Comic book Showcase: Wytches

First and foremost, my apologies for not posting anything last week.  I just started a second job and I’ve been busy adjusting to that.

Second, happy Father’s Day!

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A lot of cultures and countries have a day or two where parents are honored more than usual, and yesterday was the day Americans do it, mostly by buying manly things like ties and tools.

Now, I’ve made it very clear that I’ve found it difficult to write a blog entry about some obscure superhero after a holiday that celebrates parenthood.  There are two reasons for this.  First, one of the core values of parent hood is keeping your children safe and the inherent violence that superhero stories require,

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would probably make any self respecting parent cry.

This segues right into the second problem with parenthood in comics.  It’s a well known fact that comic book parents have a nasty habit of dying or being absent from the equation.

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You can’t have parents worrying about their offspring if they’re completely removed from the equation.

So, instead of talking about an obscure comic book superhero from the 1980’s, I thought it would be nice to honor Father’s Day by sharing one of my favorite horror comics with you guys that talks about parenthood: Scott Snyder’s Wytches.

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Side note: This comic came out in 2014, so it’s fairly recent but not recent enough for nobody to have read it, and it’s written and drawn by two well known comic book creators and has garnered enough of a reputation to be optioned as a movie.  I’m going to assume a lot of the people who read this blog have either read it or heard about it, but in the mean time,

SPOILERS AHEAD!

About the comic

Wytches is a six issue limited series that was published by Image Comics in October of 2014.

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The comic was drawn by British artist Jock,

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and written by American artist Scott Snyder.

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Both these guys are fantastic creatives with resumes a mile long, but if I had to draw attention to one part of their careers it would be their contributions to DC’s Batman.  Jock for his artwork,

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and Scott for what he’s added to the mythos, such as the Court of Owls.

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What both Jock and Snyder are very good at is creepy, horror imagery and that all comes to a terrifying and amazing forefront with Wytches.

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The story follows a father named Charlie, his wife Laura, and their daughter Sailor as they move to the small town of Litchfield New Hampshire.

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The reason why they moved was due to Sailor being mercilessly bullied by another girl,

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right up until the girl had an unfortunate “accident”, which led to people believing that Sailor had killed the bully.

Unfortunately for the family, the town and surrounding forest are home to some thing ancient, dark, and horrible: wytches.

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These aren’t creatures of magic, or even human.  These are hunched, twisted, menacing apex predators who live underneath trees and cook humans alive before eating them.  They have some sort of ancient science that can grant boons to anyone who wishes to gain their favor, but they demand a sacrifice in exchange.

This is done by spraying people with a green liquid that marks them as “pledges” and throwing them into a hollowed out tree where the pledge gets dragged down to their lair and eaten.

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Really horrific stuff.

The story is about the family dealing with the wytches and trying not to get eaten.  To say anymore would spoil some of the fun parts of the plot, so all I’m going to say is that you should read it.

Themes and meaning

So why am I talking about a horror comic on the day after Father’s Day?

Well, the importance of family and the things that parents will do to protect their children is a major theme of the story.

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Sure, there’s the obvious issue of Charlie trying to save his daughter from the very real monsters that want to eat her.

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But it goes deeper than that.

Charlie spends most of the time he has with his daughter trying to help her deal with her anxiety and what I can only assume is a pretty bad case of PTSD.

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There’s actually a really gut wrenching scene near the end of the book that’s a flash back to Charlie snapping at his daughter for what he perceives as weakness.

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This is contrasted with his wife, who wants to forget everything and start over.

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She has her reasons, but to talk about them is something that I don’t want to spoil.

Wytches is an expertly written, incredibly well drawn, and horrifying modern parable on the dangers and fears of modern parenting and I would actually go as far as to say that it would probably make a very good Father’s Day gift.

Assuming your dad likes this sort of stuff.

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Crowdfunded comics that deserve more attention: The Death Defying

I think it’s time we revived this blog series…again…probably for a few weeks before I get overwhelmed with other stuff or can’t find anything interesting to write about.

Anyway, since it’s close to Halloween here’s a write up of a comic with horror over tones called The Death Defying.

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The comic is a fictionalized account of real life friends turned enemies Harry Houdini and Sir Arthur Conan Doyle.  According the the description:

“The Death Defying becomes a battle of wills, words, faith, science, fisticuffs, handguns and magic that stretches from the windswept menace of Stull, Kansas to the small apocalypse of Tungaska, Russia. Beliefs will be tested, lives will be threatened and the scariest specter of all is whether or not any of this is real.”

So it looks like we’re in for a twisted mystery thriller with two of the greatest figures of the early 20th century battling it out for the soul of mankind.

The campaign is seeking $8,000 to cover art and printing costs.  At the time of writing it is sitting at $1,580 with eighteen days left to donate.

Kickstarter link: https://www.kickstarter.com/projects/xtop/the-death-defying-1?ref=category_newest

Why I like it

I’m a sucker for historical stories, especially if it’s a story about two people as famous and as awesome as Sir Arthur Conan Doyle and Harry Houdini.  I’m pleased to say that the people behind the comic did their research well.  Houdini and Doyle were actually good friends in real life,

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and wound up drifting apart due to their disagreements over spiritualism and the existence of the supernatural.

For anyone who doesn’t know, after the First World War most of Europe and the United States became fascinated with the idea that magic was real and that people could communicate with spirits and the undead.

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This led to the explosion of seances and mystics who claimed they could summon spirits to appear as apparitions in photographs,

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or most famously knock on walls and levitate tables.

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Sir Arthur Conan Doyle was one of the most famous supporters of this idea, even going as far as claiming that fairies existed based on photographic evidence.

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Houdini was the exact opposite and devoted a good portion of his life to disproving spiritualism and exposing many of the so called mystics who used parlor tricks to swindle people out of their money.

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Personally I’d have to side with Houdini on this one.  Sure people are allowed to believe what they want, but this was just after the First World War and the Spanish Flu killed millions of people and I think many of these mediums and spiritualists were scam artists who were able to cheat a large amount of desperate grieving people out of their money.

Anyway, that’s the time the comic sets its story in.  It’s a fascinating time period in human history and the story promises to deal with weighty themes such as science vs. belief and chaos vs. order.

It should be good.

Why you should donate

The creative team behind this story is top notch and professional.  Every one of the people involved in the comic has at least one professional credit to their name and they appear to be passionate about this story, so you know that they will deliver a quality product in a timely manner.

Speaking of quality, the art is fantastic and manages to balance the dark shadows of the occult with the practical and direct lighting of the provable very well.  

What I really like about this page in particular is how it manages to balance the two opposing points of view.  In the world of this story either man could be right in his beliefs and it’s well known that the best and most realistic kind of conflict is the kind where both sides believe they are right.

The first six pages of the comic are on the Kickstarter page for you to check out along with the rewards and bonus artwork.

The Death Defying is a historical occult drama that deals with weighty themes and stars some of the early 20th century’s greatest human beings in an adventure for the ages and a battle for the soul and future of humanity and is definitely worth your time and money.

Kickstarter link: https://www.kickstarter.com/projects/xtop/the-death-defying-1?ref=category_newest

 

 

 

Golden Age Showcase: Eerie Comics

It’s nearly Halloween, and if I had a better sense of timing and theme I would have done what lots of other comic book journalists and writers do and dedicated the entire month of October to horror comics.

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The horror genre is an incredibly popular genre for comic books with plenty of opportunities for fantastic art with strange and shocking story material that is perfect for grabbing the readers attention and persuading them to buy the book. In fact, I would go as far as to say that if wasn’t for superheroes, horror comics would be the most popular comic book genre today.

We’ve talked about how the post World War II comic book scene saw a boom in horror titles, particularly the rise of EC Comics with their shocking and grotesque morality tales such as Tales from the Crypt.

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But the history behind the horror genre goes back a little farther.  These creepy and horrific stories have their roots in the pulp magazines and penny dreadful novels that were the ancestors of comic books and the first horror comics were simple adaptations of those works.  Many people consider Classic Comics’ The Tale of Dr. Jekell and Mr. Hyde to be the first horror comic published in August of 1943.

But the first standalone horror comic, the one that would lay the ground work for the genre’s explosion of popularity, would come four years later in 1947 and today we’re going to talk about it.  It’s title was Eerie Comics and it was the first standalone horror comic book ever published.

Comic Book Cover For Eerie Comics Issue #1 Avon Periodicals

Origin

Avon Publishing was created in 1941 as part of the American News Company.  It was originally intended to be the publisher of a type of book known as “dime novels” which were cheap, exploitative works that enthralled readers with anything from lurid romance to exciting adventure.

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These were the kinds of magazines that H.P Lovecraft published his stories in.

Naturally, Avon was the right kind of publisher for comic books, although they shied away from superheroes and stuck to the material that kept them in business, which led to the creation of Eerie in 1947.

Despite the inherent cheapness in the publisher and the medium it was created for, the comic actually had some pretty solid talent behind it.  While the writer was a relative unknown named Edward Bellin, the artistic team was amazing.  There was Fred Kida,

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who created a Golden Age superhero named Air Boy and would go on to find steady work in comic strips, particularly in Marvel’s Spider Man comic strip in the 1980’s.

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There was George Roussos,

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who worked for Marvel as an inker and helped Jack Kirby create some of the most iconic stories in Marvel,

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(yes he inked that one)

and the whole thing was overseen and pencilled by comic book legend Joe Kubert.

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While he is famous for his artwork, perhaps Mr. Kubert’s greatest legacy is the school of  comic book art that bears his name.

Anyway, the book itself was an anthology series containing six stories of strange events and horrific consequences for the wicked.  The stories themselves are pretty tame, with such an amazing team of artists on this book it was only natural for the artwork to be gorgeous.

Comic Book Cover For Eerie Comics Issue #1 Avon Periodicals

My personal favorite is the first story called The Eyes of the Tiger.

Comic Book Cover For Eerie Comics Issue #1 Avon Periodicals

It follows a man who tries to get a life insurance policy but is rejected because of his poor health.

Comic Book Cover For Eerie Comics Issue #1 Avon Periodicals

Apparently he wants to leave his policy to his cats, but the best part?  He threatens the doctor with a live tiger.

Comic Book Cover For Eerie Comics Issue #1 Avon Periodicals

The man wakes up in the middle of the night to find himself being chased by a tiger and winds up suffering from a heart attack and dying.

Comic Book Cover For Eerie Comics Issue #1 Avon Periodicals

I love this story for just how absolutely ridiculous it is.  Never mind that a man wants to leave all his money to his tigers, never mind that he hallucinates a tiger attack, the insane part of the story is that it treats an insurance company like they’re the good guys.

So what happened?

For some reason the first issue of Eerie was pulled from newsstands after it was published.  However, as the horror genre continued to gain in popularity the series was brought back in 1951.

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The title ceased publication in August of 1954, probably because of the backlash against comics in the 1950’s.

Eerie would continue life as a science fiction anthology series called Strange Worlds,

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and that lasted until 1955.

While audience’s appetites for lurid and suggestive comic books would wane, Avon would do just fine.  They discontinued their comic book line in the mid 1950’s and spent the rest of the century staying true to form, especially in the romance novel market.  Currently, they’re operating as an imprint of Harper Collins and specialize in romance novels.

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Eerie was a strange little comic.  On one hand, the writing was kind of crappy and it only had one issue for several years before someone decided it was popular enough to be rebooted.  On the other hand, it deserves its place in history as the first original horror comic ever published and the grandfather of all the horror comics that came after it.

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Plus, it’s amazing how something that old can look that good.

Crowdfunded Comics that deserve more attention: Frankenstein for Mayor

Now it’s time for another Kickstarter comic that I find really interesting.  Let me tell you about a book called Frankenstein for Mayor.

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The comic is a 76 page story about partisan politics in Transylvania, and an attempt by the lower class werewolves to usurp the incumbent mayor Dracula with their candidate: Frankenstein.

The project is created by Jack Wallace, Chris Allen, and Reinaldo Lay and is seeking $2,000 through Kickstarter in order to fund their first issue.

The project currently has $1,061 and has 21 days left.

Kickstarter link: https://www.kickstarter.com/projects/2001641902/frankenstein-for-mayor-comic-about-partisan-politi?ref=category_newest

Why I like it

I honestly think that Frankenstein’s monster would make a fantastic elected official.

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Let’s consider some of his strengths as a political leader.

He hates fire, so he would ensure that our fire departments were well funded,

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He’s a big believer in science and loves children, so he would ensure that our schools ran well,

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and he is the literal embodiment of “speak softly and carry a big stick” so we could rely on him to adopt a firm yet gentle stance on foreign policy.  But perhaps most importantly, he is a man of the people,

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several people actually.

I like this comic because it recognizes the potential that someone like Frankenstein has for all matter of social and political commentary and that leads me directly into…

Why you should donate

Because it’s the kind of comic we need in today’s day and age.

Let’s face it folks, we’re at a point in American and world politics where it’s either a joke at best,

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or terrifying at worst.

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The thing is, politics have almost always been like this, and comics and cartoons have almost always been a part of showing how ridiculous it can all be.

We only have to look at the work of people like Thomas Nast,

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to realize that politics are a joke and the cartoonist is the little boy showing all of us that the emperor has no clothes.

What we need are people who are willing to look at the big picture and show just how ridiculous and over the top it is, and what better way to show both the hilarity and horror of modern day politics than Frankenstein’s monster and all of our favorite horror villains.

Kickstarter link: https://www.kickstarter.com/projects/2001641902/frankenstein-for-mayor-comic-about-partisan-politi?ref=category_newest

 

Golden Age Showcase: Spider Widow

So I saw Spiderman: Homecoming yesterday.

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It was good, I liked it, and it’s good to know that Spiderman is back in the loving arms of the company that spawned him.

You can make the case that Spiderman is the closest thing Marvel Comics has to a mascot, or at the very least he’s Marvel’s most successful solo hero.

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And what’s not to like about him?  He’s got a great gimmick, he’s got a great backstory, and he’s one of the best creations to come out of the mind of Stan Lee and Steve Ditko.

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But here’s the thing, great ideas like this don’t just come from nothing, and there were spider themed superheroes published in the 1940’s.  One of these heroes was a Quality Comics character named Spider Widow.

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Origin and Career

Spider Widow first appeared in Quality Comics’ Feature Comics #57 in June of 1942.

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She was created by comic book artist Frank Borth.

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While he did do some work for a Catholic magazine called Treasure Chest and did occasional work for Cracked (the magazine not the website), Spider Widow was his most popular creation.

As for her bio, her civilian identity was Dianne Grayton, rich socialite and lady about town.

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How did she get her powers?  Not mentioned.  Why did she decide to fight crime?  The comic didn’t seem to care.  What was her power?  She dressed up like an old hag and had the ability to control black widow spiders,

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swarms of them.

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You sure this is a superhero comic?  Because I’m getting more of a horror vibe from this.

Her enemies weren’t that special.  She fought the traditional assortment of stereotypical racist caricatures of Axis saboteurs.  What made her pretty unique was what Qualiy did with her.  First, they paired her with a superhero named the Raven, who made his first appearance in her title.

The story was simple.  Axis spies kidnapped her because she was meddling in their affairs a bit too much and the Raven swooped in and saved her.

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The day was saved, the two shared a thank you kiss, but sadly it was dark so they couldn’t see each other’s faces.

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The Raven was later revealed to be a man named Tony Grey, and the two wound up forming a romantic relationship on top of their crime fighting.

One of their more notable adventures was when they teamed up to fight Spider Man, a Nazi saboteur who controlled a giant robotic spider.

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Nazis controlling giant spiders?  NOPE! SOUND THE ALARMS!  PREPARE THE TERMS OF SURRENDER!

Now, two comic book heroes coming together in a comic isn’t really that special, but bringing in another hero and crossing over in two books?  That was pretty unique for the time.

I don’t know why they chose her, but Quality Comics had The Raven crossover with another Quality character named The Phantom Lady in Police Comics #20 in 1943.

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She wound up rescuing the Raven while he was investigating a crime ring and he brought her from Police Comics to Feature Comics for a couple of issues.

The two ladies did not get along very well.

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Plus, I’m willing to bet the writers were venting some pent up frustrations in the book through some impressively subtle fourth wall breaks.

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Look at the second to last panel and tell me you aren’t a bit impressed.

The two even went as far as to fight a duel for the Raven’s affections,

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but it turned out to be a set up by some criminals and they quickly patched it over.  The day was saved and then everyone went back to their own titles.

So what happened?

Aside from her crossover with the Phantom Lady, Spider Widow wasn’t really that popular or noteworthy.  She lasted for a couple more issues and then disappeared around 1943.

It’s kind of a shame because she really did have a great gimmick and power set.  Sure she was pretty boring as a person, and having her fight with another lady over a man probably won’t score her a whole lot of points with modern audiences, but she is in the public domain and could be a great horror protagonist.

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While I don’t want to mistake correlation for causation, you can kind of see something resembling Spider Widow’s legacy in Marvel’s more modern characters.

For example. what’s the name of Marvel’s favorite super spy femme fatale?  Black Widow.

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Sure, she doesn’t have the power to control spiders but I like to think the creatives at Marvel were remembering Spider Widow when they came up with her.

Also, there was a villain in the Spider Man books named Spider Queen who had the power to control insects,

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(yes I know spiders aren’t insects),

Sure, she’s not a wealthy heiress and controlling insects isn’t exactly a rare power, but it seems that Marvel has a pretty pronounced fascination with spiders and I like to think that Spider Widow was a start.

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Crowdfunded Comics that deserve more attention: Can I Pet Your Werewolf?

Today we’re going to be talking about a project on Kickstarter that deals with a subject close to my heart.

PUPPIES!!

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Okay, okay, the project isn’t actually about puppies.  I said that so I could post pictures of cute pups.

That being said, today’s Kickstarter project is pretty close.  It’s a project about everyone’s favorite furry monsters…werewolfs.

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Can I Pet Your Werewolf is an anthology series created by Kel McDonald and a various number of artists who want to tell lighthearted stories about friendship, family, and romance between humanity and the furry incarnations of humanity’s animal instincts.

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At the time of writing this project has already reached over $10,000 and needs a total of $30,000 by July 14th, 2017.

Kickstarter link: https://www.kickstarter.com/projects/1495959227/can-i-pet-your-werewolf?ref=category_recommended

Why I like it

In a word…PUPPIES!!

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Sorry…sorry that’s the last time I’ll do this I swear.

In all seriousness, I consider myself to be a dog person.  One of the greatest jobs I ever had was working at a doggy day care where I would babysit large groups of dogs for hours at a time.

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It was such a demanding job, I’m surprised I was able to survive.

That’s why I like this project so much.  For me, werewolves are basically giant, man sized dogs and having an entire book about the big fluffy pups?

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I am okay with this.

Another reason why I like this project so much are the artists that are involved with the project.  Having the right style of art in your comic is just as important as having the right words for your story.  It can set tone, mood, and the entire emotional layout of what you want to say.

Want proof?

This is how werewolves are normally portrayed,

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and this is how some of the artists from Can I Pet Your Werewolf portray them.

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There’s a pretty big difference in tone.

Now, you may be reading this and thinking that this may not be your cup of tea.  You may be thinking that this anthology is doing to werewolves what another, inexplicably popular book and movie series did to vampires (and werewolves), and in a way I kind of agree with you.  However…

Why you should donate

I’m not going to go into a long tirade about how modern literature and Hollywood are destroying classic monsters that used to be intimidating,

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But you have to admit that the landscape of modern horror is…changing.

Don’t get me wrong, this isn’t a bad thing.  Horror movies are supposed to touch on modern day fears and terrors.  The classic horror monsters preyed on things like our fear of uncontrollable lust,

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the destruction of the barrier between life and death,

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and werewolves played on our fears of the bestial nature of man and uncontrollable rage.

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Now, these movies are classics for a reason but the simple fact of the matter is that times and tastes change.  As a result, horror movies have had to change and find different fears to exploit.  Things like modern day racism,

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the fear of being a single parent raising a child,

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or the fear of catching an STD,

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are the new monsters and worries that we have to afraid of.  As a result, the monsters of the past have passed from the realm of terrifying creatures of folklore to accepted members of the popular culture cannon and creatures that are accepted rather than feared.

We don’t fear creatures like vampires and werewolves anymore, we want to be them.

Hollywood noticed this and has answered the call,
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With varying degrees of success and acceptability.

The funny thing is that you can’t really blame Hollywood for taking the classics and turning them into something that ranges from decent to terrible and bland.  Movies are expensive and you aren’t going to spend millions of dollars on anything and not take every step you can to mitigate risk.  That’s why you see movies that have been workshopped, test grouped, and market tested to death until the final boring, lifeless, and joyless product is forced on audiences everywhere.

Can I Pet Your Werewolf takes the direction that the classic monsters are going and distills it into the focused artistic vision of a few creators, and that’s what makes it special.

What I’m trying to say to you is this.

Would you rather have this as our modern werewolf?

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or this?

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I’ll take the second option thank you.

Kickstarter link: https://www.kickstarter.com/projects/1495959227/can-i-pet-your-werewolf?ref=category_recommended

Comic book company showcase: EC comics

Happy Halloween everyone!

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A while ago we did a write up of an old comic book publisher called Camera Comics and since that post did pretty well so we decided to do something similar.  Today we’re going to talk about a comic book publisher from the 1940’s, but this publisher isn’t obscure or unknown.  In fact, this publisher was one of the greatest comic book companies ever created, a company that pioneered the comic book as an art form, and one of the founding fathers of the horror comic.

Ladies and gentlemen: EC Comics.

Origin

The company was founded by a man named Maxwell Gaines.

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If you don’t know the name you definitely know his work.  Gaines actually helped pioneer the modern comic book in 1933 when he worked for a company called Eastern Color Printing and was struggling to come up with an advertising idea for one of his company’s clients.  He would up packaging newspaper comic strips into a magazine format with an included coupon from the client.

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In 1934 Gaines published a collection of stories called Famous Funnies through a company called Dell Comics.

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It was the first book of its kind to be distributed through newsstands and is widely considered to be the first American comic book.

Gaines would continue to publish original material and in 1938 he partnered with a man named Jack Liebowitz

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and began publishing material under the name All American Publications.

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Liebowitz just so happened to be a co owner of another comic book publisher named Harry Donenfeld, who owned a company called National Publications and agreed to fund All American Publications.  Gaines and Liebowitz would go on to publish little known characters such as

Wonder Woman

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Green Lantern

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and Hawkman

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In 1944 Donenfeld would buy All American Publications and merge it with National (and several other companies) to form a company called DC Comics.

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While many people would have probably have just taken the money and enjoyed the retired life secure in their legacy, Max Gaines wasn’t done by a long shot.

Gaines used the money from the sale to start his own company: Educational Comics.

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Gaines decided to not focus on superhero stories and published educational and historical stories instead.  Titles like Picture Stories from American History and Picture Stories from the Bible were going to be published and marketed to schools and churches.

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While it could have been a great direction for the company to go in, the plans were sadly derailed when Max Gaines died in a boating accident in 1947.

The company would be taken over by his son, William Gaines.

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William wanted to take the company in a new direction.  While he kept the Bible stories he decided to change the name to Entertaining Comics and publish non educational material.

The new EC Comics quickly gained a reputation as a publisher of high quality comic books. Among their many innovations was a letter section in the back of a comic book where artists could communicate with their fans.  This was a first in the publishing industry and would go on to become a staple of comic books.

Another thing that EC did was adopt the novel idea that their artist SHOULDN’T be treated like complete and total garbage.  This may seem like a strange thing to bring up but you have to remember that a lot of early comic book publishers didn’t pay their artists very well and didn’t give them the credit they deserve.  EC was unique in that it paid their artists well and encouraged them to develop their own styles and techniques.

This paid off big time.  EC Comics attracted some fantastic artists for their stories about more mature subject matter such as crime,

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war,

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and science fiction.

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But by far their biggest sellers were their horror titles such as The Vault of Horror

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The Haunt of Fear,

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and most infamously, Tales from the Crypt.

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These weren’t your average comic book story.  More often than not they would feature tales of wicked people suffering gruesome and ironic fates which were narrated by macabre individuals such as the Crypt Keeper.

Times were good and in the late 1940’s EC comics became known for its fantastic art and lurid storytelling.

So what happened?

In a perfect world EC Comics would have gone on to become one of the greatest and most popular comic book companies in the world and would have helped to advance the medium of comic books into a legitimate art form.

Unfortunately we don’t live in a perfect world and in 1954 a German psychologist named Fredric Wertham published a book called Seduction of the Innocent, which claimed that comic books were corrupting the minds of American children.

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The backlash grew so strong that there was a Congressional hearing to investigate the rise of juvenile delinquency in America and the comic book industry suffered.

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In response, the industry leaders banded together and created the Comics Code Authority.  It was a regulatory body that established certain guidelines for what could be published and distributed to children.  A company could still create any comic they wanted, but if they wanted to get it distributed they had to submit it to the Comics Code for approval and get a stamp if they wanted to see their book sold to make a profit.

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The Code decimated the industry and EC comics was hit especially hard since you were no longer allowed to publish comics with words like “horror”, “crime”, or “terror”.  You can read the full list of limitations here.

Despite poor sales and a decimated title library, EC Comics did manage to survive.  Despite the fact they couldn’t publish any of their old comics they had a small title simply titled Mad.

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Gaines decided to publish the title as a magazine, thus avoiding the Comics Code, and the new Mad Magazine continued to sell well and is still around today.

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Gaines would sell EC Comics to the Kinney Parking Company in the early 1960’s.  The history of that deal is way to complicated for this article but long story short, EC Comics would eventually be owned by the same company would later own DC Comics and Warner Communications.

William Gaines would die in 1992 and despite all the terrible things that happened to the company that he and his father built, the one thing that is ensured is their legacy and great comic book creators.  Even though they had been decimated by the backlash against comic books in the 1950’s EC comics still had a fantastic reputation among fans and creators alike.

In the 1970’s Tales from the Crypt was licensed as a horror movie.

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The movie followed the anthology style of the comic books and was a big enough hit to spawn another movie based off of the EC Comics title The Vault of Horror.

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In the 1980’s there were two movies titled Creepshow and Creepshow 2.  Both of them followed the EC horror comics format, both of them were influenced by EC Comic stories, and featured scripts written by Stephen King and George Romero.

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In the 1990’s HBO would take Tales from the Crypt and turn it into a long running horror anthology series that lasted for ten years.

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The legacy of EC Comics would be ensured, but if you’re interested in reading the original work then have no fear, reprints are here.  While many publishers have made a killing off of reprinting these fantastic stories they are currently being republished by Fantagraphics Books.

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In a world where superheroes dominated the comic book landscape EC comics dared to be different.  To this day they are well known for their fantastic art work and exceptional storytelling abilities.  They were the founders of the modern horror comic and deserve a place as one of the greatest, and most chilling, comic book publishers out there.

Happy Halloween everyone, sleep well.

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Crowdfunded Comics that deserve more attention: Hello Earth

Today we’re going to talk about a Kickstarter comic book project called “Hello Earth”.

It bills itself as a “science fiction/horror comic” about a group of aliens who mysteriously land at JFK airport (because as we all know, every alien in fiction seems to gravitate towards New York or Washington D.C) bringing a strange creature known only as “Project Nimbus” who desires to learn more about Earth.

According to the information provided the alien’s human guide eventually uncovers a massive conspiracy and the unseen threat of an alien invasion.

Kickstarter link: https://www.kickstarter.com/projects/1641791007/hello-earth-a-sci-fi-horror-comic?ref=category_newest

Why I like it

I am a huge fan of science fiction.

I’m not the biggest fan of horror but this is one of my favorite movies of all time.

The reason I bring this up is because both “Alien” and “Hello Earth” understand what makes horror truly effective: it’s not WHAT you see, it’s what you DON’T see.

I want anyone reading this article to really think about “Alien” for a second.  It’s a dark movie, and I don’t mean that it’s gory or violent I mean it’s dark

You’re watching the movie and you can’t quite see what lurks in the shadows, you have no idea what the contents of the crashed ship are,

and when the Alien starts killing people you only see glimpses of the creature.

It is truly terrifying stuff.

Now let’s look at “Hello Earth”.

If you watched the Kickstarter video above you’ll see that the comic is not very dark, it doesn’t bother hiding its aliens, and it’s actually not very scary at all.  If anything it looks more like a “fish out of water” comedy than a horror film.

But if you ask me that’s a point in the book’s favor.  You have no idea what the aliens are doing there, you have no idea what they want, and you have no idea what’s going to happen.  At the same time there are glimpses of something much larger and much more sinister going on.  The video reveals that the landing alien ship was actually on JFK’s flight schedule a few days before it landed.

Who are they?

What do they want?

What are they planning?

Why you should donate

Besides from the intriguing idea, the artwork is fantastic,

and they’ve got a great creative team behind it with plenty of experience.

But besides all of that, I believe that the real reason this comic needs to be made is because we are long overdue for a smart, well written, well drawn, and well thought out sci fi horror comic that knows how to build suspense and lead the reader wanting more rather than throwing everything at the reader all at once and hoping they’ll like it.

I hope you enjoyed this article and please feel free to donate to this campaign and make this project a reality.

Kickstarter link: https://www.kickstarter.com/projects/1641791007/hello-earth-a-sci-fi-horror-comic?ref=category_newest