Golden Age Showcase: Hippolyta

So this little movie is coming out in a couple of weeks.

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I’m excited.

The funny thing about this movie is that it promises to be huge but strangely enough, DC and Warner Brothers aren’t doing a whole lot to market and promote the film.

Granted, there is a precedent for this lack of marketing push, but I like to think that part of the reason why the film isn’t getting a lot of love is because the producers and film makers are banking on the hoards of angry nerds who are so desperate to see a female superhero succeed that they are willing to give this film a bunch of free advertising.

Thankfully, I am incredibly desperate and angry and I intend to do my part and contribute to the madness.  For the next couple of weeks leading up to the release of Wonder Woman I intend to devote this blog to Wonder Woman and her supporting cast.

And since yesterday was Mother’s Day, I thought it might be fun to talk about Wonder Woman’s mother: the Greek Amazon Hippolyta.

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Origin and Career

Unlike almost all the superheroes of the Golden Age, who can trace their origins to the popular culture of the day, Hippolyta has one of the most accomplished and famous pedigrees in comic book lore.

In fact, probably the only modern day superhero who has changed less than DC Comics’ Hippolyta is Hercules himself, and that’s only because Hercules is an integral part of Hippolyta’s story.

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Hippolyta was the queen of the Amazons, a group of savage warrior women who claimed to be descended from Ares, the god of war.

As part of his twelve labors, Hercules was tasked with stealing an item called the Golden Girdle, a belt that gave Hippolyta incredible strength.  Hercules was successful in seducing Hippolyta into giving him the belt,

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but sadly perished when he goddess Hera convinced her battle sisters that Hercules was kidnapping her.

This story must have struck a chord with a man named William Moulton Marston,

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because he used this exact myth to inform the creation of Hippolyta in All Star Comics #8 in October of 1941.

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We’ll save the specifics for later but for now all you need to know is that the story of Hipppolyta remained relatively unchanged from its classical roots.  Hippolyta was the queen of her people and the mother of the book’s main character so she was tasked with talking to the ancient gods, looking after the welfare of the Amazons, and trying to control her daughter without much success.

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So what happened?

What do you mean “what happened”?  She went on to have an illustrious career as the mother of one of the most successful superheroes on the face of the planet!

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Granted, there have been some changes to her story.  Various versions of the character have her as a blonde badass,

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and at one point she actually took up the mantle of Wonder Woman,

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(yes that is actually Hippolyta and not Diana with a different hair do)

Her origin story with Hercules was changed up a bit in 1987 by writer George Perez.  It was a bit more…uncomfortable than the original with the new version of Hercules forcing himself on Hippolyta after he drugged her and her Amazons.
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It’s worth mentioning that he did this after she beat him in fair combat and attempted to reason with him.

Hippolyta has played an integral part in the DC universe, both in the comics and in other forms of media as well.  She has made regular appearances in a whole bunch of cartoons and animated movies,

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and is often treated with the respect and reverence that a queen and leader of her stature deserves.

In the upcoming movie the director decided to go the blonde route and have her played by the actress Connie Nielsen.

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To list every achievement and important event that Hippolyta has been part of would take forever and I highly encourage you to do more research on your own.  All that I really have to say is that while Wonder Woman is considered to be one of the greatest superheroes in existence, she would be nobody without the strength and wisdom of her mother behind her.

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Happy Mother’s Day everyone.

Golden Age Showcase: The Owl

Let’s talk about Batman.

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We all know Batman, we all love Batman.  Why?  Because he’s Batman!

The reason I bring this up is because like his blue Boy Scout friend, the Golden Age Batman was incredibly popular.  And as we all know, with popularity comes a host of imitators, knock offs, and copies just different enough to avoid copyright lawsuits.

Today we’re going to look at one of the more successful Batman imitators and a hero with one of the most bizarre legacies in comic books: The Owl.

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Origin and Career

The Owl was one of the few original characters created by a company called Dell Comics.

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The character was created by comic book artist Frank Tomas and made his first appearance in Crackajack Funnies in July of 1940.

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No, I don’t know why they spelled “Crackerjack” wrong.

The hero’s secret identity is Nick Terry, world famous private detective.  In his first adventure he learns about a notorious criminal who has escaped from prison.

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You’ll notice that he’s rich enough to hire a butler, keeps strange hours at night, and has a fiancee named Bella Wayne.

As if we needed any more proof that he was a ripoff of Batman.

With that being said, I will admit that the Owl has one thing on the Caped Crusader.  His costume is much more terrifying.

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In fact, the costume is so terrifying that the adventure ends with the criminal dying from a heart attack out of fear.

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The Owl got a costume redesign the next issue and continued his campaign of fear and intimidation across the city.

It’s worth mentioning that Belle Wayne was no meager damsel in distress either.  She was a fairly competent reporter and actually learned her fiancee’s identity early in the series.

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Oh, by the way, the Owl was rich enough to afford his own plane as well.

It’s worth mentioning that Belle actually managed to save the Owl as well.  After being kidnapped and imprisoned by a villain called Pantherman (hey, there are worse names), Belle pops out of nowhere wearing…

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When the Owl asks about the costume her response is pure gold.

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The two would continue their adventures for a couple more issues.  While they were popular, the rest of their adventures during the 1940’s were nothing really special.

So what happened?

The Owl and Owl Girl had a pretty good run but Dell Comics stopped publishing new stories for them in 1943.

Despite the character’s popularity, Dell wasn’t the best place for a hero like this.  You see, Dell didn’t spend a lot of time with original characters, they were making too much money off of licensed comic books like Mickey Mouse.

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In fact, they were doing so well that Dell was able to survive the comic book scares of the 1950’s relatively intact and without having to bend to the will of the Comics Code Authority.

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Sadly, internal struggles and split business partnerships meant that Dell folded in 1962 but their successor company, a publisher called Gold Key Comics, continued and even revived the Owl.

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As if the similarities between the Owl and Batman weren’t obvious enough, the entire reason why the Owl was revived was to cash in on the success of a certain tv show.

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Like the Adam West classic, the new Owl comic was campy, silly, and didn’t last very long.

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Since then he has made three appearances in the modern day.  The first in AC Comics’ Men of Mystery in 1999,

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Dynamite’s Project Superpowers in 2008,

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and Dynamite actually gave him his own limited series in 2013.

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So the Owl’s legacy is a successful one.  As a Golden Age hero he’s lasted a lot longer than many of his contemporaries and was just different enough from the crowd to stand apart from the source material he was ripping off.  But, I think it’s safe to say that his greatest legacy are all the other heroes who have adopted the owl as their symbol.

Granted, I’m sure comic book greats like Alan Moore weren’t thinking of this particular hero when they created heroes like Nite Owl,

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or several villains who go by that name,

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but the Owl was the first hero to use that name and that deserves credit and respect.

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Golden Age Showcase: The Green Turtle

WARNING: This article contains offensive portrayals of Black and Asian people and discussion of legitimate war crimes committed by the Japanese Army in China.  You have been warned.

Today I want to talk about diversity in comics.

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Yes, I know this is probably the last subject that anyone wants to talk about, and I’ll admit that I’m a bit late to the party on this one (for the record no…I don’t think diversity is killing Marvel’s sales, it’s event fatigue and constant relaunches), but this is a blog series on the Golden Age of Comics and while there were a fair share of non white characters in early comic books,

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they weren’t exactly…acceptable for modern audiences, or any audiences for that matter.

With that being said, if there was one specific group of people who were blatantly targeted during the Golden Age of Comics, it was the Japanese.

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This sort of propaganda was quite prevalent during the 1940’s and I’m sure people made excuses for it like “there’s a war on”,

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and “they attacked us first”,

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but calling an entire country of people animals,

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and unfairly imprisoning thousands of American citizens because they were suspected of being saboteurs,

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is just wrong.

The funny thing is, during the Golden Age of Comics there were a small number of Asian American artists working in the industry, and one of them even created a superhero that actually portrayed the Japanese with a small semblance of humanity.

Today were going to talk about the first Asian American superhero: The Green Turtle.

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Origin and Career

The Green Turtle made his first appearance on the cover of Blazing Comics #1 in June of 1944.

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You’ll notice a couple of things about the cover such as the shadow figure with the eyes, the fact that the Japanese soldier being strangled has actual eyes instead of slants, and that the hero’s face isn’t showing.  All of that is there for a reason and I’ll explain it later.

The character was created by Asian American artist Chu F. Hing.

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Hing was born in Hawai’i, studied at the Chicago Academy of Fine Arts, and was part of a small group of Asian American artists who were working in American comicbooks at the time.

The comic itself was an anthology title and was published by a small collection of publishers known as Rural Home.  The specific company that published Blazing Comics was called Croydon Publishing.

The comic takes place entirely in the Pacific, and the Green Turtle exclusively fights Japanese soldiers and leaders.

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What’s really interesting is that all of the action takes place in Japanese held China.  The Japanese soldiers attack Chinese civilians, the entire supporting cast is Chinese, and America is never threatened or even mentioned in the comic.

Comic Book Cover For Blazing Comics #1

While the Green Turtle had no actual superpowers, he did have a cool looking jet called “The Turtle Plane”.

The man swoops in and saves the day by machine gunning a bunch of Japanese soldiers, rescuing a boy and his mother, and roasting two more soldiers with his jet engines.

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Holy crap!  He actually cares for the civilians and actively tries not to kill them!

So, the Green Turtle works in China, protects the Chinese people, and lives in a mountain in Tibet.

Comic Book Cover For Blazing Comics #1

So did that mean that the Green Turtle was a Chinese superhero?

Well…did you notice that in those pages above you never saw the hero’s face?  That’s something of a common theme throughout the comic.

It’s widely believed that Hing was locked in a battle with his editor over the ethnicity of the Green Turtle.  In all likelihood, Hing wanted to make him Chinese but his editor was resistant due to the infamous “Yellow Peril” that produced many of the offensive stereotypes that permeate our culture.

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So while the Green Turtle spoke English and had pink skin, as opposed to yellowish orange like the Asian characters,

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Hing subverted this by never showing his face in the comic, even when they slapped an image of his face on the cover of the next issue.

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The kid on the cover was the Turtle’s sidekick and the same kid he rescued in the first issue.  His name was “Burma Boy” because if you wanted any amount of success in the Golden Age of Comics you needed a kid sidekick with a wacky name.

You may be asking yourself, what’s the Green Turtle’s origin story and what is that weird shadow with a face?  Sadly, the comic never gave an origin story or an explanation for the shadow.

Something that makes this comic especially noteworthy is Hing’s portrayal of the Japanese.  Unlike many Japanese soldiers in other American comics Hing wrote and drew like…humans.

Which is especially hilarious when, in the VERY NEXT STORY IN THE ANTHOLOGY, there is an American soldier who manages to convince Japanese soldiers that he is one of them by smearing mud on his face.

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However, It is worth mentioning that while Hing’s portrayal of the Japanese was substantially less racist that his American contemporaries, they were still portrayed as monsters.  While Hing’s Japanese spoke perfect English and had visible eyeballs, they weren’t above bayoneting women and children,

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and torturing prisoners.

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This could be chalked up to war time paranoia and Hing’s Chinese heritage, since Japanese soldiers had a well documented history of brutal and horrific war crimes in China.

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(side note: why the Japanese committed these crimes is a discussion for another day.  All that I will say on the matter is that many of the Imperial Japanese military officers responsible for these crimes were tried and punished, many Japanese officials have apologized for them, and it still remains a very sensitive and painful memory for a lot of people to this day.)

So what happened?

The Green Turtle disappeared off of the face of the Earth after issue #5.  I can’t say exactly what happened, but my research showed that Croydon only published 10 books from 1944-1946, and I am speaking from personal experience when I say that the publishing industry is not kind to small time publishers.

The Green Turtle would remain obscure for decade until 2014, when American cartoonist Gene Luen Yang and Malaysian born artist Sonny Liew created a six issue mini series that told the origin story of the Green Turtle called The Shadow Hero.

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It definitively makes the character Asian and gives an explanation for the shadow and why his skin is pink.

I actually remember reading it in 2014, long before I decided to start this blog.  It’s a really good story and I highly recommend it.

The Green Turtle was definitely a special case for the Golden Age of Comics.  In an industry dominated by white men and white superheroes here was an Asian creator doing his absolute best to create an Asian hero in a time where it wasn’t socially acceptable.  It would be understandable to think that Chu Hing was upset and angry about this, but I don’t think that was the case.

At the start of Blazing Comics #3, Hing has some Chinese characters on the left side of the first panel.

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It’s an old Chinese saying “Four oceans, one family”, which could be interpreted as the author stating that even though China and America are worlds apart in culture and distance they’re still brothers in arms and a common cause.

That…is remarkably open for a comic book coming out of the 1940’s and is something that deserves our attention and respect.

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Golden Age Showcase: Target and the Targeteers

 

You know what they say…comedy comes in threes.

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And I like to think that today’s superhero group took that lesson to heart, even though I’m willing to bet any comedy was unintentional.

Today we’re talking about the rather humorously named Target and the Targeteers.

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Origin and Career

This trio of superheroes was published by a company called Novelty Press, which was created in 1940 by Curtis Publishing.  If that name isn’t familiar all you need to know is that they publish the Saturday Evening Post.  If that name isn’t familiar then you probably recognize this cover.

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Novelty Press was created as a comic book imprint in order to take advantage of the comic book craze.  They were able to draw a lot of great Golden Age talent such as Joe Simon, Jack Kirby, and Basil Wolverton and their two most famous publications were the superhero series Blue Bolt,

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and the anthology series Target Comics.

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Despite sharing the name of the title, the superhero we’re talking about today didn’t appear until issue #10 in November of 1940.

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Yes that is him on the cover and I have to admit I don’t know what’s funnier: the testicular fortitude of a man who is willing to get shot by painting a giant target on his chest or how stupid the gangsters are for not aiming at the knees or face.

The hero was created by artist Dick Briefer under the pseudonym of Dick Hamilton. Image result for golden age dick brieferBriefer’s most famous work was with the Frankenstein character and is widely considered to be the first modern comic book artist to work with horror stories.

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 Back to Dick’s most famous superhero, Target’s first adventure had him sending an ominous message to criminals everywhere: “Live your life on the straight and narrow or I’ll find you”.  He does this by buying up advertising space on nationwide newspapers, radio space, and even hijacking the phone service.

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You know how in modern movies the bad guy can mysteriously deliver a message to every computer, television, and phone around the world?  It’s nice to know that this particular cliche isn’t so modern.

The Target’s ominous message doesn’t deter a group of gangsters from kidnapping a scientist who is developing a new explosive that other countries want.

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The gangsters reach the professor’s house, only to find that the Target is already there.

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On the face of it, it would appear that the hero has a very poorly designed costume for dealing with guns, but the comic explains that while the suit protects his chest and arms (thus leaving the face and legs unprotected) the target is there to draw enemy fire to the places where the bullets can’t harm him.

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I would commend the comic for attempting to use “Batman psychology” to explain why the hero made the decisions he made but no, in real life that man is dead.

The adventure ends in typical fashion.  The bad guys are stopped, the hero saves the day, and the reader is left wondering what’s next.

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The next issue not only delves into the Target’s backstory, it also reveals that he has two friends who share a similar death wish by dressing in similar costumes.

The Target’s civilian identity is Niles Reed.  He was an athletic prodigy who decided to become a metallurgist had a brother named Bill, who decided to become a lawyer.

Unfortunately, Bill was framed for murder and arrested.  In his rage, Niles decided to rescue his brother while disguised as a masked vigilante.

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While it’s a bit unclear it would appear that the cops accidentally shot Bill as he was trying to escape with his brother.  So in an interesting twist, Niles was responsible for his brother’s death.

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Later that evening Niles happens to stumble across two orphaned boys who were in a lot trouble with some gangsters for not paying protection money.  The three become friends and decide to dress up like superheroes using the same bulletproof costumes of Niles’ design.

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The origin story ended with the reveal that Bill had been framed by a crime boss named Hammerfist, who would become something of a recurring villain for the trio.

I’ll admit, there are some interesting points to this story.  The fact that the hero is actually responsible for his brother’s death coupled with him taking in two orphans who share similar tragic stories draw a lot of similarities to more popular heroes like Spider Man and Batman.

The rest of the trio’s adventures were all one shots with a very patriotic bent them.  The three did their duty and fought against America’s enemies, both at home and abroad.

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The post war years saw a return to form for the trio where they went back to waging war against criminals in the United States.

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So what happened?

The trio of crime fighters had a pretty long shelf life for the Golden Age heroes.  They lasted until issue #95 of Target Comics where their last adventure had them foiling criminals who were sabotaging advertising signs in order to extort an advertising firm.

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Yeah, maybe it was a good thing that they got cancelled.

The trio would disappear for a while until the Target made an appearance in AC Comics’ Men of Mystery series in 1999.

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The trio itself made a comeback in Dynamite Entertainment’s Project Superpowers series in 2008.

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Their backstories remained the same, only this time they all had super speed on top of their indestructible suits.

The Target and the Targeteers embodied everything that worked and didn’t work about the Golden Age of Comics.  On one hand they were goofy, wore silly costumes, and relied on some pretty bad science in order to survive and function.  On the other hand, they had one of the better origin stories I’ve read, they had a long run, and a lot of the things that made it into their stories such as the use of psychology to fight criminals would be use to great effect in other, more popular comic hero stories.

All in all, they weren’t that bad.

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Golden Age Showcase: The Mad Monk

Let’s take a bite into the comic book industry’s version of vanilla ice cream and talk about Batman.

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Batman is one of the most popular superheroes in the world for a reason.  He’s got a great design, he’s got a cool story, he’s got tonnes of history, but most importantly…he has great villains.

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Yes, it seems pretty cliche to talk about how awesome Batman’s villains are but we all know that Poison Ivy is awesome,

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Mister Freeze is tragic and deep,

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and the Joker needs no introduction.

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But how does Batman manage to have so many great villains?

Easy, because he doesn’t kill them.

Batman’s aversion to killing criminals (even if the justice system he’s sworn to protect would have put the Joker to death a long time ago) and distaste at using guns is well documented.  With that being said, we’ve talked about how the Batman of the Golden Age wasn’t above using guns, or even killing criminals.

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The Golden Age Batman was a much darker and violent superhero than a lot of modern iterations and as a result, he either needed equally dark and violent villains or a small army’s worth of disposable henchmen.

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Today we’re going to talk about one of Batman’s first adversaries, a creature of the night who wasn’t just violent and unquestionably evil, but one of Batman’s first important villains: The Mad Monk.

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Origin and Career

The Mad Monk made his first appearance in Detective Comics #31 in September of 1939.

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He beat out the Joker by 8 months.

The character was created by Bob Kane and Garner Fox.

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Kane is the man who is widely credited with the creation of Batman (while he did play a part, a lion’s share of the credit does go to Bill Finger) and Fox is the man who helped create little known DC heroes like the Flash, Dr. Fate, and Hawkman.

The Mad Monk is special because he was the main villain for one of the first multi part stories in Batman’s career.  While the first super villain to face Batman in a multi issue series was the imaginatively named Dr. Death,

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The Mad Monk was a bigger, and much more mystical and terrifying, threat.

The Monk’s real name was Niccolai Tepes, a homage to historical crazy person and real life inspiration for the actual Dracula: Vlad Tepes aka “Vlad the Impaler”.

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The Mad Monk was a literal vampire complete with the need to drink blood, the ability to turn into a wolf, the ability to hypnotize people into a trance, and an assistant named Dala.

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While it is unknown why the Monk wants to kill Batman it is made apparent that the Monk does know his secret identity as Bruce Wayne when he kidnaps Bruce’s girl friend Julie Madison.

The Monk and Dala hypnotize her and use her to lure Batman into a trap in Paris where he has to fight a giant gorilla.

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After defeating the beast, Batman is captured and is trapped in a net dangling over a pit of snakes.  Because this is a comic book and nobody just wants to shoot their captured adversary.

Fun fact: This is the first time Batman ever uses the Batarang in comics.

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After escaping, Batman tracks the Monk to Transylvania (because of course) and confronts the villain in his mountain castle.  The Monk puts up a good fight by transforming into a wolf but Batman manages to knock the wolves out and escape.

The comic ends with Batman shooting The Mad Monk and Dala as they lie in their coffins.

If you ask me, this was a brilliant display of common sense.  While I think the idea for the Mad Monk is cool, I certainly wouldn’t want an immortal blood sucking creature  roaming the streets of Gotham or anywhere else in the world.

So what happened?

The Monk remained dead for a long time, probably because he was just two scary and dark for the censorship police known as the Comics Code Authority.

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But, like the vampires that he took his inspiration from, he would arise from the grave many years later.  In 1986 Gerry Conway, the co creator of the Punisher and the man who killed Gwen Stacy,

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reworked the original 1939 story into a modern origin for the Mad Monk in the 1980’s.

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In the new version the Mad Monk was a former plantation owner who owned slaves in post Civil War America.  He and his sister Dala were attacked by their slaves and turned into the undead in a voodoo ritual.

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Personally, I preferred the earlier version better.

The Mad Monk manged to turn Batman into a vampire but was eventually defeated by a wandering priest named Father Green.

The character would be given another fresh coat of paint in 2006 when a six issue mini series was published by DC Comics entitled Batman and the Mad Monk.

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It was pretty good.

The Mad Monk is a villain that has been mostly forgotten to history.  While he was a pretty one note character who didn’t have much staying power, and while he has been overshadowed by much more complex and interesting villains, he deserves a lot more attention and respect.

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He was one of Batman’s first true challenges and paved the way for the rogue gallery that keeps us coming back to Batman comics again and again.

Golden Age Showcase: Doiby Dickles

Let’s talk about sidekicks.

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The sidekick’s job is to watch the main hero’s back and help in any way possible.  Sometimes this means providing support and help from afar and sometimes it means getting their hands dirty and joining the hero in his/her adventures.

More often than not, comic book publishers use sidekicks as a way to fill a need in the comic that the hero can’t fill.  In the case of Robin the Boy Wonder, it was a way for DC Comics to make one of their most popular heroes more kid friendly and accessible in a time where comic book superheroes were facing a lot of scrutiny.

Over the course of comic book history there have been plenty of other sidekicks.  Some have worked,

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and some have not.

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Today we’re talking about a Golden Age super sidekick that belongs in the “did not work” category, although if you ask me it’s a crying shame.

Today we’re going to talk about Doiby Dickles.

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Origin and Career

The Green Lantern of the 1940’s was radically different from the Green Lantern we know today.

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Instead of being an interstellar cop who got his powers from an advanced piece of alien technology, the Golden Age Green Lantern was a railroad engineer named Alan Scott who used a ring powered by magic.

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When popular heroes like Batman and Superman experienced a sales boost by adopting sidekicks, National Comics turned to legendary comic book creator Bill Finger to create a sidekick for Alan.

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I know I’ve said it before but I’ll say it again: Bill Finger wasn’t just a big name for the Green Lantern, he also helped create a huge chunk of the Batman mythos we know and love today.

Doiby made his first appearance in All American Comics #27 in June of 1941.

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The man was a Brooklyn taxi driver who drove Alan Scott around as needed.

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He spoke with a thick Brooklyn accent, always wore a derby hat, and wasn’t afraid to get into a fight when he needed to.

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He had something of a temper as well and could swing a wrench with enough power to make him a force to be reckoned with.

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Also, he was incredibly attached to his cab, who he named “Goitrude”.

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In short, Doiby Dickles was an ill tempered, foul mouthed cab driver who was quick in a fight and wanted to do everything he could to help.

He was magnificent.

So what happened?

The Golden Age of superheroes ended and the ensuing Silver Age took more of a science fiction bent.

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This included a dramatic revamping of the Green Lantern series which shifted from the magic wielder Alan Scott to the galactic space cop Hal Jordan that we know and love today.

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Sadly, this meant that the new age of comics didn’t have time and room for a hard talking fast punching maniac like Doiby,

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so DC decided to ship him off into space and marry an alien princess named Ramia from the planet Myrg after saving her from a forced marriage to a man named Prince Peril.

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Doiby and Ramia would return to Myrg where Doiby would become it’s king.  The people of Myrg would go on to adopt Brooklyn accents and recreate the baseball field where the Brooklyn Dodgers played.

God, the Silver Age was weird.

While Doiby was no longer a member of the main supporting cast he did manage the odd guest appearance where he actually helped the Green Lanterns defeat Sinestro.

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Sadly, Goitrude was destroyed in the battle.  It’s one of the most heartbreaking deaths in all of comics.

While that was the extent of his Silver Age career, Doiby was nowhere near done as a character.  He would continue to have revival after unlikely revival, even into the modern age.

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He made an appearance with a superhero group known as “Old Justice”.

It was a joke group of old superheroes who made it their mission to keep the younger generation of superheroes in check and make sure they didn’t mess things up too much,

Naturally they became a thorn in the side of the more famous “Young Justice” superhero team, although in the end they did manage to put aside their differences and let the young ones do their jobs.

If you want to read more stories with Doiby in them, I recommend the Young Justice “Sins of Youth” story line.

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Doiby’s next adventure would be with Young Justice again, when they agreed to help him travel back to Myrg and defeat an alien race known as the Slag by playing a game of baseball.

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It’s worth mentioning that the team was only able to win by blatantly cheating.

Sadly, the baseball game was the last major appearance for Doiby Dickles.  The rest of his appearances are guest spots and flashbacks with Alan Scott.

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So, according to DC continuity, Doiby is still out there on an alien planet and is enjoying a long and happy life with an alien queen while ruling a race of Brooklyn accented extra terrestrials.

Shine on you crazy bastard, you deserve it.

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Golden Age Showcase: Invisible Hood

If you hang out in the social circles that I do the conversation inevitably turns into a debate about superheroes.

“Who would win in a fight?”

“What’s your favorite story arc/series?”

“How is Hollywood butchering our favorite superheroes THIS time?”

Another question that almost always comes up is “if given the chance, what superpower would you have?”.

Now, a lot of people give answers like strength and flight, but one of the most overlooked answers (pun intended by the way) is invisibility.

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The ability to not be seen is one of the most useful powers out there and many writers and artists have created characters that have been able to use the power with great effect.

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But let’s take a look at one of the earliest modern superheroes to use this power, and a man who fights crime in a full bodied robe: the Invisible Hood.

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Origin and Career

The Invisible Hood made his first appearance in Quality Comics’ Smash Comics in August of 1939.

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He was created by comic book artist and writer Arthur Pinajian, an Armenian author and writer who went by the pen name “Art Goodman”.

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Fun fact: Pinajian didn’t just do comic books.  He was a pretty successful painter as well and his current collection of work is valued at $30 million.

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But back to the Invisible Hood,

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the hero’s first adventure was a four page story where former private detective Kent Thurston receives a tip about a gang of hoodlums who are trying to sell some stolen jewels.

Comic Book Cover For Smash Comics #1

Kent becomes the Invisible Hood, gets the jewels back, manages to knock out several people with a “gas gun” (gotta keep it kid friendly), and literally pulls the rug out from underneath the criminals to save the day.

Comic Book Cover For Smash Comics #1

I have to say, that HAS to be one of the least efficient costumes to fight crime in.

You’ll notice that there isn’t a whole lot of invisibility associated with a hero called “The Invisible Hood”.  Well, our hero had the same thought in his next adventure, when he magically learns that there has been a professor named Hans Van Dorn working on a chemical that has the ability to turn things invisible.

Comic Book Cover For Smash Comics #2

Boy do I love plot convenience!

Kent tracks the gang to the Professor’s room where the old man is more than willing to help.  Kent gets doused with the mysterious chemical and becomes truly invisible.

Comic Book Cover For Smash Comics #2

Boy do I love the total disregard for human safety and proper testing!

The Invisible Hood would go on to have over 30 appearances like this.  They were pretty standard adventures where he would confront various criminals and thwart their schemes.

So what happened?

Quality Comics was bought out by DC in 1956 and any momentum that the Invisible Hood had built was lost, which is a crying shame because he would have been a perfect fit for the zany science fiction adventures of the Silver Age of comics.

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Unlike our last superhero, the Invisible Hood did not go on to have a better career in the modern era.  He didn’t have a better back story, he didn’t have a whole mini series dedicated to his adventures, and he didn’t become a foundation for anything big in the DC universe.

But he did matter enough to be used in later comic books.

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His first post Golden Age appearance was in a DC comic book series called “The Freedom Fighters”.

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The group was created in the 1970’s as a way to give old Quality Comics characters their own team and series.  The Invisible Hood appeared with the group in a retelling of the group’s origin and, through a bunch of inter dimensional tomfoolery that DC is famous for, went to a parallel dimension in order to fight Nazis.

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He was eventually given another reboot in the modern era in Uncle Sam and the Freedom Fighters.

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Where it was revealed that the original Invisible Hood had died in 1974 and the current incarnation was his great great grandson who was also named Kent Thurston.

The modern version of Kent died as well in his first appearance.  He was killed by a traitor to the group before he retired from superhero work.

A rather sad but fitting end for a hero like that.

President’s Day special: Uncle Sam

Happy President’s Day everyone!

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For our non American readers, President’s Day is an American holiday held on the third Monday of every month.  It was originally made a legal holiday in order to honor George Washington and Abraham Lincoln,

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but depending on what state you live in it can either celebrate one of them, both, or every President who has been elected into office.

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Now, I’m going to go out on a limb here and say that the position of President of the United States of America is probably not the most popular position of leadership in the world right now,

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but let me make my position on the matter perfectly clear.

While it is important to realize that the position of President of the United States is a difficult one, and that we should honor the people who sacrifice their time and health to the job, the truth of the matter is that at the end of the day the President is an elected official who can, and should, only do so much.

At the end of the day the problems that we face as a society can only be solved when ordinary people come together to fix them and take action.  Solutions are almost never the work of one great individual, but rather a collection of ordinary people.

Sadly, the slow and tedious work of millions is difficult to comprehend.  So in order to make sense of it all we do two things.  We celebrate the lives and achievements of a few men and women and we craft symbols and signs that we can rally around.

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That is part of the reason why I like superheroes so much.  They’re colorful, larger than life, and an easy way for people to relate to things and events that are much bigger than themselves.

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In an increasingly complex and chaotic world, they are the walking solutions to many of our problems.

So let’s take a look at a Golden Age superhero who wasn’t just a superhero who represented the millions of men and women who fought in WW2, but a walking symbol of America as well: Uncle Sam.

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Origin and Career

Uncle Sam became the personification of the American people and government during the War of 1812, although you probably recognize him more from his World War 1 recruitment poster.

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According to legend, the character of Uncle Sam was based off of the real life Samuel Wilson, who was a meat packer from New York and a fervent American patriot.

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Uncle Sam is up there with the bald eagle, baseball, and the flag as great American symbols and since he has such a violent history and is often associated with war it only makes sense that when America decided to get involved during World War 2, they co opt the ever loving crap out of him.

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Naturally he found a home in comic books and in July of 1940, Quality Comics published National Comics #1 hit the stands with Uncle Sam leading the charge against the Axis.

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I don’t know what I like more, the fact that Uncle Sam’s hat hasn’t blown away in the wind, or that they have a LITTLE KID RUNNING ACROSS AN AIRPLANE WING ATTACKING A FULLY GROWN MAN ARMED WITH A PISTOL!

Boy, child safety laws were pretty lax back then.

Like every hero, Uncle Sam needed an origin story.  It turned out that the folks at National Comics were content to keep him as a vague symbol of American government and way of life, only this time he was going to get his hands dirty and join the fight against crime and injustice.  It turned out that Uncle Sam was the spirit of a fallen soldier from the American Revolution and continued to appear whenever his country needed him to fight.

With any other company or creator this probably would have turned into a silly little farce, but this version of Uncle Sam was written by Will Eisner.

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If you don’t know who Will Eisner is, all you need to understand is that the comic book industry’s version of the Oscars is named after him.

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Anyway, this version of Uncle Sam did his patriotic duty and fought off, what else, the forces of evil and tyranny that just so happened to look like the Nazis.

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His superpowers were whatever the story needed and he had a kid sidekick named Buddy Smith who accompanied Uncle Sam on his many dangerous adventures.

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So what happened?

He spent 45 issues beating the enemies of America, and freedom loving people everywhere, to a pulp.

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Then Quality Comics went belly up in 1956 and was bought out by DC.

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DC’s Uncle Sam would go on to be a pretty big supporting character in the DC universe.  He became the leader of the Freedom Fighters, a group of old Quality Comics characters that were brought together in a Justice League type of arrangement.

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His origin was retooled a bit.  Now he was a spiritual entity that was summoned by the Founding Fathers in an occult ritual that bound the “Spirit of America” to the body of a dying patriot.

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Image result for dc comics uncle sam origin

He’s had a steady presence in the DC universe ever since the 1970’s.

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In 1997 DC’s greatest imprint, Vertigo Comics, gave Uncle Sam a two issue mini series written by Steve Darnell and drawn by Alex Ross.

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My hat is off to Vertigo for taking a pretty goofy character and treating him with respect and giving him a meaningful story.

He appeared in the DC event comic Blackest Night.

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and was dramatically revamped as a mortal black man in the New 52 reboot.

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Uncle Sam is an interesting character.  On one hand he’s goofy, colorful, and the kind of un ironic display of patriotism that would make a lot of people cringe.  On the other hand he’s a symbol of a violent and destructive superpower that has a nasty habit of sticking its nose in business that it has no right to be in.

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Personally, I’m more inclined towards the first interpretation.  Whether you love him or hate him, there is no denying that the man is pure Americana and I can’t think of a better symbol of the effort and determination of the American people.

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Sure, you can call me corny and cheesy but you know what?  I’m okay with that.

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Golden Age Showcase: The Fin

You know who doesn’t get nearly enough respect in the comic book world?  Superheroes who live and work in the water.

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I mean really, we live on a planet that has water covering over 70% of our surface and so many people like to treat genuine and well established heroes like Aquaman and Namor as jokes.

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With that being said, there has been a lot done over the past decade to rectify this.  Aquaman has been getting a lot of attention from the DC higher ups,

Aquaman: Rebirth #1

and despite everything I’ve been saying, Namor has actually been an integral part of the Marvel stories since the beginning as comic’s first anti hero.

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my point is, that there has been a lot of work and effort put in to making characters like these fun and badass and that deserves a lot of respect.

So let’s take the idea that water based heroes can be taken seriously and throw it out the window by taking a look at…the Fin.

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Origin and career

The Fin made his first appearance in Daring Mystery Comics #7 in April of 1941.

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He was created by Massachusetts native and comic book legend Bill Everett.

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The man has a reputation as one of the greats, especially when you consider that his resume includes the creation of Daredevil,

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and Namor the Submariner.

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I guess the guy really liked the ocean.

Back to the Fin,

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the man’s real identity was Peter Noble, a United States naval cadet who found himself in the unfortunate position of being on a sinking submarine,

Peter manages to escape and eventually discovers an underwater cave where he manages to find air, edible plants, and a strange race of creatures calling themselves Neptunians.

Peter fights their ruler, a creature named Ikor, in single combat and realizes that he can breathe underwater because of reasons.

He also becomes their king after killing Ikor with his gun (that somehow manages to work after being underwater for a long time) and the Neptunians begin to worship him as a reincarnation of one of their noble ancestors named “The Fin”.

Peter then asserts his dominance by proclaiming that he is now their king and intends to rule with an iron fist…or just for as long as it takes for him to find a way back home.

The story ends with Peter returning to the sub and fashioning a “slick costume” in order to go off and have an adventure.

Somewhere, a shark is laughing his tail off.

The Fin would have one final Golden Age adventure in the following issue of Daring Mystery Comics where he fought a U-Boat captain calling himself the Barracuda.

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Special mention needs to be given to just how evil the Barracuda is.  He’s got he mustache. the monocle, and has no problem killing women and children.  

Seriously, the Red Skull would be looking at this and go “damn, that’s a bit much”.

Naturally the Fin swoops (swims?) in and saves the day by giving the villain the beating of his life.

He then calls in the Navy and the story ends with the day saved and the villains brought to justice.

So what happened?

The Fin would never have another Golden Age adventure, but not for the reasons you might think.

Normally a lot of these types of characters were cancelled after World War 2 ended due to lack of reader interest, but the Fin was left in the dust BECAUSE of the war.

See, thanks to the fight against the Axis powers, the United States launched a massive campaign to collect material for the war effort.  This meant things like saving metal and paper were given a lot of attention.

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The U.S also implemented a strict rationing system for everything you could imagine from gas to sugar and, most importantly for the comic book industry, paper.

So thanks to rationing and mailing costs Timely Comics had to put a damper on Daring Mystery Comics.  While they did start back up again in 1944 the damage was done and the Fin was no more.

However, like many of his fellow patriots in spandex the Fin would find new life in the later years.

His first post war appearance was in Avengers #97 in 1972 where a likeness of his character, along with a few other Golden Age greats, helped defend Earth during the Kree-Skrull war.

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That was his only appearance for a long time until 2004 where the Fin would become a much more fleshed out and meaningful character in the  All New Invaders series and the unfinished All Winners Squad: Band of Heroes mini series.

He was an ally of the main characters and part of a military team called “The Crazy Sues”, a special group of enhanced humans gathered by the Allies to defeat the Nazis.

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He was not the talkative type.

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Besides his team he also decided to get married to a human/Atlantean hybrid named Nia Noble and assumed his place as the king of Neptunia.

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Despite his background status and small time appearances, the Fin was given a validation of sorts when he appeared in the Marvel Handbook in 2004.

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I’ll be honest, when I was first doing research into the Fin at the start of the article I was a bit skeptic and only wanted to write about him as a joke.  At first glance, I don’t think it’s too hard to see why.

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Looking at him now, with the benefit of research and hindsight, I see him as more of a tragic hero.  Sure he was goofy and had a weird costume, but he was created by a great of the industry and went on to have a fair amount of time in the spotlight.

It’s safe to say that he deserves a place in the pantheon of water themed superheroes.

Golden Age Showcase: Dynamite Thor

Full disclosure, I discovered this superhero after reading an article for Cracked.com.

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The article was about crazy Golden Age superheroes and the author, a gentleman who goes by the name of Seanbaby, has a pretty cool list of obscure old school heroes.

Anyway, on to the article and if Seanbaby does wind up reading this, I just want to say thank you.

Today we’re going to to talk about the most explosive superhero in all of comics, a man so explosive that his name combines the Norse god of thunder and a highly dangerous explosive: Dynamite Thor.

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Origin and career

Dynamite Thor made is first appearance in Weird Comics #6 September of 1940.

Comic Book Cover For Weird Comics #6 - Version 2

He was created and written by a man named Wright Lincoln and is Mr. Lincoln’s only credited superhero.

He was published by Fox Features Syndicate, a company that was famous for two reasons.  First, their owner was an incredibly outspoken and boisterous man named Victor S. Fox.

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Apparently, before he became a comic book publisher he had made a living as the head of a shipping company, was arrested for stock fraud, and a book keeper for the company that would become DC Comics.  Also, he had a penchant for smoking cigars and calling himself “The King of Comics”

The man deserves his own article if we ever decide to do that.

Second, they were the original publishers of the superhero Blue Beetle.

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But back to Dynamite Thor.

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This hero’s actual name is Peter Thor, a wealthy mine owner and apparent explosives expert.

Here is his origin story.

Comic Book Cover For Weird Comics #6 - Version 2

And that’s it.

Say what you want about Golden Age comics, at least they’re damn efficient with setting up their characters.

As you might be able to guess from the name, Dynamite Thor likes to use dynamite…a lot.

Does he need to get someone’s attention?  Dynamite.

Comic Book Cover For Weird Comics #6 - Version 2

Destroy a ship killing and/or stranding countless numbers of people?  Dynamite

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Need to put out a fire?  You guessed it…dynamite.

Comic Book Cover For Weird Comics #6 - Version 2

Believe it or not, this actually isn’t as stupid as it seems, although to be fair it is pretty stupid.  It turns out that you can use explosions to put out fires so…good for the writer I guess.

Dynamite Thor was also seemingly impervious to explosives, something that is a pretty useful skill to have when you chuck dynamite everywhere.  Apparently this meant he was also immune to high G forces because his obsession with dynamite allowed him to do this,

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which is probably the most unfortunate way to fly that I have ever seen.

You would think that this ability to resist explosions would allow him to be practically invulnerable but nope, he was just as injury probe as you and me.

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His supporting cast is nothing really new or creative.

He had a girlfriend named Glenda who he had to keep in the dark about his secret identity for no other reason than that’s what superheroes do,

Comic Book Cover For Weird Comics #7

and he fought your standard assortment of foreign spies and gangsters.

Really, aside from the obsession with explosives and the high death toll he must have racked up, he was pretty boring.

So what happened?

Absolutely nothing happened, he disappeared from the comic book scene entirely after five pretty standard and kind of boring stories.

Fox Comics would declare bankruptcy in 1950 and its most famous creation, the Blue Beetle, would be bought by Charlton Comics,

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and eventually acquired by DC Comics into the hero we know today.

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How could he be rebooted?

The question here really isn’t “how can he be rebooted?” it’s more “can he be rebooted in such a way to make him interesting?”.

Sure, Dynamite Thor is an explosives expert and he seems to be invulnerable to explosives, but someone with that particular skill set would cause waaaay too much collateral damage to be considered a hero (although that could be an interesting theme to play around with), so he would more than likely be rebooted as a villain.

The problem here is that there are a lot of halfway decent super villains such as DC’s Shrapnel,

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and Marvel’s Nitro,

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who have explosion based powers, which means that Dynamite Thor would probably struggle to stand out.

Maybe he could be a business man who has advanced knowledge of chemistry and physics and uses it to develop better explosives which he uses to commit crimes?  Or maybe he could be a disillusioned military veteran who was in a bomb disposal unit and watched his entire squad die?  The trick isn’t updating his powers, it’s making that update interesting enough for modern readers.

Dynamite Thor was a strange, very obscure hero who lives on in articles like these.  He had a pretty interesting power, used it in hilarious ways, and only lasted a couple of issues before fading into obscurity.  Basically, it’s heroes like these that make the comic book landscape vast enough and interesting enough to keep researching.