Golden Age Showcase: Stuntman

We all know who Jack Kirby is right?

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Okay, so for anyone who doesn’t know the name all you need to know is that Kirby was the main artist and one of the biggest creative voices behind many of Marvel’s greatest superheroes.  The man had one of the most prolific art careers in comic book history (there are stories out there that said he could draw five to six pages a day) but  was sadly, and unfairly, overshadowed by his more famous counterpart: Stan Lee.

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With such a legendary career you would think that Kirby created nothing but legendary stories.  Sadly, that wasn’t the case as evidenced by today’s hero: Stuntman.

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Origin and Career

Our hero made his first appearance in the self titled Stuntman #1, which was published in April of 1946.

Comic Book Cover For Stuntman #1

A couple of things to note here.  First, the cover claims that it’s not a comic book.  Instead, it’s a comic novelette which makes me think the comic’s creators were trying to create something a bit classier than the throwaway pulp that made up most of the comic book scene of the 1940’s.  Second, you’ll notice that the book was created by Jack Kirby AND Joe Simon, the creator of Captain America.

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So we have not one, but two of the greatest comic book creators of all time working on single project.  This ought to be good.

The story starts off with a criminal gang trying to shake down a travelling circus, implying that there will be several accidents if management doesn’t pay up.

Comic Book Cover For Stuntman #1

Sadly, the criminals succeed in killing the circus’ greatest act: a group of high flying acrobats known as “The Flying Apollos”

Comic Book Cover For Stuntman #1

The only survivor is their young ward Fred who vows revenge and accidentally runs into a movie star/amateur detective named Don Daring.

Comic Book Cover For Stuntman #1

What?  Is the origin of an acrobatic superhero who used to work for a circus before his parents were murdered starting to sound a bit familiar to you?  Shut up and focus on the excellent artwork!

Anyway, Fred takes a job as Don’s stuntman in his pictures with the purpose of getting a new job and working with Don in order to solve the case by acting as bait for the killer.  Fred is eventually attacked and decides to don a costume to go after the killer

Comic Book Cover For Stuntman #1

Hmmm, could use more black.

Don discovers that it was a circus manager who was behind the crime all along, but before he can carry out his dastardly deed he is ambushed by the Stuntman and the day is saved.

Comic Book Cover For Stuntman #1

The rest of Stuntman’s adventures would have a similar theme to them.  Don would do all of the detective work while Fred would swoop in as the Stuntman to do the fighting.  The two men were a duo, dynamic even, and their adventures all centered around the entertainment industry and the various people looking to fleece audiences and entertainers alike.

For a Golden Age comic the writing and artwork were fantastic.  But then again, that’s what you expect from the minds and talents of Jack Kirby and Joe Simon.  Surely the Stuntman would go on to become one of the greatest superheroes of all time.

So what happened?

The Stuntman Comic only lasted three issues and the character would only make nine appearances for a single year.

Honestly, considering the talent behind the character and quality of the artwork and writing, I’m really surprised it only lasted that long.  Maybe it was the post war backlash against superheroes, or maybe it was Harvey Comics’ decision to focus on licensed characters instead of original content.

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but sadly we were deprived of more excellent stories.

However, it’s safe to say that the legacy of the Stuntman superhero lives on in another circus performer who watched his family get murdered before his eyes and eventually wind up fighting crime under the guidance of a rich amateur detective.

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Okay, so maybe Stuntman bears too much of a resemblance to Robin for comfort and maybe if the title had kept going Harvey would have found themselves on the receiving end of a DC lawsuit, but I honestly think that comic book fans and readers missed out on something fantastic with this Golden Age hero created by two of the greatest comic book creators of all time.

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Golden Age Showcase: Miss Masque

It’s been a while since we had a lady superhero on this blog that didn’t have a huge mainstream movie come out this year.

Let’s see…what femme fatale looks good this week?

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Okay, she looks good.

Today we take a look at the comic book superhero Miss Masque and no, she is not a Carmen Sandiago clone…although that would be pretty kickass.

Origin and Career

Miss Masque made her first appearance in Exciting Comics #51 in September of 1946 and was published by Nedor Comics, a division of the company Standard Comics.

Comic Book Cover For Exciting Comics #51

She shared the limelight with her slightly more famous superhero comrade, The Black Terror.

That was the cover of her first issue, this is the double page spread that introduced her to readers:

Comic Book Cover For Exciting Comics #51

I’m not going to lie, as first impressions go that’s a pretty good one.

As for creators, there are no author or artist credits on any of her stories.  However, artists Alex Schomburg and Frank Frazetta have been credited with supplying several covers featuring Miss Masque.  For anyone who might not know, Alex Schomburg was one of the most prolific and dynamic cover artists of the Golden Age of Comics.

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and Frank Frazetta is the reason why we think Conan the Barbarian looks like a chiseled barbarian warlord.

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Anyway, back to Miss Masque.  Her backstory is simple, she’s a socialite named Diana Adams and she moonlights as a superhero, that’s it.  No tragic event, no dead parents (that we know of), and no lab accidents.

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She’s just an ordinary lady with her wits, two pistols, and a lot of time on her hands.

Her first adventure is a simple one.  After her car breaks down she attempts to get help from a greedy old farmer who is currently engaged in a water dispute with his neighbor.

Comic Book Cover For Exciting Comics #51

The farmer attempts to fix the problem by hiring a bum to burn his neighbor’s property to the ground but the bum attempts to steal from him, the farmer gets violent, and Diana changes into Miss Masque in order to investigate.

Comic Book Cover For Exciting Comics #51

The farmer knocks her out (this kind of happens a lot in the future) and attempts to ditch the evidence by burning his house down.

Comic Book Cover For Exciting Comics #51

All pretty standard evil so far, but he tried to kill the dog and that is unforgivable.

Miss Masque escapes and tracks the farmer down, only to have him drown in a cruelly ironic way.

Comic Book Cover For Exciting Comics #51

That…is not a good way to go.

Most of her stories followed a similar format.  Her stories would open with a massive double page spread,

Comic Book Cover For Exciting Comics #54

and then she would go on to solve the “case of the week” with little to know continuity between issues.

It’s worth noting that she was a pretty capable superheroine.

Comic Book Cover For Exciting Comics #54

She would find a problem that usually involved whoever she was dating at the time, discover some dastardly scheme, and kick all kinds of butt and have the situation wrapped up in a couple of pages.

The artwork is pretty good too.

The formula must have worked because Miss Masque turned out to be pretty popular.  She got a couple of cover appearances,

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and she even became one of Nedor’s top three characters along with the Black Terror and the Fighting Yank.

Comic Book Cover For America's Best Comics #24

It’s worth mentioning that she underwent a costume redesign around 1947 where she showed off a bit more skin.

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Sometimes it’s important to remember that stereotypes about women in comics exist for a reason.

So what happened?

Nedor Comics must have been undergoing the same troubles the entire comic book industry was suffering through in the late 1940’s because they were consolidated into their parent company Standard Comics in 1949, which went under itself in 1956.

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It almost seems like a broken record at this point but Miss Masque most likely suffered the same fate that befell most Golden Age superheroes in the fifties when the comic book industry was gutted by parents and lawmakers worried that comics were corrupting their children.

If I had to make an educated guess she was doomed from the start since her initial publication date of 1946 lines up with the decline of the superhero genre in American comics and it’s pretty safe to assume she was created as an attempt to boost sales.

However Miss Masque, along with most of the Standard Comics’ library of characters, would receive a reboot in the 1990’s when most of them entered the public domain.

She wound up becoming pretty popular at AC Comics, making a couple of cover appearances in their annual issues,

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A team member of groups like Femforce,

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and she even got her own solo series.

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In this new continuity she retained her identity of wealthy socialite Diana Adams only this time her costume is the source of her power and her will to do good, since it’s possessed by a “spirit of justice”.

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I’d also say it was possessed by the spirit of 90’s comic book cheese.

She also appeared in Alan Moore’s Terra Obscura series in the early 2000’s,

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where she was engaged in a romantic relationship with another character named Fighting Spirit.

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Most recently Miss Masque was part of Dynamite Comics Project Superpowers series from 2008 to 2010.  In this series she got another costume change where she looks even more like Carmen Sandiago,

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she also suffers from amnesia and has actual superpowers this time.  She can replicate other people’s appearances, although her powers seem to be a bit ill defined.

Dynamite even gave her a spinoff solo series in 2009 which lasted for four issues.

Maybe it’s the red and the artists’ fascination with her legs that makes her so popular.

Miss Masque is one of the best female superheroes to come out of the Golden Age of Comics.  While we tend to look back at that time as a place where men ruled and women were considered to be side props, it’s important to remember that there were people out there who thought much differently and were willing to put a lot of time and effort into creating capable and well written female comic book characters.

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Golden Age Showcase: The Mad Monk

Let’s take a bite into the comic book industry’s version of vanilla ice cream and talk about Batman.

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Batman is one of the most popular superheroes in the world for a reason.  He’s got a great design, he’s got a cool story, he’s got tonnes of history, but most importantly…he has great villains.

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Yes, it seems pretty cliche to talk about how awesome Batman’s villains are but we all know that Poison Ivy is awesome,

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Mister Freeze is tragic and deep,

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and the Joker needs no introduction.

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But how does Batman manage to have so many great villains?

Easy, because he doesn’t kill them.

Batman’s aversion to killing criminals (even if the justice system he’s sworn to protect would have put the Joker to death a long time ago) and distaste at using guns is well documented.  With that being said, we’ve talked about how the Batman of the Golden Age wasn’t above using guns, or even killing criminals.

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The Golden Age Batman was a much darker and violent superhero than a lot of modern iterations and as a result, he either needed equally dark and violent villains or a small army’s worth of disposable henchmen.

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Today we’re going to talk about one of Batman’s first adversaries, a creature of the night who wasn’t just violent and unquestionably evil, but one of Batman’s first important villains: The Mad Monk.

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Origin and Career

The Mad Monk made his first appearance in Detective Comics #31 in September of 1939.

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He beat out the Joker by 8 months.

The character was created by Bob Kane and Garner Fox.

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Kane is the man who is widely credited with the creation of Batman (while he did play a part, a lion’s share of the credit does go to Bill Finger) and Fox is the man who helped create little known DC heroes like the Flash, Dr. Fate, and Hawkman.

The Mad Monk is special because he was the main villain for one of the first multi part stories in Batman’s career.  While the first super villain to face Batman in a multi issue series was the imaginatively named Dr. Death,

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The Mad Monk was a bigger, and much more mystical and terrifying, threat.

The Monk’s real name was Niccolai Tepes, a homage to historical crazy person and real life inspiration for the actual Dracula: Vlad Tepes aka “Vlad the Impaler”.

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The Mad Monk was a literal vampire complete with the need to drink blood, the ability to turn into a wolf, the ability to hypnotize people into a trance, and an assistant named Dala.

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While it is unknown why the Monk wants to kill Batman it is made apparent that the Monk does know his secret identity as Bruce Wayne when he kidnaps Bruce’s girl friend Julie Madison.

The Monk and Dala hypnotize her and use her to lure Batman into a trap in Paris where he has to fight a giant gorilla.

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After defeating the beast, Batman is captured and is trapped in a net dangling over a pit of snakes.  Because this is a comic book and nobody just wants to shoot their captured adversary.

Fun fact: This is the first time Batman ever uses the Batarang in comics.

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After escaping, Batman tracks the Monk to Transylvania (because of course) and confronts the villain in his mountain castle.  The Monk puts up a good fight by transforming into a wolf but Batman manages to knock the wolves out and escape.

The comic ends with Batman shooting The Mad Monk and Dala as they lie in their coffins.

If you ask me, this was a brilliant display of common sense.  While I think the idea for the Mad Monk is cool, I certainly wouldn’t want an immortal blood sucking creature  roaming the streets of Gotham or anywhere else in the world.

So what happened?

The Monk remained dead for a long time, probably because he was just two scary and dark for the censorship police known as the Comics Code Authority.

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But, like the vampires that he took his inspiration from, he would arise from the grave many years later.  In 1986 Gerry Conway, the co creator of the Punisher and the man who killed Gwen Stacy,

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reworked the original 1939 story into a modern origin for the Mad Monk in the 1980’s.

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In the new version the Mad Monk was a former plantation owner who owned slaves in post Civil War America.  He and his sister Dala were attacked by their slaves and turned into the undead in a voodoo ritual.

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Personally, I preferred the earlier version better.

The Mad Monk manged to turn Batman into a vampire but was eventually defeated by a wandering priest named Father Green.

The character would be given another fresh coat of paint in 2006 when a six issue mini series was published by DC Comics entitled Batman and the Mad Monk.

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It was pretty good.

The Mad Monk is a villain that has been mostly forgotten to history.  While he was a pretty one note character who didn’t have much staying power, and while he has been overshadowed by much more complex and interesting villains, he deserves a lot more attention and respect.

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He was one of Batman’s first true challenges and paved the way for the rogue gallery that keeps us coming back to Batman comics again and again.

Golden Age Showcase: Lance Lewis

I love superhero stories, but every now and then I get tired of men and women with impossible powers and I want to read something else.

When I get tired of reading about superheroes like Superman and Spider Man I like to turn to the science fiction category.  Granted, while superheroes and sci fi do share a lot of similarities, some times it’s nice to just relax with a book about normal human beings using their intelligence, fists, and cool sci fi gadgets to solve all the world’s problems.

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Okay, not that one.

Thankfully, this was something that comic book publishers understood as far back as the 1940’s and the folks at Standard Comics were more than willing to accommodate the need for non superhero stories with strange and fascinating science fiction stories about space men and aliens from the future.

Let’s talk about the detective from the 22nd century: Lance Lewis.

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Origin and Career

Lance Lewis first appeared in Standard Comics’ Mystery Comics #3 in 1944 during the post war boom in non superhero comics.

Comic Book Cover For Mystery Comics #3

Although is first appearance didn’t credit the author or artist, later issues revealed that the character was written by Bob Oskner,

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who had done some early work for Timely Comics and made his name in humor comics but would later find steady work at DC in the 1970’s,

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and was drawn by Graham Ingels, a man who would become famous for his work on EC Comics’ Tales from the Crypt.

Image result for graham ingels tales from the crypt.

Anyway, back to Lance Lewis.

Comic Book Cover For Mystery Comics #3

Our hero was a detective from the distant future tasked with keeping the solar system free from bandits, brigands, and other criminals.

In his first adventure Lance was tasked with overseeing a race between two space ships that belonged to two rival companies who were vying for a lucrative delivery contract.

Comic Book Cover For Mystery Comics #3

Comic Book Cover For Mystery Comics #3

Sadly, the race did not go well and Lance was tasked with solving the murder of one of the pilots.

Comic Book Cover For Mystery Comics #3

What’s rather interesting is that this story did present a genuine mystery for the reader, who was left with no idea how a pilot could have been killed in the middle of space without a mark on him or without any apparent sabotage to the ship.

It turned out that the ship was sabotaged by the competition.  The rival company hired a saboteur to drill microscopic holes into the ship’s engine which led to all the air escaping from the ship.

Comic Book Cover For Mystery Comics #3

There are a couple of things that are pretty noteworthy about this comic.  First, the art style is pure “ray gun gothic”, which was an art style that was very popular in early science fiction of the 1940’s and 1950’s.

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Image result for raygun gothic 1950'sWhat I’m saying here is that the art is awesome and I personally think there should be more of it.

Second, you’ll notice small lines of war time propaganda on the bottom of the page.

Comic Book Cover For Mystery Comics #3

Such were the times I guess.

Lance would get a girlfriend named Marna in the following issue after rescuing her from a group of evil blobs from Saturn who were bent on total domination of the Solar System.

Comic Book Cover For Mystery Comics v2 1 (4)

Then he took a three year hiatus and would return as the cover character on Standard’s Startling Comics #44 in March of 1947 to capitalize on the boom of non superhero themed comic books.

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The rest of his appearances were pretty standard “sci fi detective” affairs, where he would solve a case that involved some strange technology or evil alien race with his girlfriend.

His last appearance was in Startling Mystery Comics #53 in September of 1948.

Comic Book Cover For Startling Comics #53

His last case deserves special mention because it is an honest to goodness clever bit of writing.

Lance and Marna are on Jupiter watching a broadcast of the Planetary Music Festival, a music competition that has a huge cash prize for the winner.  Lance brings Marna’s attention to a little boy who is incredibly skilled with the violin.

Comic Book Cover For Startling Comics #53

However, Lance is interrupted by his superiors ordering him to investigate a mysterious accident in space where a cargo ship was destroyed, which was strange considering that it wasn’t carrying explosives. Comic Book Cover For Startling Comics #53

Things get weirder when Lance finds out that the boy’s manager, an evil looking Mr. Gorman and his associate Namar, placed a stack of greeting cards onto the ship that exploded.

Comic Book Cover For Startling Comics #53

Comic Book Cover For Startling Comics #53

Long story short, it turned out that Mr. Goman and Namar were blackmailing shipping companies into paying protection money and would blow up the ships of people who refused to pay with specially treated cards that were coated with an atomic explosive that was set off when a certain tone was played over the radio.  The person who set the tone off was the boy who was playing the violin.

Comic Book Cover For Startling Comics #53

The comic has a happy ending, in turned out they boy wasn’t in on the plot and was only playing to support his mother, and the criminals are all brought to justice in one of the best written Golden Age stories I have ever read.

So what happened?

Lance Lewis was actually published by one of Standard Comics’ imprints, Nedor Comics.  Nedor and its sister company Better Publications were folded into Standard Comics in 1949, a few months after Lance Lewis stories stopped being published.  While I can’t say for sure why these stories stopped being published (mostly because everyone involved either isn’t talking or is dead) I’d like to speculate and say that this merging was due to financial troubles at Standard Comics and Lance and company got lost in the shuffle.

That being said, Lance Lewis would have a brief revival in the early 2000’s thanks to one of the greatest modern comic book writers alive today: Alan Moore.

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Alan Moore started a company called America’s Best Comics in 1999.

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One of the series he created was about a “science hero” named Tom Strong,

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The series proved popular enough to warrant a spin off series known as Terra Obscura in 2003.  It was a series about an alternate Earth on the other side of the universe and utilized a lot of the old Standard Comics heroes that had fallen into public domain.

Lance Lewis made an appearance Tom Strong #12 as a time traveling scientist who sent himself back to World War 2 so he could fight in “The last good war”.

He would die three years later when he was killed by a villain named Mystico who needed to obtain the heart of a time traveler.

Lance Lewis was an interesting case study of the Golden Age.  While many people, including myself, dedicate most of our time and effort into studying the old superheroes we tend to forget that there were comic books that told other types of stories as ell.

Lance Lewis may not have had super powers, but he was definitely a hero using his brains, fists, and toys to deal out justice to the criminals of the future.

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