So I just discovered Rick and Morty last night.
It’s a good show, a bit dark, bleak, and incredibly pessimistic.
I bring this up because it provides a direct contrast with my love of superheroes.
Yes they’re bright, colorful, and probably have no place in modern society but that’s not the point.
Superheroes are supposed to be titans of morality and/or walking metaphors that can solve all their problems by punching them or blasting them with energy rays. Sure, sometimes they may a bit more complicated and complex, but in the end that’s what they are.
Superheroes did the right thing, ate their vegetables, said their prayers, and told little Timmy that doing the right thing came first, no matter what. They were uncomplicated lessons in morality for kids in an uncertain and dangerous time and that is something that the Golden Age of Comics did better than almost anyone else.
So let’s talk about a superhero named Atomic Tot, who was a superhero that was unquestionably for the kids,
and kind of dropped the ball in that regard.
Origin and Career
Atomic Tot made his first appearance in Quality Comics’ All Humor Comics #1 in September of 1946.
That joke on the cover of the issue? That’s as good as they would get.
He was created by comic book writer and artist, Ernie Hart. While I can’t find a picture of him, I can tell you that his most famous creation was the famous Super Rabbit for Quality Comics.
Pssh, the idea of talking anthropomorphic animals is so lame. Who could possibly make any money off of that?
Anyway, before Atomic Tot got his name he was originally known as “Mitymite”, the weakling son of a poor peasant living in a land being terrorized by an evil giant.
Yes the captions are in rhyme, to explain why I don’t have time.
Mitymite grows up wishing to meet this princess, but is blocked by the wicked giant. Humiliated, he swears revenge.
So what does he do? Does he subject himself to strange experiments? Find a magical artifact? Nope! He eats his cereal and works out.
Wheaties would love this guy.
Naturally he defeats the giant, by tossing him out a window…presumably to his death.
However, it turns out the princess isn’t all she cracks up to be and Mitymite acts like a total dick and abandons her.
It’s worth mentioning that he looks like he’s only six year old.
Mitymite was given a modern update in the very next issue. His new name was Atomic Tot and he got an alter ego of Tom Tot.
His second adventure saw him stopping an evil scientist that was kidnapping children and turning them into monkeys. Why? To sell them to the zoo of course.
How does he do that and wouldn’t it make more sense to sell them to laboratories as test specimens? I don’t know and the comic doesn’t care.
It’s worth mentioning that Atomic Tot could be incredibly cruel to his enemies. He even threatened to turn the scientist into a monkey if he didn’t help return the kids.
Atomic Tot would go on to have five more stories just like this one. There really isn’t anything else to say.
So what happened?
For some strange reason, Atomic Tot did not survive past the 1940’s.
Why he didn’t last long is a real mystery.
For some bizarre reason, Atomic Tot wasn’t fondly remembered enough to get a reworking in modern comics either, although he did make an appearance in an anthology title called Not Forgotten which was successfully funded through Kickstarter a few months ago.
The anthology has a website, it’s pretty interesting stuff and worth checking out.
Atomic Tot is a superhero boiled down to its most basic essence. There is no complicated backstory, no surprising plot twist about his parents, not horrifying life event that inspired him to become a superhero. He’s just a kid who has the ability to do great things and decides to use his talents for good.
Huh, come to think of it…that is pretty boring. Maybe all this straight laced morality isn’t quite for me than.
So we lost one of the greats yesterday: George A. Romero.
While he did create other films and was a fervent activist throughout his life, the man will always be remembered as the founding father of the zombie movie.
Fun fact: after he made his first film Night of the Living Dead Romero screwed up some paper work with the copyright office and as a result, the film is now in the public domain. You can watch it for free and I highly recommend it.
Yes, zombies are a pop culture staple nowadays. While their time as the dominant force of pop culture has waned, they’re still around making boatloads of money, especially in the comic book world.
So I thought it might be fun to talk about one of the earliest zombies in comic books, and how different a walking corpse from the 1940’s was from the present day walking corpse.
Today we’re talking about the Purple Zombie.
Origin and Career
The Purple Zombie made his first appearance in Eastern Publishing’s Reg’lar Fellers Heroic Comics #1 in August of 1940.
The character was created by Tarpe Mills, which was a pen name for Golden Age writer and artist June Mills.
Mrs. Mills was actually the first lady to create a female superhero, a black cat costumed heroine named Miss Fury.
Let it be said that the early comic book scene wasn’t entirely dominated by male New Yorkers, it was just mostly dominated by them.
When reading the Purple Zombie stories you can actually see a lot of tropes that plague (pun intended) the modern zombie. He was created by a mad scientist named Dr. Malinsky who was seeking to create an unstoppable army in order to take over the world,
However, it’s worth mentioning that there is no specific mention of how this zombie was created.
After establishing himself as an evil bastard, Dr. Malinsky realizes that he has the same problem Dr. Frankenstein had, that his creation realizes what it is and isn’t all that fond of his purpose. The creation bypasses years of therapy and emotional issues by strangling his creator.
You’ll notice three things that make this guy different. First, he’s bulletproof and super strong, thus avoiding the trope of zombies that need to be shot in the head and who are only effective in large groups. Second, he’s surprisingly articulate for a zombie and has no need or desire to consume the brains of the living. Third, his skin looks more black than purple which…raises a lot of very icky moral questions that are a bit more unsavory today than they would have been seventy years ago.
Nevertheless, this zombie sets out to find the people who backed his creation and remove them from the face of the Earth.
It’s never mentioned who the backers were working for, but with a name like Otto Von Heim it’s safe to assume they were working for the Nazis.
In a rather interesting twist, this zombie was actually captured and sentenced to death for the murders.
This is where he gets his purple skin, and his jailers realize that he can’t be killed.
The zombie is released into the care of Malinsky’s former assistant and swears to do nothing bug good from here on out.
Again, some kind of uncomfortable racial overtones here (it’s worth mentioning that pre Romero zombies were often associated with African or “voodoo” religions) but as origin stories go it’s pretty fleshed out and well done for the Golden Age.
Sadly, the zombie’s brush with organized crime wasn’t over. Realizing that a large, bulletproof, super strong, nearly unkillable monster could be useful in committing crimes a gangster named Joe Coroza kidnapped the Purple Zombie in an attempt to use him as a weapon.
His human friend tries to rescue him, but is forced to contend with an army of mechanized skeletons as well as the gangsters.
However, it turns out that the man who created the moving skeletons was actually a good guy and the Purple Zombie decided to join forces with him and go off to fight in Europe for the forces of democracy.
It’s nice to know that the idea of using creatures more often associated with horror to do good is older than a lot of people think.
The plan is a success and the Zombie and his skeleton pals successfully stop the death ray from killing thousands more. Their solution…cold blooded murder.
After successfully defeating the death ray and single handily winning the war (I assume) the heroes find themselves forced to land in a mysterious lab.
It turns out that the scientist forced them to land there so he could show them their time machine and in the very next page…
Jesus, this comic jumps around more than an over caffeinated toddler.
The two find themselves in 64 A.D in the middle of the Roman Empire.
The Romans do the surprisingly sensible thing and declare these two strangers to be madmen. They also understand modern English.
Thankfully, lions are no match for the two.
Unfortunately, they now have to contend with the entire city of Rome burning.
Thankfully, they are saved by the actions of their colleagues in the present day who manage to transport them out of danger into the Medieval Ages.
It turns out they’ve landed straight in the middle of the Crusades and wind up meeting King Richard I of England.
They would have been on good terms if it wasn’t for their sudden transportation to the court of Queen Elizabeth I.
Honestly, I don’t know if the author is trying to be educational, or if she’s just name dropping random historical figures who were popular at the time.
They meet up with Sir Francis Drake while he’s bowling,
(fun side note: the story is that Sir Francis was supposedly bowling when he received news of the Armada so props for possible historical accuracy)
and the two men help him defeat the Spanish Armada until they’re whisked away to the French Revolution.
I’m beginning to think the scientists controlling the time machine hate our protagonists.
The two suffer through one more trip into prehistoric times,
and then they’re transported back to the modern day where it is revealed that the Purple Zombie wasn’t actually dead to begin with. He was actually faking his death in order to escape and wound up becoming an unwitting participant in the original experiments.
So I guess you could argue that the Purple Zombie wasn’t actually a zombie.
So what happened?
The page above is the last page we would ever see of the Purple Zombie.
We’ve talked about Eastern Publishing before and how it was going through a rather turbulent time in the late 1940’s when it merged with a bunch of other publishers to become Standard Publishing and eventually stopped making comics in the 1950’s.
But even if Eastern Publishing had survived, I think that the Purple Zombie would have been doomed anyway. For starters there were companies in the 1940’s who were using zombies and monsters much more effectively and with much better artwork.
And even if the Purple Zombie had managed to become more popular, it stood no chance against the backlash against comics in the 1950’s that wound up creating the Comics Code.
With that being said I actually like the Purple Zombie. While he had a pretty average power set and wasn’t technically a zombie, he had a pretty good back story and enough heart and dedication to be a pretty good superhero.
Let’s talk about families in comic books.
Sure there are plenty of family figures in comic books.
Heck, there are even a couple of actual families that have proven to be incredibly popular,
but for the most part the purpose of being a family member of a superhero usually means your either an obstacle to the work of a superhero, or you’re dead.
If you’re looking for someone to blame for this trope, blame Batman.
Batman was the first superhero to have a clearly defined origin story and he was the first hero to have his parents tragically killed.
In a way it makes sense for a superhero to not have his/her parents around when things like curfew, homework, and “you’re going out dressed like THAT?!” are a constant roadblocks.
While Batman was the first in the long and proud tradition of orphaned superheroes today’s blog post is about a father and son team who go around and fight crime together.
By which I mean the son does all the heavy lifting and the father sits back, tells his son what to do, and subjects his only child to dangerous experiments.
Today we are talking about Professor Supermind and Son.
Origin and Career
Professor Supermind and his son made their first appearance in the Dell Comics anthology Popular Comics #60 in Febuary of 1941.
I don’t know who created him but apparently he was popular enough to be on the cover for the next couple of issues.
The origin of this superheroic duo is straightforward and simple enough to be described in the first panel of every issue.
The father’s name is Professor Warren, a super scientist who has created two of the greatest inventions mankind has ever witnessed. The first is a television that can view anything in the world which was useful for both spotting where crime and for checking in on what I can only presume are his many ex wives and their new boyfriends.
The second is an “energy builder” which he uses to zap his son with electrical power. Following super hero logic this jolt of energy doesn’t kill him. Instead, it grants him “electric power equal to a thousand horsepower”.
I’m beginning to think that a lot of early comic book creators didn’t really know how science works.
The two men didn’t have much in the way of motivation outside of simply doing the right thing and each of their stories were pretty formulaic for the time. The professor would see a problem going on through his television and send his son to stop it.
One of the better stories in my opinion was when the two fought of, what else, Nazis who were threatening to invade America.
What’s really impressive about this story is the pair’s complete and total disregard for human life since they decide to collapse the tunnel and drown thousands of men unless the Nazis back off.
I mean, I know that they’re Nazis and all, but killing so many people is a bit extreme.
Casual disregard for human life aside, the duo did have something resembling a nemesis outside of the dastardly Germans. Apparently, the Professor had a former pupil who wanted the Professor’s inventions for himself.
The man’s name was Sorel and he was the closest thing the series ever had to a super villain.
Funnily enough, Sorel was actually somewhat capable. He even managed to sneak in to the Professor’s lab and use the power machine on himself.
So what happened?
Despite having a fairly interesting idea and some halfway decent artwork for the time, the father and son team only made twelve appearances.
I don’t know what happened but I can make a pretty good guess. Professor Supermind and his son started out as the cover story and as the first story in each anthology for a couple of issues and then started losing their cover appearances and first story positions to other characters.
It’s safe to say that they just weren’t as popular as Dell Comics hoped.
Looking back it’s pretty easy to see why. Each of the stories were pretty formulaic, the dialogue was wooden, and although the art wasn’t terrible the artist preferred to have the characters stand around and talk rather than act.
Sadly, there is very little chance for these two to make a comeback. Dell Comics was hit pretty hard in the 1950’s and never really recovered. They closed shop in 1972, although their legacy continues with the three superheroes Doctor Solar, Turok, and Magnus Robot Fighter.
Despite the fact that their stories are pretty boring once you get down to it, I do think that Professor Supermind and his son do have some potential. As I stated at the beginning of the article, living biological parents are something of a rarity in comic books so there could be a place for a well written father son team.
Let’s take a bite into the comic book industry’s version of vanilla ice cream and talk about Batman.
Batman is one of the most popular superheroes in the world for a reason. He’s got a great design, he’s got a cool story, he’s got tonnes of history, but most importantly…he has great villains.
Yes, it seems pretty cliche to talk about how awesome Batman’s villains are but we all know that Poison Ivy is awesome,
Mister Freeze is tragic and deep,
and the Joker needs no introduction.
But how does Batman manage to have so many great villains?
Easy, because he doesn’t kill them.
Batman’s aversion to killing criminals (even if the justice system he’s sworn to protect would have put the Joker to death a long time ago) and distaste at using guns is well documented. With that being said, we’ve talked about how the Batman of the Golden Age wasn’t above using guns, or even killing criminals.
The Golden Age Batman was a much darker and violent superhero than a lot of modern iterations and as a result, he either needed equally dark and violent villains or a small army’s worth of disposable henchmen.
Today we’re going to talk about one of Batman’s first adversaries, a creature of the night who wasn’t just violent and unquestionably evil, but one of Batman’s first important villains: The Mad Monk.
Origin and Career
The Mad Monk made his first appearance in Detective Comics #31 in September of 1939.
He beat out the Joker by 8 months.
The character was created by Bob Kane and Garner Fox.
Kane is the man who is widely credited with the creation of Batman (while he did play a part, a lion’s share of the credit does go to Bill Finger) and Fox is the man who helped create little known DC heroes like the Flash, Dr. Fate, and Hawkman.
The Mad Monk is special because he was the main villain for one of the first multi part stories in Batman’s career. While the first super villain to face Batman in a multi issue series was the imaginatively named Dr. Death,
The Mad Monk was a bigger, and much more mystical and terrifying, threat.
The Monk’s real name was Niccolai Tepes, a homage to historical crazy person and real life inspiration for the actual Dracula: Vlad Tepes aka “Vlad the Impaler”.
The Mad Monk was a literal vampire complete with the need to drink blood, the ability to turn into a wolf, the ability to hypnotize people into a trance, and an assistant named Dala.
While it is unknown why the Monk wants to kill Batman it is made apparent that the Monk does know his secret identity as Bruce Wayne when he kidnaps Bruce’s girl friend Julie Madison.
The Monk and Dala hypnotize her and use her to lure Batman into a trap in Paris where he has to fight a giant gorilla.
After defeating the beast, Batman is captured and is trapped in a net dangling over a pit of snakes. Because this is a comic book and nobody just wants to shoot their captured adversary.
Fun fact: This is the first time Batman ever uses the Batarang in comics.
After escaping, Batman tracks the Monk to Transylvania (because of course) and confronts the villain in his mountain castle. The Monk puts up a good fight by transforming into a wolf but Batman manages to knock the wolves out and escape.
The comic ends with Batman shooting The Mad Monk and Dala as they lie in their coffins.
If you ask me, this was a brilliant display of common sense. While I think the idea for the Mad Monk is cool, I certainly wouldn’t want an immortal blood sucking creature roaming the streets of Gotham or anywhere else in the world.
So what happened?
The Monk remained dead for a long time, probably because he was just two scary and dark for the censorship police known as the Comics Code Authority.
But, like the vampires that he took his inspiration from, he would arise from the grave many years later. In 1986 Gerry Conway, the co creator of the Punisher and the man who killed Gwen Stacy,
reworked the original 1939 story into a modern origin for the Mad Monk in the 1980’s.
In the new version the Mad Monk was a former plantation owner who owned slaves in post Civil War America. He and his sister Dala were attacked by their slaves and turned into the undead in a voodoo ritual.
Personally, I preferred the earlier version better.
The Mad Monk manged to turn Batman into a vampire but was eventually defeated by a wandering priest named Father Green.
The character would be given another fresh coat of paint in 2006 when a six issue mini series was published by DC Comics entitled Batman and the Mad Monk.
It was pretty good.
The Mad Monk is a villain that has been mostly forgotten to history. While he was a pretty one note character who didn’t have much staying power, and while he has been overshadowed by much more complex and interesting villains, he deserves a lot more attention and respect.
He was one of Batman’s first true challenges and paved the way for the rogue gallery that keeps us coming back to Batman comics again and again.