Golden Age Showcase: Bozo the Iron Man

Have you ever noticed that bookstores tend to put fantasy and science fiction books on the same shelves?

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I mean, I can understand why.  Both genres talk about the human condition using fantastical elements and worlds.  The difference is that while science fiction tends to focus on how technology changes society, fantasy tends to focus on how people change society.  The point is that while they share quite a few similarities, they are just different enough to warrant their separation.

Comic books are interesting because the medium has no trouble combining the two genres together and it’s gotten really good at it.  In fact, it’s gotten so good at it that not only is it possible to combine aspects of fantasy and science fiction together, it’s possible to spawn a billion dollar franchise out of it.

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While the Golden Age of Comics did have a heavy focus on supernatural and fantasy elements, it also had its fair share of science fiction heroes.

One of these heroes was a creature called Bozo the Iron Man and before you laugh at his name and appearance, you may be shocked to learn that he was actually a pretty interesting hero.

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Origin and Career

Bozo the Iron Man made his first appearance in Quality Comics’ Smash Comics #1 published on August of 1939.

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While that is Bozo on the cover, he doesn’t fight a gorilla in his story.

He was created and drawn by an editor at Quality Comics called George Brenner,

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Brenner is also known for creating what is arguably the first masked superhero in all of comics in 1936 as well as the hero 711, who is actually one of this site’s favorite heroes.

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The origin of our titular hero actually bucks Golden Age tradition and gives us something that this blog hasn’t really seen: a morally ambiguous and surprisingly deep origin.

The comic starts with a mysterious robot terrorizing the citizens of the unnamed city.

Comic Book Cover For Smash Comics #1

It turns out that the robot is actually under the control of evil scientist cliche #421 and despite the police trying their best they don’t want to go near the giant killer robot.  In order to put an end to this case the Commissioner calls in a special consultant named Hugh Hazzard, who winds up being the actual main character of the story.

Comic Book Cover For Smash Comics #1

The comic then goes through the standard motions.  The good guy finds the bad guy, defeats him, and the robot is scrapped.  However, in an interesting twist, Hugh decides to find the robot and use it to fight crime without the knowledge of the police.

Comic Book Cover For Smash Comics #1

Sure, the design of the robot doesn’t exactly inspire feelings of dread and terror, but the ending of the first issue actually sets up a surprisingly nuanced and interesting premise for a superhero story.  Seriously, in a time where comics weren’t known for a whole lot of creative complexity, the creative team behind Bozo had the main robot hated and feared by those he was trying to protect.

Don’t believe me?  Take a look at the bottom of a page from the second issue below.

Comic Book Cover For Smash Comics #2

Sure, titles like the X-Men would make the idea of heroes protecting the very people who feared them a comic book staple, but considering that this was being written in 1939 it’s a pretty interesting setup.

Unfortunately, they really didn’t do anything interesting with this setup and the rest of Bozo’s adventures were pretty typical “villain of the week” affairs.

So what happened?

Usually the old Golden Age heroes would either be revived by one of the major comic book companies further down the line or find their way into the works of writers and creators who were fans of the original but sadly, that isn’t the case for Bozo.  This is going to be one of the shortest “What happened?” sections ever written.

Quality Comics folded in 1956 when the comic book market contracted.  They were eventually acquired by DC and many of Quality’s heroes would survive in reprints, but sadly Bozo didn’t make it into any of them.

The only legacy Bozo would have is a brief re imagining by comic book legend Grant Morrison.

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For those who don’t know, Grant Morrison is considered to be one of the great modern wizards of comic books and is responsible for some of the greatest modern comics ever written, including the greatest Superman story of the past 20 years.

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Sadly, Bozo didn’t make it into any of Grant’s works, although another creator by the name of Justin Grey said in an interview that his creation of a robot named “Gonzo the Mechanical Bastard” was inspired by Morrison’s redesign.

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I would go into more detail into Gonzo’s origin but for the casual fans all I am going to say is that he’s nothing like the source material and for the more hardcore fans I’ll say that the Anti Life Equation was involved.

Bozo the Iron Man was a pretty goofy hero with a well thought out backstory and an interesting hook to his character.  Instead of being loved (or at the very least tolerated) by the police and the public at large, he was feared and mistrusted so much that his existence had to be kept a secret.  He was one of the more complex characters of his time and should be remembered as such, even if he looked a bit ridiculous.

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Golden Age Showcase: Target and the Targeteers

 

You know what they say…comedy comes in threes.

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And I like to think that today’s superhero group took that lesson to heart, even though I’m willing to bet any comedy was unintentional.

Today we’re talking about the rather humorously named Target and the Targeteers.

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Origin and Career

This trio of superheroes was published by a company called Novelty Press, which was created in 1940 by Curtis Publishing.  If that name isn’t familiar all you need to know is that they publish the Saturday Evening Post.  If that name isn’t familiar then you probably recognize this cover.

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Novelty Press was created as a comic book imprint in order to take advantage of the comic book craze.  They were able to draw a lot of great Golden Age talent such as Joe Simon, Jack Kirby, and Basil Wolverton and their two most famous publications were the superhero series Blue Bolt,

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and the anthology series Target Comics.

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Despite sharing the name of the title, the superhero we’re talking about today didn’t appear until issue #10 in November of 1940.

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Yes that is him on the cover and I have to admit I don’t know what’s funnier: the testicular fortitude of a man who is willing to get shot by painting a giant target on his chest or how stupid the gangsters are for not aiming at the knees or face.

The hero was created by artist Dick Briefer under the pseudonym of Dick Hamilton. Image result for golden age dick brieferBriefer’s most famous work was with the Frankenstein character and is widely considered to be the first modern comic book artist to work with horror stories.

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 Back to Dick’s most famous superhero, Target’s first adventure had him sending an ominous message to criminals everywhere: “Live your life on the straight and narrow or I’ll find you”.  He does this by buying up advertising space on nationwide newspapers, radio space, and even hijacking the phone service.

Comic Book Cover For Target Comics v1 10 [10]

You know how in modern movies the bad guy can mysteriously deliver a message to every computer, television, and phone around the world?  It’s nice to know that this particular cliche isn’t so modern.

The Target’s ominous message doesn’t deter a group of gangsters from kidnapping a scientist who is developing a new explosive that other countries want.

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The gangsters reach the professor’s house, only to find that the Target is already there.

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On the face of it, it would appear that the hero has a very poorly designed costume for dealing with guns, but the comic explains that while the suit protects his chest and arms (thus leaving the face and legs unprotected) the target is there to draw enemy fire to the places where the bullets can’t harm him.

Comic Book Cover For Target Comics v1 10 [10]

I would commend the comic for attempting to use “Batman psychology” to explain why the hero made the decisions he made but no, in real life that man is dead.

The adventure ends in typical fashion.  The bad guys are stopped, the hero saves the day, and the reader is left wondering what’s next.

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The next issue not only delves into the Target’s backstory, it also reveals that he has two friends who share a similar death wish by dressing in similar costumes.

The Target’s civilian identity is Niles Reed.  He was an athletic prodigy who decided to become a metallurgist had a brother named Bill, who decided to become a lawyer.

Unfortunately, Bill was framed for murder and arrested.  In his rage, Niles decided to rescue his brother while disguised as a masked vigilante.

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While it’s a bit unclear it would appear that the cops accidentally shot Bill as he was trying to escape with his brother.  So in an interesting twist, Niles was responsible for his brother’s death.

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Later that evening Niles happens to stumble across two orphaned boys who were in a lot trouble with some gangsters for not paying protection money.  The three become friends and decide to dress up like superheroes using the same bulletproof costumes of Niles’ design.

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The origin story ended with the reveal that Bill had been framed by a crime boss named Hammerfist, who would become something of a recurring villain for the trio.

I’ll admit, there are some interesting points to this story.  The fact that the hero is actually responsible for his brother’s death coupled with him taking in two orphans who share similar tragic stories draw a lot of similarities to more popular heroes like Spider Man and Batman.

The rest of the trio’s adventures were all one shots with a very patriotic bent them.  The three did their duty and fought against America’s enemies, both at home and abroad.

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The post war years saw a return to form for the trio where they went back to waging war against criminals in the United States.

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So what happened?

The trio of crime fighters had a pretty long shelf life for the Golden Age heroes.  They lasted until issue #95 of Target Comics where their last adventure had them foiling criminals who were sabotaging advertising signs in order to extort an advertising firm.

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Yeah, maybe it was a good thing that they got cancelled.

The trio would disappear for a while until the Target made an appearance in AC Comics’ Men of Mystery series in 1999.

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The trio itself made a comeback in Dynamite Entertainment’s Project Superpowers series in 2008.

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Their backstories remained the same, only this time they all had super speed on top of their indestructible suits.

The Target and the Targeteers embodied everything that worked and didn’t work about the Golden Age of Comics.  On one hand they were goofy, wore silly costumes, and relied on some pretty bad science in order to survive and function.  On the other hand, they had one of the better origin stories I’ve read, they had a long run, and a lot of the things that made it into their stories such as the use of psychology to fight criminals would be use to great effect in other, more popular comic hero stories.

All in all, they weren’t that bad.

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