Diamond Comic Distributors: a brief history.

I was going to write an article about an obscure superhero this week, but then I heard the news that DC is teaming up with Walmart to start selling comic books.

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For anyone who doesn’t know, Walmart is going to start selling 100 page anthology titles for $5 starring Batman, Superman, the Justice League, and the Teen Titans in July.

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Personally I find this pretty exciting, partially because I’m a fan of anything that gets comic books into the hands of more people and expands the public profile of the medium that I love.  While some people may question my enthusiasm for supporting a mega corporation that engages in some of the shadiest business practices ever, I can assure you that Walmart is a step up from the current state of affairs.

For those of you who know what I’m talking about, yes it’s going to be one of those articles that confirms what you probably already know and yes, there will be much anger and rage.  For those of you who don’t, let’s delve into the history and reputation of the biggest distributor of comic books: Diamond Comic Distributors.

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very brief history of comic book distribution.

In the early days of the comic book industry, comic books were distributed like newspapers to newsstands and drug stores.

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It was a good place for comics at the beginning, but the system had three big problems.  For starters, comics suffered from the reputation of being cheap and disposable entertainment that wasn’t worth a whole lot of attention, so books tended to be shipped and sold in very poor condition by people who had no idea what they were talking about.

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Second, if a book didn’t sell well, the seller could rip the cover off of the book and return it to the publisher for credit towards the next order, which was very bad news for a publishing industry that survived off of very small profit margins and was perpetually going out of business.  And finally, the stranglehold that newspaper distributors held on getting a comic book out to the people allowed for censoring bodies like the Comics Code Authority to step in and impose their will on content.

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If comics didn’t have this sticker on them, then distributors wouldn’t move the comic, ensuring that the comic would make nothing.

All of this started to change in the 1960’s with the rise of the underground comix scene.

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The comix scene was a network of alternative, underground, and controversial creators and artists who disliked the rules imposed on the comic book medium and protested by creating some of the raunchiest and explicit material I’ve ever seen.

No, I’m not showing this to you, go find out yourself if you want to learn more.

Naturally, no big newspaper distributor would sell this kind of stuff, so the creators created their own small time distribution models in places like San Francisco, where their comics were sold out of head shops and weed dispensaries.

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Things would come to a head in 1972 when comic book dealer, convention organizer, and fan Phil Seuling,

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approached publishers with an idea.   He would create a new distribution model where purchases were no longer returnable and where shops and retailers could order the specific number of books that they wanted, something that was unheard of at the time.  This idea, coupled with the fact that Seuling could offer retailers a discount if they bought a certain number of books, would lead to the decline of the newsstand model and the rise of the specialist comic book store.

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For a while this new system was a success.  Now, comics could be bought and sold faster, cheaper, and by people who knew what they were talking about and what they were doing.

And it only took two decades for all of it to go wrong.

The rise of Diamond

In 1982 a Baltimore comic book store owner by the name of Steve Geppi,

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took over the sales accounts and warehouses of defunct comics distributor New Media and another distributor named Irjax.  He named this new company Diamond, after an imprint that Marvel had created for non refundable comics.

Mr. Geppi’s new venture quickly became one of the largest comic distributors in the United States, mostly because they actually knew what they were doing and were one of the most efficient operations in an industry.  Most of their rivals either went bankrupt due to poor business management, or were bought out by Diamond in the late 80’s and early 90’s.

By the mid 1990’s the comic book distribution business was dominated by three players: Diamond,

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Capital City,

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and Hero’s World.

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In 1996 Marvel Comics, who was enjoying its position as the largest comic book publisher in the world and riding high off of a massive sales boom in the late 80’s and early 90’s, decided to buy Hero’s World and make them the sole distributor of all of Marvel’s titles.

Now don’t get me wrong, it’s pretty clear that Marvel was being a jerk during this whole ordeal so I’m not passing too much judgement on Diamond for what happened next.  Long story short, Diamond managed to outbid Capital City and become the exclusive distributor for DC Comics,

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and Dark Horse Comics,

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which made the largest comic distributor in the United States even bigger.

The Marvel/Hero’s World deal failed miserably.  Hero’s World didn’t have the infrastructure and ability to handle nationwide distribution for the world’s largest comic book publisher and folded after less than a year of business.  Out of options, Marvel went to Diamond cap in hand,

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and Diamond became the sole distributor of the entire American comic book industry.

If all of this sounds sketchy as hell, you’re right.  In 1997 the Department of Justice launched an anti trust investigation looking into Diamond.

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However, in 2000 the DOJ ceased their investigation, believing that further investigation was unwarranted since Diamond only controlled the distribution of comic books but not the distribution of all books.

Which doesn’t seem very fair at all.

The current state of affairs, or why Diamond is bad for business

Despite the fact that the Feds didn’t find anything wrong with Diamond’s business practices, it’s pretty clear that Diamond is a monopoly and certainly acts like it.

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That’s what Diamond is now.

Since there is no competition to keep Diamond honest and promote fair business practices everyone has suffered and everyone has a reason to dislike Diamond.

Retailers dislike Diamond for their poor customer service, late shipping of orders, and sloppy business practices.

You can read a store owner’s own troubles here.

Seriously, I have a friend who owns a comic book store (who shall remain anonymous) who has told me that several colleagues still have to mail checks to Diamond every month in order to pay for orders.

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Mailing checks…in an age where everything is paid for online.

But retailers aren’t the only ones who suffer, publishers and creators suffer as well.

If you’re a small time comic book creator and you want to get your book out to stores and in front of prospective buyers than you better get really good at cold calling, because Diamond won’t even consider selling your book unless you can do at least $2,500 worth of business.

Sure, this is great news for bigger publishers who don’t have to worry about too much competition and can sell their books at a lower price point by offering bulk discounts, but even Marvel and DC have problems.

There was an infamous incident in 1986 where a comic book called Miracleman showed a graphic scene of a mother giving birth.

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There was some negative backlash against the scene, and Diamond responded by encouraging retailers to drop the title all together.

If this sounds like the echos of the Comics Code Authority, you’re absolutely right.

Quite a few creators have taken notice and aren’t very happy with the current state of affairs.  Don’t believe me?  Here’s a page from a Spongebob comic book that was given out during Free Comic Book Day.

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So, that’s the way things are now.  Will this deal between Walmart and DC change things for the better, or is it simply an interesting footnote in comic book history?  Will this usher in a new era of comic book popularity, or are we simply trading one monstrous corporation for another?

Only time will tell, but I for one am going to be watching the future of comic books very closely.

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Golden Age Showcase: Mister Mind and the Monster Society of Evil

So the Justice League movie came out this weekend.

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I haven’t seen it, I probably will despite the negative reviews, and I think I’ll use this opportunity to talk about super hero team ups.

The idea of superheroes teaming up to fight evil together is nothing new in comics.  The very first time it happened was in All Star Comics #3 in 1940 when the Justice Society of America was formed.

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Super hero team ups like this can happen for a couple of reasons.  In the case of the JSA above and the original Luke Cage and Iron Fist books,

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it was a successful attempt at saving the characters from poor sales numbers.  In the case of the modern day Avengers,

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It was a reward for the fans for watching the movies and making the MCU into the most successful franchise of all time.

But it’s not just superheroes that have been brought together, the bad guys get their team ups too.

While one of the most famous examples has to be DC’s Suicide Squad,

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today I want to talk about the first super villain team up in comic book history: The Monster Society of Evil.

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Origin and Career

The Monster Society of Evil was a collection of super villains that were published by Fawcett Comics: the original creators of Captain Marvel.

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Captain Marvel was an interesting hero, mostly because for a brief period of history he was actually more popular than Superman.

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But we’re not here to talk about Captain Marvel, we’re here to talk about the bad guys and the devious mastermind that brought them together.

The Monster Society of Evil made its first appearance in Captain Marvel Adventures #22 in March of 1943.

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The story was drawn by the original Captain Marvel artist C.C Beck,

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and written by one of the most prolific Captain Marvel and Superman writers of all time: Otto Binder.

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The comic starts off with the mysterious and intimidating Mister Mind intercepting a broadcast about an Indian Princess who has a set of jewels that she wishes to donate to the Allied war effort.

Comic Book Cover For Captain Marvel Adventures #22

For starters, props to the villain for having a moon base and second, it’s amazing how just on the nose a bad guy named “Captain Nazi” can be.

Why is Mister Mind helping someone like Captain Nazi?  Because it’s evil of course!

Comic Book Cover For Captain Marvel Adventures #22

It turns out that there’s more to the princess’ jewels than  meets the eye, and that Captain Nazi is very good at disguises,

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even if his henchmen are idiots.

Captain Marvel manages to track down Captain Nazi, only to find that it was all a trap set up by Mister Mind.

Comic Book Cover For Captain Marvel Adventures #22

While the hero is able to take the villains out one by one, both sides manage to track down a second pearl and the villains make their getaway through the power of teamwork.

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The race to retrieve the pearls would go on for several issues, with Captain Marvel taki.  Interestingly, the mastermind behind the whole operation would continue to remain hidden for two more issues until Captain Marvel finally decides to take the fight to Mister Mind’s moon base.

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It’s a pretty awesome story, with Captain Marvel fighting robots,

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and squid men.

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The Captain decides to search as his alter ego, Billy Batson.  After brushing off an insignificant little worm he’s confronted by a giant of a man who appears to be the real Mister Mind.

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Our hero manages to defeat the villain with an epic headbutt!

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But it turns out that the giant wasn’t Mister Mind at all!

Not to worry though, they reveal the true identity of Mister Mind in the next issue.  You know that worm Batson brushed off of his shoulder?  Yep…that’s the criminal mastermind!

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Oh yes, that’s certainly the face of a criminal mastermind and genius.

Despite his small stature and lack of long range vision, Mister Mind is a capable villain with the ability to hypnotize creatures and humans to do his bidding.  So naturally he teams up with Hitler.

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Mister Mind turns out to be a very slippery nemesis for Captain Marvel and the two would continue their game of cat and mouse (worm and human just doesn’t have the same ring to it) for over twenty issues and ended in Captain Marvel Adventures #46 when he’s captured, tried, and executed via electric chair…

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somehow.

And that was the end of Mister Mind in the Golden Age of Comics, one of the smallest and most devious villains in all of comic books.

So what happened?

Sure the evil worm may have been killed, but we all know that death is but a revolving door in comics so he could have made a comeback.

Unfortunately that wouldn’t happen.  Fawcett stopped making comics in 1953 and DC wound up suing Fawcett for copyright infringement in one of the longest court cases in comic book history.

In 1972 DC Comics began publishing their own Captain Marvel stories under the title of SHAZAM! due to Marvel Comics snapping up the copyright to the name.

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Mister Mind would be reborn as a DC super villain in the second issue of the series where it was revealed that he had survived the electrocution and hypnotized a taxidermist into creating a fake corpse.

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The villainous worm would reform the Society of Evil to include some of the most powerful and deadly villains in the Captain Marvel franchise.

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This would continue until DC reset its entire universe in 1986 with the Crisis on Infinite Earths event and everything was reset.

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Mister Mind would wind up returning to the DC universe in the limited event series The Power of SHAZAM!, only this time he became a tad more…intimidating.

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This version of the villain was a member of a species from Venus and almost destroyed the Earth in a nuclear holocaust.

The worm would continue to be a nemesis of the Captain Marvel series and DC heroes as a whole.  His most recent appearance was in the company’s New 52 reboot, although the Society of Evil didn’t make an appearance.

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He has yet to appear in any recent DC comics.

Mister Mind is one of the most interesting comic book villains to ever come out of the Golden Age of Comics.  He was smart, capable, and evil to the core but needed to manipulate others to do his dirty work for him.  Outside of stalwarts like Lex Luthor and the Joker, Mister Mind has one of the longest and most successful careers of any comic book super villain and I would be very interested in seeing if DC decides to do anything with him in the future.

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Golden Age Showcase: Doll Man

In the entire library of superpowers, the ability to shrink is one of the more esoteric powers.  It doesn’t get used that much, but there are a pretty select core of superheroes who are known for their ability to change their size.

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That’s not to say that it’s a bad superpower.  After all, the Marvel Ant Man movie showed that it wasn’t just useful, it could tell a great story as well.

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Plus, one of my favorite episodes of the Justice League cartoon centered around the Atom destroying an alien hive mind from within using his powers.

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But where did the idea of a shrinking hero come from and who was the first hero to use this power?  Well, the answer can be found in a fairly obscure Golden Age hero from Quality Comics called Doll Man.

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Origin and Career

Doll Man made his first appearance in the Quality Comics’ anthology Feature Comics #27 in December of 1939.

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While the name of creator was given as “William Erwin Maxwell” it was really a pseudonym for Will “I literally wrote the book on comics as an art form” Eisner.

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As for origins, Doll Man goes the scientific route with the heroic scientist Darrel Dane (alliteration for the win) developing a special serum that will allow a human to shrink down to the size of a doll.  Why he wants to do this I have no idea.  Also, his fiancee Martha Roberts is being blackmailed by a man named Falco and she’s keeping this a secret for some reason.

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Since this is the early days of comic book science, Darrel must have not gotten the memo on lab safety and self experimentation and decides to test the serum on himself.  This act also makes Darrell one of the first comic book scientists to go crazy after said self experimentation.

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I like to think that Eisner wanted to take Doll Man and turn him into a tortured villain driven mad by the result of his experiment, which would have made for a very interesting story.  However, I’m willing to bet that some editor in the Quality Comics offices squashed that idea because in the very next page Darrell is okay and decides to become a superhero.

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It’s a good thing that Darrell decided to be a good guy, because he uses his powers to save his fiancee from the blackmailer to end the story.

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Doll Man would later become a fixture of Standard Comics and would often appear on the covers as well.

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His stories were all over the place.  In one issue he would be fighting gangsters trying to rob ships on the docks, in the next issue he would be helping rancher friends in a land dispute.  In all of them he would use his size and relative strength to his advantage.

His stories must have made an impact because Doll Man would later become a pretty popular hero.  He appeared in over 200 comic book issues and was even given his own quarterly title.

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Some fun facts: his fiancee Martha would eventually become a super heroine known as Doll Girl, who had the same powers as her fiancee.

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Also, several of Doll Man’s covers had him tied up and placed in a position of helplessness.

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It’s nothing special, just an interesting idea during a time when male heroes generally didn’t show that kind of weakness.

So what happened?

The Feature Comics title stopped publication in 1950 and Doll Man’s solo issues stopped publication in 1953.  Quality would go out of business three years later and Doll Man wasn’t seen for two decades.

It was probably Will Eisner’s reputation that kept the memory of Doll Man alive because he wasn’t really used that often.  During the middle of the 20th century DC decided to create a “multiverse” for their characters to avoid continuity mix ups.  Doll Man was placed on “Earth X”, a universe where the Nazis won the Second World War, and made an appearance in the comic title Freedom Fighters.

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He’s at the bottom of the page.

He was also a guest character in the All Star Squadron on “Earth-2”, the place where DC put most of its old Golden Age heroes.

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The separation of these two groups would be erased in the DC comic event Crisis on Infinite Earths where the entire DC continuity was streamlined and simplified for new readers.

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The Freedom Fighters would be relaunched in 2006 by writer Jimmy Palmiotti.

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The team got a modern makeover, including Doll Man.  The new hero was named Lester Colt and he was a more hard ass, military minded, “end justifies the means” kind of hero who proves this in the first issue after he disguises himself as an action figure and kills a drug lord in front of his son.

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Darrel Dane still existed, but it was revealed that he was suffering from mental problems due to shrinking so often and was committed to an unnamed mental institution.

Doll Man would have his most recent reworking in 2012.  This time it was part of another company wide reboot event known as “The New 52”.  The hero was a scientist named Dane Maxwell who was the romantic partner and scientist friend of the heroine Phantom Lady.  He was shrunk to the size of an action figure during a lab accident and became her partner in crime fighting as well.

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In many ways Doll Man’s impact on the superhero world was a lot like his power set.  Sure, it was relatively small and often unseen by many fans and readers, but he was the first hero to use the ability to change his size as a superpower which made him a trailblazer for some of the most popular and well known heroes today.

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Golden Age Showcase: Spy Smasher

Sigh, so we can all agree that these last couple of months have been pretty crappy right?

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I’m not going to go into any great detail on this matter, you can watch the news for that, but I will say that if the heroes that I write about in this blog were alive and around today…I’d think they would be very disappointed.

I thought this would be a good place to put the picture of Captain America punching Hitler, but I thought this one would be more apropos.

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Thank you Superman.

The sad truth is that the reality of the situation is, and always has been, complicated.  While these comic books were created to provide a morale boost to the men and women fighting against fascism,

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fascism had a very real presence in America since it became a thing.

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Yes, those are swastikas next to the American flag and a picture of George Washington.  This is a picture from 1938 at a Nazi rally in New York.  This was a thing right up to the point where we started fighting the Nazis.

One of the things that we’ve been seeing in a lot of these Golden Age comics are superheroes who don’t go off to Europe to fight the Nazis, they find plenty of them here.  While there was a war to fight across the ocean a comic book hero could always find a spy ring, saboteurs, or enemy agents hiding around with plans to disable the war effort.

Maybe the heroes saw that there were other threats that were much closer to home, or maybe they just wanted to save money on air travel.

Either way, let’s dive into some escapism and talk about a hero who held down the home front against the scourge of Nazi spies: the eloquently named Spy Smasher.

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Origin and Career

Spy Smasher was first published by Fawcett Comics and was created by Bill Parker and C.C Beck, the two men who originally created Captain Marvel.

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The hero made his first appearance in Whiz Comics #2 in February of 1940, an issue that was actually the first issue of the Whiz Comics title and has one of the most iconic covers in comic book history.

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The story starts off with a literal bang, someone is sabotaging American military vessels.

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Wait, $20 million dollars for an aircraft carrier?  What a bargain!

Naturally this worries a lot of very powerful men in Washington, and one man decides to share potentially dangerous information with his daughter and fiancee.

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Nazi spies in America?  Preposterous!

Meanwhile, the spies themselves have been busy and decide to steal plans for a mine laying ship, only to be foiled by the timely arrival of the Spy Smasher.  They are led by a fairly creepy individual known as “The Mask”.

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The hero manages to pursue the villains in his Gyrosub.  This is a vehicle that serves as a helicopter, an airplane, speedboat, a submarine, and a completely ridiculous looking vehicle.

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Eat your heart out Batmobile!

Long story short, the hero winds up defeating the spies, even though the main villain escapes.

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The day is saved and the plans are returned.

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In a fairly ballsy move, the creators didn’t reveal the identity of the Spy Smasher in the first issue.  In fact, they didn’t reveal the secret identity of the Spy Smasher for most of his stories.  Sure, it may have been a clever marketing ploy, but even children would have thought it was weird that Spy Smasher and Alan Armstrong were never in the same panel together, and how Alan disappeared whenever there was trouble, or how Spy Smasher had a strange fascination with the woman who was Alan’s fiancee.

Spy Smasher was Alan Armstrong is what I’m trying to say.

It turned out that Spy Smasher’s battles with his arch nemesis the Mask turned him into a pretty popular hero.  He was so popular that he actually had a crossover with Captain Marvel in Whiz Comics #16 where he turned evil and tries to hypnotize the hero into doing his bidding.

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But it’s okay because it turned out that it had all been a ploy by the Mask to hypnotize and brainwash the now dead Mask to do his bidding.

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Spy Smasher continued to have a career after the war, although he did change his name to Crime Smasher to fit with the times.

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So what happened?

Alan Armstrong remained a popular staple of Fawcett Comics, right up to the point where they were forced to stop publishing comics in 1953 after losing a lawsuit to DC Comics that claimed they had ripped off Superman.

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While Captain Marvel would go on to have a pretty successful career (he’s called Shazam! now due to copyright issues) Spy Smasher fell by the wayside.  I guess when there are just no more spies to smash you don’t really have a future.  Why they didn’t decide to use him to hunt Soviet spies is beyond me.

Spy Smasher would go on to have a limited career, barely used but not forgotten.  One of his most notable appearances was in the excellent tv show Justice League Unlimited where he appeared in the opening of the episode “Patriot Act”,

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and in Gail Simone’s Birds of Prey series she introduced a character named Katarina Armstrong, a highly skilled global anti terrorism agent with a costume that was heavily inspired by the original Spy Smasher.

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While she looks like Spy Smasher and has his last name, any potential relationship the two may have had is not revealed.

In many ways Spy Smasher had the same career trajectory that a lot of Golden Age superheroes had.  He was popular in the 1940’s and while he fell by the wayside after the comics industry crashed, he was fondly remembered by those who knew and would go on to be an influence for the superheroes of the future.

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If you ask me it’s a crying shame that nobody uses him any more, I’m sure he wouldn’t mind coming out of retirement to fight a few more Nazi spies on American soil.

Golden Age Showcase: Atomic Tot

So I just discovered Rick and Morty last night.

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It’s a good show, a bit dark, bleak, and incredibly pessimistic.

I bring this up because it provides a direct contrast with my love of superheroes.

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Yes they’re bright, colorful, and probably have no place in modern society but that’s not the point.

Superheroes are supposed to be titans of morality and/or walking metaphors that can solve all their problems by punching them or blasting them with energy rays.  Sure, sometimes they may a bit more complicated and complex, but in the end that’s what they are.

Superheroes did the right thing, ate their vegetables, said their prayers, and told little Timmy that doing the right thing came first, no matter what.  They were uncomplicated lessons in morality for kids in an uncertain and dangerous time and that is something that the Golden Age of Comics did better than almost anyone else.

So let’s talk about a superhero named Atomic Tot, who was a superhero that was unquestionably for the kids,

Tom Tot undergoes his amazing transformation. Artist: probably Ernie Hart.

and kind of dropped the ball in that regard.

Origin and Career

Atomic Tot made his first appearance in Quality Comics’ All Humor Comics #1 in September of 1946.

Comic Book Cover For All Humor Comics #1

That joke on the cover of the issue?  That’s as good as they would get.

He was created by comic book writer and artist, Ernie Hart.  While I can’t find a picture of him, I can tell you that his most famous creation was the famous Super Rabbit for Quality Comics.

Pssh, the idea of talking anthropomorphic animals is so lame.  Who could possibly make any money off of that?

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Anyway, before Atomic Tot got his name he was originally known as “Mitymite”, the weakling son of a poor peasant living in a land being terrorized by an evil giant.

Comic Book Cover For All Humor Comics #1

Yes the captions are in rhyme, to explain why I don’t have time.

Mitymite grows up wishing to meet this princess, but is blocked by the wicked giant.  Humiliated, he swears revenge.

Comic Book Cover For All Humor Comics #1

So what does he do?  Does he subject himself to strange experiments?  Find a magical artifact?  Nope!  He eats his cereal and works out.

Comic Book Cover For All Humor Comics #1

Wheaties would love this guy.

Naturally he defeats the giant, by tossing him out a window…presumably to his death.

Comic Book Cover For All Humor Comics #1

However, it turns out the princess isn’t all she cracks up to be and Mitymite acts like a total dick and abandons her.

It’s worth mentioning that he looks like he’s only six year old.

Mitymite was given a modern update in the very next issue.  His new name was Atomic Tot and he got an alter ego of Tom Tot.

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His second adventure saw him stopping an evil scientist that was kidnapping children and turning them into monkeys.  Why?  To sell them to the zoo of course.

Comic Book Cover For All Humor Comics #2

How does he do that and wouldn’t it make more sense to sell them to laboratories as test specimens?  I don’t know and the comic doesn’t care.

It’s worth mentioning that Atomic Tot could be incredibly cruel to his enemies.  He even threatened to turn the scientist into a monkey if he didn’t help return the kids.

Comic Book Cover For All Humor Comics #2

Atomic Tot would go on to have five more stories just like this one.  There really isn’t anything else to say.

So what happened?

For some strange reason, Atomic Tot did not survive past the 1940’s.

Why he didn’t last long is a real mystery.

For some bizarre reason, Atomic Tot wasn’t fondly remembered enough to get a reworking in modern comics either, although he did make an appearance in an anthology title called Not Forgotten which was successfully funded through Kickstarter a few months ago.

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The anthology has a website, it’s pretty interesting stuff and worth checking out.

Atomic Tot is a superhero boiled down to its most basic essence.  There is no complicated backstory, no surprising plot twist about his parents, not horrifying life event that inspired him to become a superhero.  He’s just a kid who has the ability to do great things and decides to use his talents for good.

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Huh, come to think of it…that is pretty boring.  Maybe all this straight laced morality isn’t quite for me than.

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Golden Age Showcase: Amazing Man

Well, last week was fun but I think it’s time for a return to form.  Let’s talk about an obscure comic book hero from an obscure comic book publisher who had more of an impact on the world of comics than he had any right to have.

Today we’re talking about the aptly named Amazing Man.

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Origin and Career

Amazing Man was one of the greatest and most noteworthy heroes to come out of a small publisher called Centaur Publishing, mostly because he was created by comic book super creator Bill Everett.

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Centaur was a spin off company created by two former employees of National Allied Publications, the company that would eventually become DC Comics.

They were actually one of the first comic book publishing companies in American history and in 1939 they debuted Amazing Man in the creatively named Amazing Man Comics #5.

Comic Book Cover For Amazing Man Comics #5

Now, I’ve seen some covers created by some of the greatest comic book talent and while this one isn’t as colorful or as action packed as most of them, it certainly does a hell of a lot to pique my interest.

In traditional Golden Age fashion, his backstory is explained in one page.  When he was a baby he was adopted by a group of monks and trained to be their instrument.

Comic Book Cover For Amazing Man Comics #5

I love how they call him an “ultra man” and how a group of Tibetan monks look so pale and white.

The monks put him through a battery of tests, Comic Book Cover For Amazing Man Comics #5

Comic Book Cover For Amazing Man Comics #5

I honestly don’t know which one I think is more awesome.

Almost as a side note, one of the monks injects him with a serum that turns him into a green mist.

Comic Book Cover For Amazing Man Comics #5

Why? How?  Who cares!

He goes out into the world and stops his first crime by uncovering a conspiracy by a greedy railroad president to wreck his trains but not before our hero uses his unexplained powers of telepathy to boost a moving train over a washed out bridge.

Comic Book Cover For Amazing Man Comics #5

It’s like the movie Speed, only with trains instead of buses.

It’s presumed that the President of the railroad company did it for insurance money, but the reason is never given and the story ends with the criminal committing suicide rather than being captured.

Comic Book Cover For Amazing Man Comics #5

There was an interesting plot point revealed early on that actually managed to separate the Amazing Man from the competition.  Early in the series it was revealed that one of the monks from The Amazing Man’s home turned out to be evil.

The monk’s name was “The Great Question” and he had the ability to control Amazing Man telepathically,

Comic Book Cover For Amazing Man Comics #6

What’s really interesting is that Everett didn’t shy away from violence, showing people getting beaten and even shot.

Comic Book Cover For Amazing Man Comics #6

The battle between Amazing Man and the Great Question would become the defining conflict of the series until it was cancelled in 1942.  Most of the adventures were pretty run of the mill, if it weren’t for the glorious covers that were featured on almost all of the issues.

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So what happened?

One of the defining traits of comic book publishers during the Golden Age was that, with the exception of Marvel and Detective Comics, a lot of them wound up either going out of business or folded into other publications.

Centaur Publications is a rather unique story because it’s shelf life was even shorter than most of its competitors.

Thanks to a bad distribution deal the company went out of business in 1942, they didn’t even get to see the end of the war.

Someone must have remembered them, because in 1992 a good portion of their characters were revived by another comic book publisher called Malibu Comics.

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Amazing Man was part of the revival and he found himself part of a superhero group known as the Protectors,

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complete with all the trappings and glorious excess that was a hallmark of superheroes in the 1990’s.

In a sad twist of fate, Malibu Comics would suffer the same fate as Centaur.  They fell victim to the skulduggery surrounding the comic book industry of the 1990’s and were bought out by Marvel in 1994.

Amazing Man would make another appearance in Dynamite’s Project Superpowers title,

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but what’s really interesting is how his legacy managed to live on in Marvel Comics itself.

John Aman would make an appearance in the Invincible Iron Fist #12 in 2008.

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Marvel kept the name, the ability to change into a glowing green mist, and his mystical connections to Tibetan culture by having him become the “Prince of Orphans” and being charged with hunting down a character named Orson Randall, the man who was the Iron Fist superhero before Danny Rand took over.

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Long story short, Orson and Aman are originally enemies but wind up fighting for the same side when Aman learns that his employers lied to him about their plans for their city and Earth.

The Prince of Orphans would also make appearances in Secret Avengers,

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the Marvel event comic Fear Itself, where he had to fight a possessed Iron Fist in order to save the universe, and most recently as an antagonist in the 2012 Defenders series.

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So what we have here is a revamped Golden Age superhero with ties to Tibetan mysticism, who is a brilliant martial artist who can turn himself into a green mist, and who winds up being a sort of assassin for the same mystical city that created Iron Fist.  Now, I don’t want to put thoughts in anyone’s head, but don’t you think a guy with a cool power set would be perfect for a certain set of shows on a tiny little network like say…Netflix?

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All I’m saying is that there’s a lot of history to go back on here, and while I haven’t gotten around to watching the Iron Fist show on Netflix, everything I’ve heard tells me that they could use something a bit more…amazing.

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Golden Age Showcase: Blackhawk

So I saw the Dunkirk movie yesterday.

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I liked it, it was very well directed, and it’s probably the most British movie since Chariots of Fire.

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The movie got me thinking about this blog.  The simple truth of the matter is that this blog deals with heroes that were created in a time when the world needed a bit of escapist fantasy and the comic book industry responded by creating a whole bunch of heroes who could do the fighting for them.

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While there was a time and a place for these types of stories it’s important to remember that the fantastical violence shown in World War 2 era comics was very real for a lot of people and many of those people didn’t make it out alive.

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Now, we’ve covered some of the more “realistic” war comics with characters like Sgt. Fury and the Howling Commandos,

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but this week I thought it might be fun to talk about another war comic that was actually published during World War 2 with Quality Comics’ fighter squadron/expertly dressed hero Blackhawk.

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Origin and Career

Blackhawk made his first appearance in Quality Comics’ Military Comics #1 in August of 1941.

Comic Book Cover For Military Comics #1

Right off the bat the main character made the cover and looks good doing it.

There is some debate as to who created the character in the first place.  While many credit comic book legend Will Eisner with the character’s creation,

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Eisner himself gave most of the credit to artist Charles Cuidera and writer Bob Powell.

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For a time when the United States hadn’t entered the war in Europe, this comic was certainly very much for it.  In the very first page the comic shows the Nazis steamrolling through Poland and introducing the main villain of Captain von Tepp, who is the very definition of a bastard.

Comic Book Cover For Military Comics #1

Seriously, even kicking puppies seems a bit tame for this guy.

Von Tepp and his Butcher Squadron discover a mysterious black plane that they shoot down.  The Captain makes the unknown pilot’s life even more hellish by destroying a farmhouse with innocent people in it.

Comic Book Cover For Military Comics #1

The pilot is revealed to be a man named Blackhawk, who vows revenge against the Nazis and gets his wish a few months later when he confronts Von Tepp and kidnaps him.

Comic Book Cover For Military Comics #1

Blackhawk takes the Captain back to his island base where they decide to settle their grievances with an honorable duel using airplanes.

Comic Book Cover For Military Comics #1

Naturally the Nazi cheats by sabotaging Blackhawk’s plane and the two crash to the ground, where the grudge is settled when Blackhawk shoots the Captain.

Comic Book Cover For Military Comics #1

In later issues it was revealed that the Blackhawks were actually a squadron of fighter pilots made up of men whose nations had been captured by the Nazis.

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Side note: this actually has a basis in real history.  Feel free to look up the exploits of groups like the Polish 303 Squadron if you want some real life heroics.

In Issue #3 the group would also get a Chinese cook, who was unfortunately named “Chop Chop”.

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…well they can’t all be good.

Sales wise the Blackhawks were a massive hit for Quality Comics.  They were so successful that they received their own comic in 1944.

Blackhawk #9

In 1950 it was revealed that the leader of the Blackhawks was actually an American volunteer fighter pilot who had joined the Polish air force and decided to form the squadron as a way to fight back against the Nazis, even though he and his comrades had no country.

Some of the most talented writers and artists of the Golden Age worked on the Blackhawk title and it was actually so popular that Quality continued to publish the title right up until they went out of business in 1956 with Blackhawk #107 being the last issue.

Blackhawk #107

So what happened?

Quality couldn’t make it past the comic book slump of the 1950’s and sold off the rights to most of their characters to DC comics in 1956.

Interestingly enough, the Blackhawks had been so popular that DC actually decided to continue publishing the title after they bought it,

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they even kept most of the original art team on the title ensuring that the only thing that changed with the comic was the logo.

Now that the Blackhawks had new life they wound up being one of the few superhero teams to transition into the Silver Age of Comics.  This time in comic book history saw the squadron face fewer Nazis and more science fiction themed villains and things got a little…weird.

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Also, in 1959 they added a lady to the team as an on and off supporting character.  She was given the rather unimaginative name of Lady Blackhawk.

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She would remain one of the biggest members of the supporting cast and even became a villain named Queen Lady Shark.

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I don’t know what’s funnier, the skis or that hat.

Ironically, the rise of superhero comics in the 1960’s hurt the Blackhawk Squadron and while DC attempted to revamp the group in 1967 by giving them new names and costumes,

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it only lasted 14 issues before the title was cancelled.

The Blackhawks would make a brief comeback in 1976 as a group of mercenaries,

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but they were cancelled again until the 1980’s when they were sent back to their familiar stomping grounds of World War 2.

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The 1980’s series reworked the Blackhawks and gave their older stories a more modern update in terms of storytelling, including a much more dignified appearance and backstory for poor Chop Chop.

In 1988 DC reworked its entire history with the mega event Crisis on Infinite Earths 

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and the Blackhawks made the cut.  They were given another reworking and this time the squadron was led by a man named Janos Prohaska, an actual Polish national who was forced to flee his home after the Soviets kicked him out.

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The Blackhawks continue to be a part of the DC universe.  One of their more noticeable appearances was in the excellent Justice League animated show where they played a major part in the episode “The Savage Time”.

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and in the show Arrow the “Blackhawk Squad Protection Group” made an appearance as the place of employment for John Diggle’s commanding officer Ted Gaynor.

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Also, a group calling themselves the Blackhawks got their own title in DC Comics’ New 52 relaunch,

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but they have yet to show up in DC’s more recent “Rebirth” relaunch.

The Blackhawks are a team with a long and fantastic history.  What I find really fascinating is just how well they were able to survive so much while so many of their contemporaries fell through the cracks, never to be seen again and if it wasn’t for characters like Plastic Man,

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I would go as far as to say that the Blackhawks were the best and most notable comic to ever be published by Quality Comics.

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Golden Age Showcase: Bulletman

Quickly, when you hear the name “Bulletman”, what’s the first thing that comes to your mind?

Personally I image some sort of dark, brooding, Punisher type hero who lets his guns do the talking and they aren’t taking “no” for an answer.

Kind of like what you might have found in a lot of comics from the 1990’s.

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Side note: the above image is a character named Overtkill.  Yes, that is how you spell his name.

Well, in the 1940’s a company called Fawcett Comics created a character named Bulletman and he looked like this:

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Good Lord…that hat!

Origin and Career

Bulletman made his first appearance in Nickel Comics #1 in May of 1940.

Comic Book Cover For Nickel Comics #1

He was published by Fawcett Comics and was created by writer/editor Bill Parker and artist John Smalle.

Bill Parker created Fawcett’s most popular character, Captain Marvel.

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Remember this, it will be important later.

As for origins, Bulletman’s civilian identity is Jim Barr.  His story takes a welcome break from the “I’m just going to fight crime because I’m rich and I have nothing better to do” school of thought and takes its cues from the Batman school of crime fighting.  Namely, his parents get killed by criminals so he decides to fight crime at a young age.

Comic Book Cover For Nickel Comics #1

No word on what happened to his mom.

A couple of things are interesting in this origin story.  First, the boy is a scientist and never had any aspirations to be an athlete, so that’s a pretty good deviation from the norm.

Second, he develops a “crime cure” because he believes that crime is a disease that can be treated like malaria or small pox.

Wow, there’s…enough to unpack in that last panel alone to fill an entire book.  So let’s skip over that and save it for arguing in the comments.

Sadly, Jim suffers from the plight that all smart people seem to suffer from in fiction, having his career hampered by idiots and jocks.

Comic Book Cover For Nickel Comics #1

Three things to note here on this page.  First, this is the best scan I could find.  Second, the only one who believes in him is a pretty lady named Susan Kent, who eventually becomes his girlfriend and wife.  Finally, notice how the cop in the second to last panel is openly justifying torture to extract a confession from a criminal using a rubber hose.

Meanwhile the “crime cure” works!  Sort of…

Comic Book Cover For Nickel Comics #1

I mean, it turns him into a superhero so yeah…he gets to cure crime by punching things.

He continues his reckless use of using things without testing them by building a gravity defying helmet and leaping out a window before it can be tested.

Comic Book Cover For Nickel Comics #1

Thankfully the helmet works, even if he looks hilarious in it, and he manages to stop the criminals and save the day.

Bulletman would go on to be one of Fawcett’s most successful heroes, second only to Captain Marvel.  After his career took off (har har) he did something strange and actually didn’t fight Nazis or Nazi spies.  Instead he fought criminals both with his superpowers and as a police scientist.

Of course, just punching people can get boring pretty quickly so in April of 1941 Bulletman appeared in Master Comics #12 and his lady friend Susan Kent wound up discovering his identity.

Comic Book Cover For Master Comics #12

The police chief’s daughter did in a matter of months what Lois Lane couldn’t do in years and in the following issue she confronts him about it.

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The two wind up reconciling after Susan saves Bulletman’s life by giving herself the same powers and “finding an extra helmet lying around”.

Comic Book Cover For Master Comics #13

And the two became a crime fighting couple to be reckoned with.

So what happened?

By all accounts Bulletman and Bulletgirl should have survived into the modern day.  He was a popular character, he had an interesting backstory, and he was regularly seen with one of the most popular superheroes of the 1940’s.

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And that was the problem.  See, while Fawcett Comics had a huge amount of success with Captain Marvel it turned out that his greatest enemy wasn’t a super villain, but legal action.

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It turned out that DC Comics looked at the hordes of tall white guys with super strength, super speed, flight, and a secret identity and decided that a lot of them were a little too close to their big time money maker: Superman.

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We can debate the truth to this statement all day, but what’s not debatable is the results and in the case National Comics Publications v. Fawcett Comics National Comics won and Fawcett was forced to pay damages and cease publication of Captain Marvel.

It’s worth mentioning that the case made its first initial court appearance in 1941 with the final decision made a decade later, making this one of the longest copyright cases in comic book history.

Fawcett was decimated by the case and ceased publishing comics in 1953, and while they would restart publishing comics in the 60’s, they wound up handing their entire stable of superheroes over to DC comics in 1972.

Bulletman and Bulletgirl made the leap as well and appeared in a new superhero group called “The Squadron of Justice” to defeat the forces of a villain named King Kull.

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They kept the helmets because why the hell not?  They make the costume.

The two would be moved into the All Star Squadron, a DC Comics superhero team that was placed in a universe where World War 2 was still happening.

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The two would go on to have a fairly important supporting role in DC’s SHAZAM! books. He got to meet Green Lantern mentor Abin Sur,

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and at one point, Bulletman was actually accused of being a Nazi collaborator in 1998’s Starman #39 although he was naturally cleared of all charges.

Bulletman and Bulletgirl would also have a kid!  In 1997 they had a kid named Deana who donned her mother’s helmet and became the hero Windshear.

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She dated Captain Marvel for a bit and helped her Dad rescue Marvel from a villain named Chain Lightening.

The group has even inspired copies of their own, although they were all published within DC Comics so there was no court case.  In 2005 Grant Morrison published a book series called Seven Soldiers, which was based on many of the old Fawcett characters.  Bullet girl became “Bulleteer” and she looked like this.

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So nice to know the phallic helmets didn’t just remain, they got bigger.

In a way I’m upset that Bulletman and Bulletgirl wound up where they are today.  By all accounts they should still be around today since they did hold their own with some of the big name heroes of the Golden Age of Comics and the fact that they were a capable pairing as husband and wife adds an interesting dynamic that you don’t really see with a lot of comic book superheroes.

They were a solid team with a solid story and a solid power set and deserve a place right alongside their famous colleague Captain Marvel.

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Golden Age Showcase: Etta Candy

WARNING!  THIS ARTICLE CONTAINS FOUL LANGUAGE USED FOR COMEDIC EFFECT!  YOU HAVE BEEN WARNED!

Today is the third day in our coverage of the new Wonder Woman movie, which comes out this Friday!

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I am so goddamned pumped for this movie!

Now, while it would probably make sense for us to talk about Wonder Woman this week we’re not going to.  Don’t worry, an in depth discussion of Wonder Woman is coming next week but for now I want to talk about a member of our heroine’s supporting cast.  She’s a redheaded (sometimes blonde) powerhouse who takes no lip from anyone and if this was any other comic book movie she would probably be the focus instead of the heroine.

Today we’re talking about Etta Candy.

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Origin and Career

So remember when I said there would be foul language in this article?  It’s mostly here.

The character was conceived by Wonder Woman’s original creator, William Moulton Marston.

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She made her first appearance in Sensation Comics #2,

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the issue that also gave us Dr. Poison who we talked about last week.

Her backstory is pretty simple.  She was  skinny, scrawny girl who Wonder Woman met in a hospital, waiting to get her appendix removed.  When she was cured she put on a few pounds.

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How do I describe Etta as a character?  Simple.

Etta Candy gives no fucks.

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Etta Candy takes no shit.

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Etta Candy once helped defeat an ENTIRE NAZI CONCENTRATION CAMP with nothing but a box of chocolates because she heard there were starving children being held there.

Etta knocks out a Nazi guard as she takes down the power grid.

Etta Candy is amazing.

Some of the more eagle eyed readers might observe that Etta Candy is a rather large women, some might even say she isn’t all that attractive.

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Etta hears your comments and doesn’t give two shits about what you think.  She’s large and damn proud of it.

You will also notice that Etta has something of an…unhealthy obsession with sweets.

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I love how in this universe filled with super humans, monsters, and legitimate gods that walk the Earth, Etta takes it all in stride and treats it just like nothing is out of the ordinary.

She needs no gods or men,

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chocolate is the only god she needs.

Despite her awesomeness, even Etta realized that she can’t take on the entire Nazi war machine alone, so she brought along some help in the form of her sisters from the fictional Beta Lambda sorority of Holliday College.

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Naturally, Etta was their leader.

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The girls proved to be incredibly helpful to Wonder Woman’s mission and kicked all sorts of ass.

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They would have given Nick Fury and the Howling Commandos a run for their money.  Why the Allied war effort even bothered to send regular troops to Europe is completely beyond me.

We even got to learn a bit more about Etta’s life after the war.  It turned out she had a family who lived on a Texas Ranch.  She even had a boyfriend.  His name was Oscar Sweetgulper.

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Are you picturing these two getting it on?  Because that is what I’ve been imagining for the past week.

Naturally, Wonder Woman brought Etta back to her home, where she was adored by her sister Amazons.  Also, she had no trouble going up against the more mythological creatures and villains of the comic series.

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In short (pun not intended) Etta was one of the greatest sidekicks in the early days of comics and remains one of Marston’s most fantastic creations.

So what happened?

You see this man?  The one smoking the pipe?

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That’s Robert Kanigher, a comic book writer who took over writing the Wonder Woman comic from Marston when he died in 1947.

Now, Kanigher is pretty well known and did some cool stuff over his career.  He wrote some of the early Blue Beetle adventures and he wrote what is widely considered to be the first Silver Age comic, which saw the introduction of Barry Allen as the Flash.

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However, when Kanigher took over Wonder Woman not only did he barley use Etta, he changed the character to the point where she was no longer the leader of her sorority and she was insecure about her weight.

To make things even worse, she was relegated to the position of idiot secretary in the Wonder Woman tv show, where she was played by actress Beatrice Cohen.

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BOOOOOOOO!!!

POOR FORM!

WHAT THE SHIT DC?!

She became so obscure that I can’t find a picture of her from the 1950’s all the way to the 1980’s.

Thankfully, the writers and creators at DC realized what they had done and managed to bring Wonder Woman’s best friend back from the grave…sort of.

In 1987 artist writer/artist duo Greg Potter and George Perez revamped Wonder Woman for the modern age and brought Etta back.

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She was no longer a large woman, but she was a capable Air Force officer and an aid to Steve Trevor, Wonder Woman’s former love interest.

I say former, because Etta and Steve wound up getting married.

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She still had reservations about her weight and even developed an eating disorder.

During the New 52 revamp, DC brought Etta back again.  This time she was a black lady who was Steve’s secretary and close personal friend.

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She would also make a comeback in DC’s Rebirth series, where she’s still Steve’s secretary.

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That’s how she’s appeared in the main continuity of DC comics.  Some of it was good, most of it made it seem like DC was embarrassed of the character which is just…a crying shame.

Thankfully there were plenty of spin offs and interpretations of Wonder Woman that brought Etta back into her original role.

For example, here she is in the non continuity of DC’s Earth One timeline.

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and more recently the comic series The Legend of Wonder Woman brought her back to her original Golden Age appearance.

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She will be portrayed by British actress Lucy Davis in the Wonder Woman film,

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and if the trailer is any indication, I think she’ll be amazing at it and do the character justice.

Etta is an amazing character and a good friend to Wonder Woman.  In an industry that gets a lot of flak for not being very friendly to women, especially large women, Etta takes those critiques and smashes them over the head.  All with grace, poise, and a box of chocolates in hand.

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Golden Age Showcase: Doctor Poison

Today we continue our feeble contribution to the marketing campaign of the new Wonder Woman movie by talking about one of the villains of the movie: Doctor Poison.

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Now, it’s widely accepted that the Ancient Greek god of war, Ares, is going to make an appearance as well and will probably be the actual main villain of the movie,

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(and before you go complaining about spoilers, understand that he’s credited in the movie’s Wikipedia page so it isn’t exactly a secret) and this makes sense.  After all, Ares is probably Wonder Woman’s greatest and most powerful foe from a comic viewpoint and a moral viewpoint (we’ll cover that later) but today I want to talk about Doctor Poison.

Why?  Because it’s my blog and because her Golden Age comic debut was a bit…well…

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terrifying.

Origin and Career

Dr. Poison made her first appearance in Sensation Comics #2 in February of 1942.

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This was one of the earliest issues of Wonder Woman which makes Dr. Poison one of her first true villains.

Fun fact: this was also the first appearance of Etta Candy, a long standing Wonder Woman side kick of the Golden Age and character in the new movie.

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Dr. Poison was created by Wonder Woman’s creator: William Moulton Marston,

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and artist Harry G. Peter.

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Marston in particular has a very interesting backstory, but we’ll get to that later.

In her first appearance, Dr. Poison’s role was very straight forward.  She was working for the Nazis and was tasked with disrupting the Allied war effort through her knowledge of poisons and toxins.

Since this is a superhero story, which practically requires the villain to kidnap someone, she manages to hold off Wonder Woman by kidnapping her “friend” Steve Trevor.

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Her plan was to dose Allied soldiers with a chemical she called “Reverso”, a chemical compound which messed with people’s minds and forced them to do the opposite of what they were ordered to do.

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It’s a very comic book style plot but who knows?  Maybe it could have worked.

By now I’m sure you’re noticing something peculiar.  I’ve been calling Dr. Poison “she” and “her” while all the pictures suggest that it’s a man under those robes.  Well, after Wonder Woman foils her plot (because of course) it is revealed that “he” is actually a woman named Princess Maru.

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She did manage to escape (because again, of course) and she would make two more appearances in the 1940’s.  First in 1943 where she tried (and failed) to help the Japanese by developing a gas that would clog up the engines of the Allied planes.

Her final Golden Age appearance was in 1948.  After the war was over Wonder Woman imprisoned a whole bunch of her villains on an Amazonian prison called “Transformation Island”.  In Marston’s last book, he had several of the bad guys escape and form a group known as Villainy Inc.

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So what happened?

Doctor Poison was the polar opposite of Wonder Woman in every way.  While Wonder Woman sought to bring justice to man’s world, Doctor Poison sought to bring tyranny.

While Wonder Woman embraced her feminine side and challenged the men around her to accept her as a woman, Doctor Poison actively suppressed it and attempted to use her disguise to convince the men around her she was worth keeping.

While Wonder Woman believed in honorable combat, Doctor Poison believed in using cheap and underhanded tricks to win the day.

Basically what I’m trying to say is that the two should have gone one to become long standing rivals.  Sort of like Lex Luthor and Superman or Batman and the Joker.

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Sadly, this was not the case.

The well known backlash against comics in the 1950’s hit Wonder Woman hard, especially given her…well let’s just say some of her early stuff wasn’t really for kids.

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Like I said, we’ll get to that.

Dr. Poison wouldn’t make another appearance until December 1999 in Wonder Woman #151.  The new villain was actually the granddaughter of the original Dr. Poison and…

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yeah…yeah that’s terrifying.

In an interesting twist, she revealed that her grandmother had actually been killed when she was doused with Reverso and discovered that the drug made her younger and younger until she was just a baby.

The new and revived Dr. Poison also joined the new and revived Villainy Inc.

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‘before moving on and joining another group, the Secret Society of Super Villains.

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While this might have worked out DC Comics had other plans.

When the company launched a massive reboot of their comic universe known as “The New 52”.

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Dr. Poison was brought along.

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She lost the costume and the Japanese heritage and became a Russian biological and chemical weapons expert with a grudge against the United States.

If you ask me this was a poor move.  She went from intimidating and creepy bad guy to stereotypical comic book scientist with a grudge and that seems like just a waste.

Thankfully, DC seemed to get the idea that the entire New 52 universe was a bad idea and rebooted their universe again with an event called “Rebirth”.

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Once again, Dr. Poison was brought along for the ride.

This time the writers brought back the Asian heritage and her original name, only this time she was a soldier in charge of an organization called Poison and went around infecting people with a rage inducing bio weapon known as “The Maru Virus”.

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Sure, it’s a step in the right direction, but someday comic book creators are going to have to come face to face with the fact that sometimes readers actually LIKE crazy backstories and weird costumes.

So that’s an abridged history of Dr. Poison, one of the main villains for Wonder Woman in the new movie that’s coming out soon.  Honestly, I think this is a good move.  She’s got a great set of of skills, she’s intimidating and can provide a great challenge for our hero, and she’s intimidating as all hell.

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