Africa telling stories that are based in African culture and history is incredibly exciting and makes me very happy.
What little I do know has been enough to pique my interest in Africa for a while and I find its history absolutely fascinating. Africa is a vast,
and incredibly diverse continent filled with larger than life places and people. Stories about great kings such as Mansa Musa of the Mali Empire,
the East African spice ports,
and the life and exploits of Shaka Zulu,
have captured my imagination and I have been trying to learn more ever since.
Heck, Africa is home to one of the first and greatest civilizations in Western history, a civilization that some historians devote their entire lives to studying.
Again, I will admit that I am writing this from a place of relative ignorance but let me ask you this: If my limited knowledge of Africa can demonstrate that the continent is more than a collection of unfortunate stereotypes, that there is more to it than poverty, disease, and violence, what do you think we could learn from people who actually live there?
This leads me directly into my next point…
Why you should donate
Because the world is getting smaller and introducing people to entertainment influenced by different cultures just makes sense. Plus, it can provide creators with a much needed infusion of new ideas and aesthetics.
I’m going to explain by picking on the fantasy genre for a minute. To be clear, I love a good fantasy story but let’s be honest, the second you read the word “fantasy” your mind probably brought up images like this:
or this,
or maybe this if you’re a Japanophile:
Sure, some creators have helped audiences branch out by introducing fantasy worlds that aren’t influenced by Medieval Europe or Japan.
but European and pan Asian cultures are not the only places that have stories worth telling and interesting aesthetics.
Africa has so many stories, characters, and themes to offer the world and it’s high time that African creators took their rightful place on the cultural stage and shared their voices with the world.
The Black Panther movie showed us that audiences are ready for stories that uphold the idea of a strong and confident Africa and that African themes and aesthetics can be a viable source of entertainment.
Let’s take the next step and introduce audiences to the wonderful world of African comic books.
Kickstarter link: https://www.kickstarter.com/projects/kugalimedia/the-kugali-anthology?ref=discovery
The Secret Lives of Villains #299
Crowdfunded Comics that deserve more attention: Kaiju Gods
Full disclosure: this project contains work by Frankie B. Washington, an artist who has done work for this site. No money or special favors were exchanged for the writing of this article.
Today we’re talking about a Kickstarter project entitled Kaiju Gods.
This is an anthology book featuring stories about the Japanese giant monster genre of movies known as “kaiju” movies. At the time of writing this project has 20 days left and has raised $4,960 of it’s $16,000 goal. Funding ends on March 16th.
Kickstarter link: https://www.kickstarter.com/projects/208514895/kaiju-gods?ref=nav_search&result=project&term=kaiju
Why I like it
GIANT MONSTERS AND ROBOTS PUNCHING THINGS!
UNBELIEVABLE DESTRUCTION!
MONSTROUS ROMANCE!
HUMAN ANTS TREMBLING AT IN THE PRESENCE OF A VENGEFUL GOD!!! ALSO…BANANAS!
Sorry…got a little carried away there.
I am a sucker for stories about big things punching other big things and yes, Pacific Rim was a great movie and I am eagerly awaiting the release of Pacific Rim Uprising.
As you can tell from the artwork posted above, there is a huge amount of creativity and passion on display here. In fact, if you got to the campaign page and read it through, you’ll find that the guy putting the anthology together had no trouble finding people willing to participate.
Now, while I am a big fan of big things being punched, I will admit that there is the possibility of it getting…boring. Thankfully, this anthology has gathered a wide and diverse pool of talent utilizing different backgrounds, art styles, and story techniques to tell a wide range of stories that deal with the kaiju monsters.
There seems to be a story where a samurai fights a kaiju with nothing but a bow and arrow,
I don’t know any of the specifics, all I know is that it looks awesome.
Why you should donate
Because kaiju are the perfect metaphor for our time.
We live in a massive, interconnected, and increasingly complicated world that is in the process of changing in ways that we can’t possible imagine.
Don’t get me wrong, I’d rather live here and now instead of anywhere else, but when times change the chaos can be incredibly destructive.
The internet and social media may have given the individual a greater voice and reach bigger and bigger audiences, but all that noise and activity and be so overwhelming that it drives us to become more and more isolated and withdrawn.
Globalization has allowed millions of people to be lifted out of poverty, but has reduced millions more to jobs where they are nothing more than cogs in a very large machine that is nearly impossible to comprehend.
To top it all off, the Earth’s climate is changing, creating an uncertain future where we are unable to sustain our current lifestyle and doom entire countries to ecological and environmental disaster.
If it all seems a bit overwhelming it’s because it is. Our brains are incapable of processing tragedies that affect so many people, so we simply shrug our shoulders and write off the suffering of millions as just “something that happens”.
That sort of dehumanization is terrifying, and it is that kind of horror that the Japanese knew all too well as they watched their cities being bombed into oblivion by the seemingly overwhelming and alien force that was the United States military.
One man who understood that horror well was a little known director named Ishiro Honda,
and in 1954 he gave that horror a name: Godzilla.
We can look back at the past and admire how far we’ve come, we can look towards the future and eagerly await what’s to come, but it is important to look at where we are in the present and realize just how small and insignificant we really are.
Kickstarter link: https://www.kickstarter.com/projects/208514895/kaiju-gods?ref=nav_search&result=project&term=kaiju
The Secret Lives of Villains #297
Golden Age Showcase: Waku Prince of the Bantu
Did I go and see the Black Panther movie this weekend? Of course I went to go see the Black Panther movie this weekend!
It’s a great movie, if you haven’t seen it yet than you need to stop what you’re doing and go watch this movie right now, you can read this article while you’re watching the dozens of previews attached to the movie.
But I’m not here to talk about how this movie is important, other people are doing a better job of that than I can. While he was the first black character in mainstream comics, he wasn’t the first black character to star in his own series.
That was Waku, Prince of the Bantu.
Origin and Career
Waku made his first appearance in Atlas Comics’ Jungle Tales #1 in September of 1954.
Yes, the title says “Jungle Action” we’ll get to that.
The character was created by artist Ogden Whitney,
who worked as a fairly successful artist for several comic book companies and is most famous for co creating a hero named Herbie Popnecker.
It’s pretty clear that the comic is following in the footsteps of the old Tarzan stories, which makes sense because this book came out during a time when comics were moving away from super heroes and into alternate genres such as romance and westerns.
It was also released at a time when race relations in America weren’t at their best.
What’s interesting about comics is that black people have actually been part of the comic book landscape since the beginning. It’s just that the way they’ve been portrayed hasn’t always been…
well let’s be polite and say “sensitive”.
Waku was the first black character to star in a series of stories as the main lead. Not only that, but the stories featured a predominately black cast.
Certainly sounds familiar.
The character was the head of a tribe living in the depths of South Africa, and it is worth mentioning that there is some respect paid to actual history here. The Bantu Migration was an actual historical event and is widely considered to have played an important role in developing African politics and identity.
You can read more about it here.
The character’s first adventure has him inheriting the leadership of the tribe from his dying father, who tells him to forswear violence and govern with kindness and wisdom. This proves problematic when he refuses to participate in ritual combat in order to take his place as king and loses his throne to a greedy and ambitious rival, who tries to sell his people’s services to “white hunters” at great personal profit. Waku winds up killing this usurper and is about to kill himself in penance for what he’s done when his father appears as an apparition and frees him from his vow.
The character would go on to appear in seven more issues and in each issue he would fight off some challenger to his throne or threat to his people. This ranged from wrestling lions,
to evil shamans capable of raising armies of the dead.
In all of his appearanc
So what happened?
Jungle Tales lasted seven issues and was later changed to Jan of the Jungle.
I guess it’s true what they say, sex sells.
Normally changing a title like that hints at some serious problems for the publisher but this time it wasn’t the case. Atlas Comics re branded in the 60’s as the more familiar Marvel Comics.
I’m sure they need no introduction.
Marvel rode the coattails of a little known writer who had been working for them since the 30’s and an artist with an incredible work ethic and a penchant for smoking cigars: Stan Lee and Jack Kirby.
For the handful of people that don’t know their names, these two men basically invented the entire Marvel Universe that we know and love today.
And in 1966 they introduced the Black Panther in Fantastic Four #52.
After a couple of guest spots with the Fantastic Four and Captain America, Black Panther was given his own solo series. The title of the book? Jungle Action.
Now, I’m not saying that Stan Lee and Jack Kirby used Waku as a direct inspiration for Black Panther, there isn’t any evidence of that and any allegations made would be unfounded and unprofessional. But it’s worth considering that both characters were kings of African nations and tribes, both of them were capable warriors, and both Lee and Kirby were working for Atlas at the time Waku was being published.
I’d say that is one hell of a coincidence.
Is Waku a better character than Black Panther? Not really. Should Waku have been the face of black characters in comics? No. But Waku was the first black character who was the star of his own stories and he was treated with respect and dignity.
He was a good man, a capable ruler, and a good starting point for Marvel’s long and storied collection of black comic book characters.
The Secret Lives of Villains #295
Golden Age Showcase: The Eye
Last week we talked about a superhero known as “The Hand”.
Everyone seemed to like it so here’s a write up about another body part that decided to become a superhero.
Yes, there was more than one of these, and this one was actually a bit more successful.
Say hello to The Eye.
Origin and Career
The Eye made its first appearance in Keen Detective Funnies #12 in December of 1939.
The book was published by a company called Centaur Publications, one of the earliest comic book publishers in American history and the company that helped Bill Everett get his start in comics.
Bill Everett is the man who helped create Namor the Submariner and Daredevil.
The character itself was created by a man named Frank Thomas.
You may not know the man’s face, but I’m willing to bet that if you’re an animator or a Disney fan you know his his name and his work.
The man was one of the original animators on Walt Disney’s creative team when the company was just starting out and helped produce some of the most recognizable classics in modern animation history. One example? He animated this scene from Snow White.
He also helped write a book with a colleague of his named Ollie Johnston called The Illusion of Life,
a book that remains one of the most important milestones in 2D hand drawn animation to this day. In fact, the two men were so influential that they were given a cameo appearance in The Incredibles, one of my favorite movies of all time.
Basically Frank Thomas was a big deal, and The Eye was his contribution to the comic book world.
As for The Eye itself, his first adventure starts with the whitest Afghani family on the face of the planet.
The old man laments that he was once a prosperous businessman but had his livelihood stolen from him. Suddenly, a disembodied eye appears in the room.
Meanwhile, in Kabul we’re introduced to the vain and pompous villain of the story, a man named Herat, who wants the old man dead.
You know, I can’t help but wonder how differently this story would play out if it was published today.
Anyway, the villain tries to hire two hitmen to take out his rival. Fortunately The Eye stops them with his ability to travel anywhere and shoot heat blasts out of his…well eye.
Boy, I know red eye flights are a pain…but this is ridiculous. (wait don’t go…come back!)
The story resolves itself quickly and just in the way you would expect. The villain is defeated, and justice is served. The Eye has saved the day and the old man and his daughter are free to return to their business.
The Eye would go on to become something of a regular back up feature in the comic. The stories weren’t connected, it was more of an anthology tale where The Eye would drop in on a group of criminals committing a crime and use one of his many ill defined powers to save the day.
He was also given a sidekick, a young attorney named Jack Barrister who would assist The Eye whenever it needed a hand.
The Eye ran for eight issues in Keen Detective and must have been popular because he was given his own series in November of 1940.
So what happened?
The Eye may have been popular enough to get his own series, but his publisher wasn’t so lucky. While Centaur may have been one of the first comic book publishers ever, poor distribution and business sense saw the company go under in 1940.
While the company folded, it did retain something of a legacy. In 1987 one of his stories was reprinted in a book called Mr. Monster’s Hi Shock Schlock by Michael T. Gilbert.
And in 1992 a company called Malibu Comics revived a bunch of Malibu characters into a team known as The Protectors,
and the Eye was cast as a supporting character.
The Eye was a genuinely interesting idea and character for a superhero. He had an interesting gimmick and he had a legendary creator behind him. If it wasn’t for his publisher going out of business I’m willing to bet it would have gone on to become a staple of modern comic book superheroes as well.
It’s a real shame to see an idea like that go to waste.
The Secret Lives of Villains #294
The Secret Lives of Villains #293
Cambrian Comics 