Golden Age Showcase: The Hand

This one is going to be a short one, but boy is it a weird one.

We’re all familiar with the idea of a giant hand that is used as a metaphor for controlling things.  The hit video game Super Smash Bros. has the “Master Hand” as a final boss,

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Marvel Comics has the super secret group of ninja demons known as “The Hand”,

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and many real life people love to claim that our lives and fortunes are at the whim of the “invisible hand of the market”.

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Yes, the hand is always there.  It’s big, it’s powerful, and it’s completely unknown to we small pathetic creatures.

But did you know that someone tried to take this idea of “The Hand” and turn it into a superhero in the 1940’s?

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Told you this was going to be weird.

Origin and Career

The Hand made his first appearance in Speed Comics #12 in 1941.

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The comic series was the first comic book title published by Harvey Comics, a relative newcomer to the comic book scene and a company that would become famous for licensed titles such as Caspar the Friendly Ghost and Richie Rich.

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Fun fact: Speed Comics had been bought from a struggling publisher called Brookwood Publications and was Harvey’s entry point into comic book publishing.  Without this title, Harvey wouldn’t go on to become a major comic book publisher.

The character of The Hand was created by Ben Flinton and Bill O’Connor, two men who would go on to create the Golden Age version of the superhero known as The Atom.

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Unfortunately, both men would wind up joining the armed services in 1942, and while both men survived they did not return to comics after that.

In his first and longest adventure, the Hand doesn’t fight Nazis or stop saboteurs.  Instead, he stops a couple of card sharks from ripping off a casino.

He is introduced with no fanfare, no explanation, and no backstory.  He just appears and warns two men that they better watch themselves.

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The two men ignore the warning and begin to clean out the house.  The Hand warns management, who takes it all in remarkable stride and agrees to let the disembodied hand help him.

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I like to imagine that the hand belongs to some sort of cosmic being that is actually a child and is trying to act all grown up by helping people.

Why not?  It’s more explanation than the comic gives.

The Hand is also a capable fighter…and capable of phasing through walls.

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However, when the criminals attempt to stop The Hand by confessing, The Hand realizes that they will not be arrested or charged for their crimes.  So he brands them on the forehead so the world will know what they’ve done.

Comic Book Cover For Speed Comics #12

Apparently, The Hand has never heard of hats.  Which kind of makes sense.

On a side note: this comic issue deserves special mention for the story that came directly after this one.  Since most comics at the time were anthologies publishing short stories of only a couple of pages, we got treated to this one.

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A kid taking out a head of state with a rifle and people being okay with it?  Boy the times really were different back then.

Anyway, The Hand would have one more story in the following issue of Speed Comics where he played the patriotic game and helped the F.B.I defeat some foreign spies.

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It was shorter, but had more action.

So The Hand was an established hero with a gimmick and a creative team behind him…

So what happened?

…and that was it, those were the only two issues that featured The Hand as a superhero.

It’s really not that surprising really.  The character was a small backup feature in a series that didn’t last very long and was published by a company that shifted focus away from original characters and into licensed stories.

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Plus, let’s be honest, the two stories that The Hand appeared in weren’t that exciting or good.

The Hand may have been a small time character with boring stories, but that doesn’t mean the concept wasn’t interesting or that he didn’t have any value.  Sure, the creature was a hero and had a sense of agency and purpose, but it always had room for normal people to step in and take over when the time was right.

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It appeared that The Hand was some sort of benevolent spirit who helped where he could and allowed normal people to do the right thing, and if that isn’t heroic I don’t know what is.

The Hand had potential, it would be a shame to forget that.

Golden Age Showcase: Hydroman/Adam West tribute.

So before we begin talking about the ridiculous old school hero of the week I feel obligated to bring up the passing of the great Adam West.

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The man was a fantastic actor, a great human being, and for the longest time he WAS Batman.

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The reason I created this blog was to showcase some of the crazier and goofier aspects of the early comic book industry.  Granted, many of these heroes were blatant cash grabs and lazy copies of other popular heroes but there was a crazy energy to those early comic books that was so captivating that it demands your attention and respect.

I bring this up because the 1960’s Batman show was one of the first attempts to bring that crazy energy to mainstream audiences and holy crap did it succeed.

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Sure the show was campy, sure the show was goofy, sure the show is the antithesis of everything that modern comic book audiences think Batman should be, but underneath the camp and celebrity appearances was a show that had razor sharp wit and writing, awesomely cheesy effects and fight scenes, and acting so gloriously hammy that you could put it between two slices of bread and make a sandwich.

Hell, the show won a freaking Emmy and is the reason why the Riddler is my favorite Batman villain!

If you want to check it out for yourself the show is available on Blu Ray, the Batman movie is on Netflix, and you can read the modern take on the show in the DC comics series Batman ’66

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Okay, so that’s enough mainstream acceptability for one week.  Let’s dive right back into another crazy Golden Age hero.

Hydroman seems nice.

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Origin and Career

Hyrdo Man was one of the first characters created by Eastern Color Printing in 1940.

What’s interesting is that Eastern Color Printing was a well established publisher by the 1940’s.  In fact, they were the first company to produce what we would call a comic book in 1933,

In an attempt to cash in on the Superman craze of the late 1930’s and early 1940’s Eastern created the title Reg’lar Fellers Heroic Comics.  This was cover of the first issue published in August of 1940.

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Yes, that is actually how it was spelled and yes, Hydro Man was their main hero deemed worthy to be placed on the cover of the title.

The hero was created by comic book creator Bill Everett,

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who co created Marvel’s Daredevil,

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and Timely Comics’ Namor the Sub Mariner.

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The origin story for Hydro Man combines elements from Everett’s two most famous heroes: water and chemical spills.

The story begins when an unassuming scientist named Harry Thurston accidentally spills a harmless mixture of water, alcohol, and “a little sulfuric acid” onto his hand.

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Why did he do this?  Because he wanted to see what happened.

At this point I have to ask.  Where would superheroes be without a near casual disregard for lab safety and basic human caution?  Nowhere, that’s where.

Surprisingly (or unsurprisingly since this is a comic) the explosion doesn’t kill Harry.  Instead it turns his hand into a waterfall.

So what does he do?  Does he call the hospital?  The police?  The Nobel Committee?

Nope!  He calls his best friend Bob Blake.

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In another stunning display of stupidity, another man named Tom trips, and spills the same chemical all over Bob.

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Thankfully Tom has a gallon of a counteractive chemical (somehow) and manages to return Bob to human form.

Naturally the men decide to abandon all safety and common sense and decide to inject the chemical directly into Bob’s veins.  Then they decide to dress Bob up in a costume, give him weapons, and go and fight off a group known as “The Oriental Invaders”.

Oh right, did you know about the Oriental Invaders?  They mentioned it in a couple of panels.

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Bob’s girlfriend has a point, he is a nut.

It turns out  that the Oriental Invaders are a real threat to our country and way of life.  Complete with ridiculous costumes and almost all of the offensive stereotypes that 1940’s America can muster towards Asians.

Thankfully, Hydro Man is there to over compensate like a true American hero and responds by drowning one of them.

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In the next issue he gets a see through suit made out of a fictional bulletproof material similar to cellophane in order to go after this mysterious enemy organization.

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It should be noted that while Pearl Harbor was still over a year away from pushing America into the war, it was still a time where comic book publishers could get away with calling Asians “a Mongrel Race”.

He was able to find out more information by spying on the guys in charge by dissolving himself into a glass of water.

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All silliness and casual racism aside, that’s actually pretty clever.

The rest of his adventures were pretty similar.  He fought against so called “Fifth Column” enemies, secret agents who were working for the Nazis and Japanese in the United States in an attempt to sabotage and otherwise subvert the war effort.

He would later get a kid sidekick in 1942 named “Rainbow Boy”,

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Sweet Jesus that costume is terrible.

Rainbow Boy could transform himself into a rainbow, create brilliant flashes that disoriented enemies, and could travel at the speed of light.

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Seriously, that costume is just the worst.

So what happened?

Hydro Man and Rainbow Boy were actually one of the most successful comic book superheroes of the 1940’s.  If he had continued we probably would have gotten to see a gritty reboot (although we did get a Spider Man villain named Hydro Man in the 1980’s)

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Unfortunately, our hero fell victim to forces outside his control when his publisher got butchered in the 1950’s with the rise of the Comics Code.

Eastern Color Publishing would hobble on until the 1970’s until they stopped creating original work and existed by printing books from other companies.  They finally closed their doors in 2002 when they couldn’t keep up with advances in modern printing technology.

The Golden Age Hydro Man would go on to have a single modern day appearance in Dynamite’s Project Superpowers series in 2008.

That’s him on the far top left of the drawing.  His name was shortened to “Hydro” in order to avoid a copyright lawsuit with Marvel.

Hydro Man was a popular hero of the 1940’s and it’s easy to see why.  Despite the ridiculous appearance he had a pretty cool power set and a halfway decent artistic team that did their damnedest to keep his stories and powers interesting.

He’s actually available in the public domain, so if anyone wanted to use him in a story, there would be nothing stopping you.

Golden Age Showcase: Captain Battle

Warning, there are some pretty awful depictions of Japanese people in this article.  

 

We all know who Captain America is right?

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Good.

The phrase “success spawns imitators” is something that applies to all art, but it is especially true with comic books.

You have an super strong human who fights for truth and justice?

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Rip him off to huge success and have the inevitable court case bankrupt your company!

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The Superman/Captain Marvel story was one that played out a lot in the 1940’s and Captain America’s shtick of “soldier who goes off to Europe to fight thinly disguised Nazis”,

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was one of the most popular setups of the time…for pretty obvious reasons.

Today we’re going to look at a super hero so similar to Captain America that when the creators were deciding a name all they had to do was look at the next letter in the alphabet: Captain Battle.

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Origin and Career

Captain Battle was published by a company called Lev Gleason Publications, a company that is most famous for publishing the first true crime comic: Crime Does Not Pay.

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Our hero made his first appearance in another title Silver Streak Comics in May of 1941.

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The character was created by artist Jack Binder and writer Cal Formes.  Of the two, Jack is the only one who had a picture,

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Jack is also the more famous of the two, since he helped create another superhero for Lev Gleason Publications called Dardevil.  And no, it’s not THE Daredevil.

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Like most Golden Age heroes, Captain Battle’s origin story is quick and dealt with in a single page.

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He was a kid scientist in the first World War and lost an eye to the conflict.  He vowed that a war like that should never happen again (spoilers: that didn’t go so well) and resolves to use his inventions to stop conflicts from happening.

To help him he has inventions such as the “curvoscope”, a telescope that can see anywhere in the world…somehow.

Also, he has the help of a pretty lady secretary, because this is the 1940’s and apparently that was all women were good for.

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In his first adventure Captain Battle fights off a race of giant birdmen who are attacking a group of battleships.  He uses this opportunity to showcase two of his other inventions: the Luceflyer jet pack and the Dissolvo gun.

Comic Book Cover For Silver Streak Comics #10

Full disclosure, I think “Luceflyer” is probably the coolest name for a jet pack I can think of.

These birdmen who are attacking the ships belong to a villain named “The Black Dragon” and are called “deaglos”.  They’re big, strong, and kind of intimidating,

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wait no…no, no, no, no.  When you fly around and refer to your commander as “your cluckness” you lose all sense of foreboding and terror.

Naturally, Captain Battle swoops in and saves the day.  He showcases his Dissolvo gun on some of the birdmen and it is goddamn terrifying.

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This isn’t a one and done thing, the Dissolvo gets used pretty often throughout the series when Captain Battle decides to fight actual Nazis.

Call me old fashioned, but I’m willing to bet that using a weapon that dissolves your enemies into goo is a violation of the Geneva Convention and human decency.

The Captain is kidnapped and dragged before the Black Dragon, who attempts to turn the hero into a birdman.

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He discovers that the birds fear radio beams and uses this knowledge to kill them all in the final page.

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It’s worth mentioning that these creatures used to be humans, a point that the Captain brings up two issues later when he invents a serum that changes them back.

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He even picks up a subservient Asian man who helps him rescue all the other men.

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Captain Battle proved to be a popular hero, so popular that he wound up getting his own kid sidekick and cover appearances.

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Also, he fought Nazi cultist skull unicorns,

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no…I am not joking.

This was the sort of stuff that would define Captain Battle’s career.  He fought real threats that were portrayed in strange occult ways in order to make them more intimidating and fantastic.

So what happened?

Captain Battle made his last anthology appearance in Silver Streak #21 in 1942 and his final solo appearance in 1943.  I guess having a superhero trying to stop WW2 from happening is kind of a bummer when the actual war just got bigger.

Lev Gleason Publications continued, but folded in 1956 after public outcry over excessive comic book violence and changes to the industry led to decreased sales.

While Captain Battle’s publisher went down the tubes the character did manage to live on.  While his post Golden Age career wasn’t as big or as flashy as some of his counter parts, he did get a movie.

It was called Captain Battle: Legacy War and…

let’s just say that Marvel probably won’t be banging down the door for the rights to this movie.

Captain Battle did actually make a return to comics in 2009 when Image Comics republished Silver Streak Comics in an effort to showcase what Golden Age comics could be if the creators were allowed more artistic freedom.

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It was edited by Image founder Erik Larsen and if you’re reading this Mr. Larsen…I have some ideas you might like.

Captain Battle was a cheesy, over the top, impractical, and mildly racist superhero who was born out of a pretty blatant attempt to rip off more popular superheroes.  With that being said, he possessed a unique charm and flagrant disregard for convention and common sense that actually made him a bit endearing and a pretty cool superhero.

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Golden Age showcase #5: Daredevil

Today we’re going to talk about Daredevil.

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No not him.

During the 1940’s one of the many companies to try to cash in on the superhero craze called Lev Gleason Publications asked one of their most prominent artists, a man named Jack Binder, to write a new superhero title.  What followed was an unprecedented 16 year run on one of the Golden Age’s most popular heroes: Daredevil.

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Origin and career:

If you take this Daredevil’s origin story out of context then it starts getting a bit…creepy. To put Daredevil’s origin in context it’s important to remember his premiere was a year after another, slightly more famous, superhero hit the shelves

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which helped create the idea of a hero having a troubled backstory and origin.  I would tell you what Batman’s origin story is but let’s not kid ourselves, most of us know it by heart.

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Since the Batman’s origin proved to be incredibly popular, and since the Golden Age of Comics was all about copying the latest fad, Daredevil had a similar tragic backstory.  The only difference was that it was so…much…worse.

The hero’s original name was Bart Hill and he had the unfortunate luck to watch his parents be murdered right before his very eyes by a gang of criminals who wanted something his father had invented.  To add insult to injury the same criminals decided to brand the poor boy on his chest with a hot iron that looked like a boomerang.

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The shock of his parent’s death, coupled with the pain of the branding, caused Bart to go mute and swear vengeance upon all crime and become a vigilante.  For some reason he used the boomerang shaped scar on his chest for inspiration and become an expert boomerang marksman instead of…using bats as a symbol to strike fear and terror into the hearts of criminal scum everywhere.

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While he was originally created as an eight page side story in another comic book called the “Silver Streak” Daredevil was pitted against the villainous “Claw” for a five issue story that made him a popular, if not a bit brutal, hero.

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Eventually Daredevil proved so popular that he was given his own series in 1941.  The issue was written and partially drawn by a new creator, Charles Biro and featured the hero doing what else, beating Hitler.

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Soon after Daredevil was introduced Biro gave Daredevil something to make him even more appealing to a large comic book audience: his own superhero team.  In Daredevil comic issue #13 the hero was given a group called “The Little Wise Guys”, a collection of children with wacky names like Curley, Jocko, Peewee, Scarecrow, and Meatball.

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This combination would prove to be incredibly popular and the team would embark on grand adventures such as:

engaging in a wild bicycle chase with desperate felons,

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rescue a damsel in distress from a gang of whip wielding masked strangers in a situation that isn’t reminiscent of BDSM at ALL.

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And, I swear to God I am not making this up, MURDERING AN ENTIRE SQUAD OF JAPANESE SOLDIERS BY CLUBBING THEM TO DEATH AND HANGING ONE FROM A TREE AS AN EXAMPLE!!

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A year later Biro would revamp Daredevil’s identity into a more kid friendly hero.  Instead of simply having his parents murdered Bart’s backstory claimed he had been raised by Aboriginal Australians in the Outback, and instead of being a mute he could now talk.

So what happened?

Despite Daredevil’s popularity he wasn’t popular enough to survive the comic book crash of the 1950’s and the decline of superheroes in comics.  Daredevil himself was written out of his own series in 1950, although his kid gang “The Little Wise Guys” continued to star in their own independent series which lasted until 1956 when Lev Gleason Publications went out of business.

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What’s really interesting about this title is that unlike everything else we’ve talked about in this blog series, Daredevil and his army of child soldiers have a solid and important legacy to the world of comics.  Charles Biro, the man behind most of the stories and the 16 year long run of the character, was one of the most important people in the Golden Age of Comics.

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Besides taking the reigns on one of the most popular heroes of the time, Biro is widely regarded to have crated the first crime comic,

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and the first adult comic

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so if you’re looking for one person who helped kick start the Comics Code Authority and censorship in comics you can blame him, although Biro’s legacy deserves far more praise than condemnation.

In fact, it is because of Biro’s legacy that the Golden Age Daredevil continues to exist today.  Like most Golden Age heroes he has passed into the public domain, which means that any company can use him as they please.  As a result, Daredevil and his arch nemesis the Claw have appeared in AC Comics “Femforce” as guests,

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Erik Larsen’s early Image series “Savage Dragon” first as a guest and then as a supporting character.

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and as a character in Dynamite’s “Project Superpowers” by Jim Kruger and Alex Ross.

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With one of comic’s greatest original creators at his helm and a legacy that enshrines him as one of the Golden Age’s greatest heroes, Daredevil is someone who’s legacy and story deserves the respect and admiration of comic book fans everywhere.