Golden Age Showcase: The Hand

This one is going to be a short one, but boy is it a weird one.

We’re all familiar with the idea of a giant hand that is used as a metaphor for controlling things.  The hit video game Super Smash Bros. has the “Master Hand” as a final boss,

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Marvel Comics has the super secret group of ninja demons known as “The Hand”,

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and many real life people love to claim that our lives and fortunes are at the whim of the “invisible hand of the market”.

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Yes, the hand is always there.  It’s big, it’s powerful, and it’s completely unknown to we small pathetic creatures.

But did you know that someone tried to take this idea of “The Hand” and turn it into a superhero in the 1940’s?

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Told you this was going to be weird.

Origin and Career

The Hand made his first appearance in Speed Comics #12 in 1941.

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The comic series was the first comic book title published by Harvey Comics, a relative newcomer to the comic book scene and a company that would become famous for licensed titles such as Caspar the Friendly Ghost and Richie Rich.

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Fun fact: Speed Comics had been bought from a struggling publisher called Brookwood Publications and was Harvey’s entry point into comic book publishing.  Without this title, Harvey wouldn’t go on to become a major comic book publisher.

The character of The Hand was created by Ben Flinton and Bill O’Connor, two men who would go on to create the Golden Age version of the superhero known as The Atom.

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Unfortunately, both men would wind up joining the armed services in 1942, and while both men survived they did not return to comics after that.

In his first and longest adventure, the Hand doesn’t fight Nazis or stop saboteurs.  Instead, he stops a couple of card sharks from ripping off a casino.

He is introduced with no fanfare, no explanation, and no backstory.  He just appears and warns two men that they better watch themselves.

Comic Book Cover For Speed Comics #12

The two men ignore the warning and begin to clean out the house.  The Hand warns management, who takes it all in remarkable stride and agrees to let the disembodied hand help him.

Comic Book Cover For Speed Comics #12

I like to imagine that the hand belongs to some sort of cosmic being that is actually a child and is trying to act all grown up by helping people.

Why not?  It’s more explanation than the comic gives.

The Hand is also a capable fighter…and capable of phasing through walls.

Comic Book Cover For Speed Comics #12

However, when the criminals attempt to stop The Hand by confessing, The Hand realizes that they will not be arrested or charged for their crimes.  So he brands them on the forehead so the world will know what they’ve done.

Comic Book Cover For Speed Comics #12

Apparently, The Hand has never heard of hats.  Which kind of makes sense.

On a side note: this comic issue deserves special mention for the story that came directly after this one.  Since most comics at the time were anthologies publishing short stories of only a couple of pages, we got treated to this one.

Comic Book Cover For Speed Comics #12

A kid taking out a head of state with a rifle and people being okay with it?  Boy the times really were different back then.

Anyway, The Hand would have one more story in the following issue of Speed Comics where he played the patriotic game and helped the F.B.I defeat some foreign spies.

Comic Book Cover For Speed Comics #13

It was shorter, but had more action.

So The Hand was an established hero with a gimmick and a creative team behind him…

So what happened?

…and that was it, those were the only two issues that featured The Hand as a superhero.

It’s really not that surprising really.  The character was a small backup feature in a series that didn’t last very long and was published by a company that shifted focus away from original characters and into licensed stories.

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Plus, let’s be honest, the two stories that The Hand appeared in weren’t that exciting or good.

The Hand may have been a small time character with boring stories, but that doesn’t mean the concept wasn’t interesting or that he didn’t have any value.  Sure, the creature was a hero and had a sense of agency and purpose, but it always had room for normal people to step in and take over when the time was right.

Comic Book Cover For Speed Comics #13

It appeared that The Hand was some sort of benevolent spirit who helped where he could and allowed normal people to do the right thing, and if that isn’t heroic I don’t know what is.

The Hand had potential, it would be a shame to forget that.

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Golden Age Showcase: Alias X

We’re back!

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After a nice relaxing Christmas break, and a nasty cold, we’re back to deliver more strange and interesting superheroes of the early days of comics.

2017 was a great year for this blog and we look forward to more of the same this year.  In fact, let’s get started with a good one.

Here’s a hero that never made it past 1943, but could actually be a perfect hero for the modern day: Alias X.

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He even has a cool name.

Origin and Career

Alias X made his first appearance in Captain Fearless #1 in August of 1941.

Comic Book Cover For Captain Fearless Comics #1

We are definitely going to cover the guy on the cover later.

Alias himself was created by Ray Allen and Al Ulmer, two men who will remain mysterious since I can’t find their pictures.

The cover of the book says that it’s published by a company called Holyoke Publishing, but that isn’t true.  It was actually created by a company called Hellnit Publishing, which was owned by this man: Frank Z. Temerson.

Remember this, it becomes important later.

The character himself was created by Ray Allen and Al Ulmer, two people who are so obscure that I can’t find any photos of them anywhere.

The hero’s story starts in the middle.  A mysterious costumed hero who goes by the name of “X” has been terrorizing the criminal underworld and the police commissioner and a newspaper editor are talking about him.

Comic Book Cover For Captain Fearless Comics #1

The hero makes an unexpected appearance and decides to tell the two men his backstory.

Comic Book Cover For Captain Fearless Comics #1

He refuses to give his name, but mentions that he was a small time taxi operator who was charged with the murder of a cop.

The man decides to do the right thing…by escaping prison and bringing those responsible to justice.

Comic Book Cover For Captain Fearless Comics #1

A man on trial for a crime he didn’t commit?  Being forced to answer questions without a lawyer?  Making his escape in order to clear his name?  Yep, sounds like a comic book character to me!

The man doesn’t have any superpowers, but he does use his time in hiding to become a master of disguise.

Comic Book Cover For Captain Fearless Comics #1

The comic says his home was only ten miles away from the prison.  He’s either the smartest man in the world or these cops are idiots.

The new hero manages to foil a robbery using his powers of disguise, and tells the commissioner and newspaper editor that if he manages to complete his mission, someday he will reveal who he really is.

Comic Book Cover For Captain Fearless Comics #1

The rest of Alias’ adventures would follow a similar pattern where he would find and catch a group of criminals using his powers of disguise.  Sadly, he didn’t have a whole lot of time or enough attention to give him an established super villain, although he did appear in a comic called Captain Aero where he fought a Nazi spy ring.

Comic Book Cover For Captain Aero Comics v1 10 (4)

Alias X would only have a handful of appearances and ceased to exist after 1942, a much shorter lifespan than his contemporaries.  Why?  Well…

So what happened?

So you remember the start of the article, where I said the character was originally published under Helnit Publishing under the control of Frank Z. Temerson?

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Well, get ready for legal shenanigans because here’s where it gets weird.

Holyoke Publishing wasn’t a book publisher, it was a newspaper business.

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The company decided to enter the comic book business by taking books created by Helnit Publishing, along with the bankrupt Fox Publications, and repackage them under the Holyoke name.

This was how Holyoke became the publisher of the Blue Beetle, a Golden Age hero with a much longer history than Alias X.

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If this sounds sketchy than you’ve got good instincts.  Documentation over who owned what was pretty poor back then and the owner of Fox Publications would wind up suing Holyoke and winning.

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Temerson, being the original owner of Alias X, would also reclaim what he lost and Holyoke would cease publishing comics in 1944.

Alias X is an interesting case as far as Golden Age superheroes go.  Since he was published by a company that had a small audience and a troubled history he didn’t get a whole lot of attention and respect.  Also, unlike most of the heroes we talk about on this blog he fell off the map at the height of popularity for super heroes in American culture.

Could he have survived the post war years?  Would he have gone on to become one of the great heroes of the modern age?

Comic Book Cover For Captain Fearless Comics #1

Probably not, but I think it would have been interesting to try.