Golden Age Showcase: Etta Candy

WARNING!  THIS ARTICLE CONTAINS FOUL LANGUAGE USED FOR COMEDIC EFFECT!  YOU HAVE BEEN WARNED!

Today is the third day in our coverage of the new Wonder Woman movie, which comes out this Friday!

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I am so goddamned pumped for this movie!

Now, while it would probably make sense for us to talk about Wonder Woman this week we’re not going to.  Don’t worry, an in depth discussion of Wonder Woman is coming next week but for now I want to talk about a member of our heroine’s supporting cast.  She’s a redheaded (sometimes blonde) powerhouse who takes no lip from anyone and if this was any other comic book movie she would probably be the focus instead of the heroine.

Today we’re talking about Etta Candy.

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Origin and Career

So remember when I said there would be foul language in this article?  It’s mostly here.

The character was conceived by Wonder Woman’s original creator, William Moulton Marston.

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She made her first appearance in Sensation Comics #2,

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the issue that also gave us Dr. Poison who we talked about last week.

Her backstory is pretty simple.  She was  skinny, scrawny girl who Wonder Woman met in a hospital, waiting to get her appendix removed.  When she was cured she put on a few pounds.

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How do I describe Etta as a character?  Simple.

Etta Candy gives no fucks.

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Etta Candy takes no shit.

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Etta Candy once helped defeat an ENTIRE NAZI CONCENTRATION CAMP with nothing but a box of chocolates because she heard there were starving children being held there.

Etta knocks out a Nazi guard as she takes down the power grid.

Etta Candy is amazing.

Some of the more eagle eyed readers might observe that Etta Candy is a rather large women, some might even say she isn’t all that attractive.

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Etta hears your comments and doesn’t give two shits about what you think.  She’s large and damn proud of it.

You will also notice that Etta has something of an…unhealthy obsession with sweets.

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I love how in this universe filled with super humans, monsters, and legitimate gods that walk the Earth, Etta takes it all in stride and treats it just like nothing is out of the ordinary.

She needs no gods or men,

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chocolate is the only god she needs.

Despite her awesomeness, even Etta realized that she can’t take on the entire Nazi war machine alone, so she brought along some help in the form of her sisters from the fictional Beta Lambda sorority of Holliday College.

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Naturally, Etta was their leader.

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The girls proved to be incredibly helpful to Wonder Woman’s mission and kicked all sorts of ass.

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They would have given Nick Fury and the Howling Commandos a run for their money.  Why the Allied war effort even bothered to send regular troops to Europe is completely beyond me.

We even got to learn a bit more about Etta’s life after the war.  It turned out she had a family who lived on a Texas Ranch.  She even had a boyfriend.  His name was Oscar Sweetgulper.

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Are you picturing these two getting it on?  Because that is what I’ve been imagining for the past week.

Naturally, Wonder Woman brought Etta back to her home, where she was adored by her sister Amazons.  Also, she had no trouble going up against the more mythological creatures and villains of the comic series.

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In short (pun not intended) Etta was one of the greatest sidekicks in the early days of comics and remains one of Marston’s most fantastic creations.

So what happened?

You see this man?  The one smoking the pipe?

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That’s Robert Kanigher, a comic book writer who took over writing the Wonder Woman comic from Marston when he died in 1947.

Now, Kanigher is pretty well known and did some cool stuff over his career.  He wrote some of the early Blue Beetle adventures and he wrote what is widely considered to be the first Silver Age comic, which saw the introduction of Barry Allen as the Flash.

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However, when Kanigher took over Wonder Woman not only did he barley use Etta, he changed the character to the point where she was no longer the leader of her sorority and she was insecure about her weight.

To make things even worse, she was relegated to the position of idiot secretary in the Wonder Woman tv show, where she was played by actress Beatrice Cohen.

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BOOOOOOOO!!!

POOR FORM!

WHAT THE SHIT DC?!

She became so obscure that I can’t find a picture of her from the 1950’s all the way to the 1980’s.

Thankfully, the writers and creators at DC realized what they had done and managed to bring Wonder Woman’s best friend back from the grave…sort of.

In 1987 artist writer/artist duo Greg Potter and George Perez revamped Wonder Woman for the modern age and brought Etta back.

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She was no longer a large woman, but she was a capable Air Force officer and an aid to Steve Trevor, Wonder Woman’s former love interest.

I say former, because Etta and Steve wound up getting married.

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She still had reservations about her weight and even developed an eating disorder.

During the New 52 revamp, DC brought Etta back again.  This time she was a black lady who was Steve’s secretary and close personal friend.

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She would also make a comeback in DC’s Rebirth series, where she’s still Steve’s secretary.

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That’s how she’s appeared in the main continuity of DC comics.  Some of it was good, most of it made it seem like DC was embarrassed of the character which is just…a crying shame.

Thankfully there were plenty of spin offs and interpretations of Wonder Woman that brought Etta back into her original role.

For example, here she is in the non continuity of DC’s Earth One timeline.

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and more recently the comic series The Legend of Wonder Woman brought her back to her original Golden Age appearance.

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She will be portrayed by British actress Lucy Davis in the Wonder Woman film,

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and if the trailer is any indication, I think she’ll be amazing at it and do the character justice.

Etta is an amazing character and a good friend to Wonder Woman.  In an industry that gets a lot of flak for not being very friendly to women, especially large women, Etta takes those critiques and smashes them over the head.  All with grace, poise, and a box of chocolates in hand.

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Golden Age Showcase: Hippolyta

So this little movie is coming out in a couple of weeks.

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I’m excited.

The funny thing about this movie is that it promises to be huge but strangely enough, DC and Warner Brothers aren’t doing a whole lot to market and promote the film.

Granted, there is a precedent for this lack of marketing push, but I like to think that part of the reason why the film isn’t getting a lot of love is because the producers and film makers are banking on the hoards of angry nerds who are so desperate to see a female superhero succeed that they are willing to give this film a bunch of free advertising.

Thankfully, I am incredibly desperate and angry and I intend to do my part and contribute to the madness.  For the next couple of weeks leading up to the release of Wonder Woman I intend to devote this blog to Wonder Woman and her supporting cast.

And since yesterday was Mother’s Day, I thought it might be fun to talk about Wonder Woman’s mother: the Greek Amazon Hippolyta.

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Origin and Career

Unlike almost all the superheroes of the Golden Age, who can trace their origins to the popular culture of the day, Hippolyta has one of the most accomplished and famous pedigrees in comic book lore.

In fact, probably the only modern day superhero who has changed less than DC Comics’ Hippolyta is Hercules himself, and that’s only because Hercules is an integral part of Hippolyta’s story.

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Hippolyta was the queen of the Amazons, a group of savage warrior women who claimed to be descended from Ares, the god of war.

As part of his twelve labors, Hercules was tasked with stealing an item called the Golden Girdle, a belt that gave Hippolyta incredible strength.  Hercules was successful in seducing Hippolyta into giving him the belt,

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but sadly perished when he goddess Hera convinced her battle sisters that Hercules was kidnapping her.

This story must have struck a chord with a man named William Moulton Marston,

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because he used this exact myth to inform the creation of Hippolyta in All Star Comics #8 in October of 1941.

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We’ll save the specifics for later but for now all you need to know is that the story of Hipppolyta remained relatively unchanged from its classical roots.  Hippolyta was the queen of her people and the mother of the book’s main character so she was tasked with talking to the ancient gods, looking after the welfare of the Amazons, and trying to control her daughter without much success.

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So what happened?

What do you mean “what happened”?  She went on to have an illustrious career as the mother of one of the most successful superheroes on the face of the planet!

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Granted, there have been some changes to her story.  Various versions of the character have her as a blonde badass,

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and at one point she actually took up the mantle of Wonder Woman,

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(yes that is actually Hippolyta and not Diana with a different hair do)

Her origin story with Hercules was changed up a bit in 1987 by writer George Perez.  It was a bit more…uncomfortable than the original with the new version of Hercules forcing himself on Hippolyta after he drugged her and her Amazons.
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It’s worth mentioning that he did this after she beat him in fair combat and attempted to reason with him.

Hippolyta has played an integral part in the DC universe, both in the comics and in other forms of media as well.  She has made regular appearances in a whole bunch of cartoons and animated movies,

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and is often treated with the respect and reverence that a queen and leader of her stature deserves.

In the upcoming movie the director decided to go the blonde route and have her played by the actress Connie Nielsen.

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To list every achievement and important event that Hippolyta has been part of would take forever and I highly encourage you to do more research on your own.  All that I really have to say is that while Wonder Woman is considered to be one of the greatest superheroes in existence, she would be nobody without the strength and wisdom of her mother behind her.

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Happy Mother’s Day everyone.

Golden Age Showcase: All Negro Comics #1

So this show just came out on Netflix.

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I freaking love it.  The actors are awesome, the soundtrack is phenomenal, and while it’s probably the least “comic booky” of all the shows Marvel puts out, it is a fantastic homage to the 1970’s blaxploitation films that the comic took influence from.

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Luke Cage was a product of the 1970’s, a time when American black culture was really coming into its own, and comic books responded with a whole bunch of new and interesting black characters, including Luke Cage himself.

Luke Cage, Hero for Hire #1 (1972)

Black Lightning #1 (1977)

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While black people and culture would come into its own in the late 60’s and early 70’s, black people were actually part of comic book culture from its very beginning.

In a lot of the Golden Age Comics I’ve read over the course of this blog I’ve come across a lot of black characters.  The downside is that the overwhelming majority of these characters were not exactly culturally sensitive.

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However, that didn’t stop black people from looking at the racism and stereotypes prevalent in the early days of the comic book industry and trying to do something about it.

It a time when it was still illegal for a black man to use the same restroom as a white man.

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there were black people who took a look at comic books, this new form of mass entertainment that was capturing the hearts and minds of millions, and said,

“we deserve our own comic books and we’re going to make them ourselves.”

Today we’re going to look at the first comic book created by black people, for black people.

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Origin

Despite what you might think by looking at the cover, this comic has a hell of a pedigree behind it.

The idea for the comic came from a man named Orrin C. Evans.

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Mr. Evens was a reporter from Philadelphia.  Not only was he a reporter, he worked for a paper called the Philadelphia Record

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and was the first black reporter to work for a mainstream newspaper.

When the Record went out of business in 1947 he teamed up with several of his former co workers from the newspaper and published All Negro Comics #1 in 1947.

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Evans was a member of the NAACP and a strong advocate for racial equality and it shows in the very first page of the comic, where he explains that the comic was created to educate people about the contributions and accomplishments of black people in America, celebrate those achievements, and “to give American Negroes a reflection of their natural spirit of adventure and a finer appreciation of their African heritage”.

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This was a comic written by black people, drawn by black people, for black people and the stories and artwork are pretty darn good.

It was a 52 page anthology comic that had a bit of everything.  Besides the introductory letter there were prose stories along with a collection of diverse stories from crime mysteries and comedies.  There were even some PSA’s and “crime doesn’t pay” advertisements.

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Some of the more notable characters were figures like Ace Harlem, a detective who managed to chase down and capture a pair of thieves who held up a barbecue restaurant and killed its owner.

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the man was intelligent, observant, and capable of dishing out a beating when he needed too.

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Another story was a single page comedy featuring a character named “Lil’Eggie” who suffered at the hands of his over bearing wife.

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and then there’s my personal favorite: “Lion Man”

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Lion Man was an American college educated man who was sent to Africa at the behest of the United Nations in an attempt to safeguard a large natural deposit of uranium in order to prevent evil men from seizing it to make a bomb.

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He had a sidekick named Bubba, who was often more trouble than he was worth.

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He tried to be helpful.  After Lion Man stopped the evil Dr. Sangro from seizing the mountain,

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Bubba tries to help by using a machine gun to attack the assailants.

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the plot is foiled, but Dr. Sangro survives to fight another day.

What I really like about this comic is how it portrays the traditional “African savage” with a lot more respect than other comics from the time.  Granted, Lion Man is American and Bubba does fall into a lot of the tropes that belong to annoying, mildly racist sidekicks, but when all is said and done it is probably the fairest and most reasonable portrayal of black men in Africa in the 1940’s.

The comic had good writing, good artwork, and a heartfelt message behind it.  It was a great representation of what black people could do for comics and deserves a place in the history books as the first comic of its kind.

So what happened?

While there were plans for an All Negro Comics #2 but the title was doomed from the start.

For starters the comic was only distributed to segregated African American communities

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which meant that the audience for the comic was sadly limited.

Second, the price for the comic was 15 cents during time when every other comic was selling for 10 cents.

And finally, good ol’ fashioned racism reared its ugly head when everyone from the people selling the newsprint the comic was printed on to the distributors who put the comic on newsstands refused to do business with Evens and his business partners.

All Negro Comics would only last a single issue, even though we don’t know how many comics were sold it’s safe to say it didn’t sell very well.  However, I like to think that this comic represented an important moment in comic book history and the history of race in America.

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For the first time, a group of black people looked at an industry that was overwhelmingly created by and for white children and said “No, we can create comic books and stories that deserve to be told too” and they did.

There’s no way of telling what the impact of All Negro Comics had on the black community at the time, but it’s important to recognize and acknowledge it as a foundation for black people in comics.

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