Comic Book History: David Bowie and the British invasion of comics

Yesterday the world lost one of it’s most original and eccentric artists, David Bowie.

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I will admit that I am not personally a big fan of his music, although I do really like his song “Heroes”

 

And although I may not like his music all that much it is impossible to ignore the influence his voice, style, and sound had on modern music.   You do not sell over 100 million records and achieve tremendous commercial and critical success sustained over a career spanning three decades and change without doing something right.

So why am I talking about David Bowie on a blog series dedicated to comic book history?  Well, believe it or not you could actually make a strong case that David Bowie actually played a huge part in shaping how we view and think about comic books today.  But in order to do that we need a brief history lesson.

In the early 1980’s, right around the time David Bowie was undergoing a second career peak with songs like “Ashes to Ashes”

The comic book world decided to copy the music scene from the 1960’s with their own British Invasion.  Most people point to this guy paving the way.

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That is comic book legend and Lord of Snakes Alan Moore, who is responsible for creating some of the greatest comic book stories of all time.

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After Moore’s string of massive successes DC comics introduced even more British comic book writers and artists to American audiences such as Neil Gaiman

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Jamie Delano

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and Grant Morrison

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In order to accommodate these new writers and their penchant for deep, complex, and often mature themed works DC created an imprint called Vertigo that would go on to become one of the greatest names in modern comics.

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What’s interesting is that music, especially British pop music of the 70’s and 80’s, would play a huge part in influencing a lot of these writers.  Jamie Delano would become famous for his work on the long running Vertigo series Hellblazer which explored the life and exploits of the Alan Moore created occult magician John Constantine.

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What’s funny is that the character of Constantine was modeled after British singer/songwriter and front man for The Police: Sting.

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Grant Morrison had a more direct link to 1980’s British rock n’ roll, he was in a band called the Mixers who weren’t half bad.

 

As for Neil Gaiman, well he came out with a little known comic book series called Sandman which I have mentioned before is one of my favorite comic book series of all time.

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One of the most famous recurring characters in Gaiman’s epic was none other than Satan himself, Lucifer Morningstar the Fallen One.

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Gaiman made sure that this version of the prince of darkness was modeled after the appearance of David Bowie,

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which probably makes this David’s greatest contribution to comic books.

The fact that British comic book culture in the 1980’s took so many influences from British music at the time really isn’t that surprising.  They were both engaged in a period of tremendous change an upheaval.  The 1970’s and 80’s were a time when a lot of previously long standing conventions were being overthrown and new ideas were being brought to the forefront.  For music this meant the rise of countless genres like electronic music, glam rock (a genre that Bowie helped pioneer), soul, funk, disco, new wave, psychedelic, stadium rock, and so much more.  For comics it meant the final death of the long established Comics Code and the ability to tell meaningful and complex stories again.

The 1970’s and 1980’s were tremendous times for music and comic books and we were fortunate to have David Bowie in the middle of it.  Out of all the crazy and wonderful acts that came out of that time period Bowie was able to stand out as one of the most unique and longest lasting of them all.  His accomplishments and influence will be felt for generations and he will be sorely missed.

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If you would like to explore some comic books that are more directly about or influenced by Bowie there is a comic book series called Fame! which publishes comic books about the lives and works of famous musicians and Bowie’s book can be found here. Also, Bowie’s first hit and one of his most famous songs, Space Oddity, was made into a children’s book which you can read about here.

Cambrian Comics Friday Showcase: My favorite comics #4

Out of all of my favorite comic books that I enjoy and endlessly recommend to everyone I meet this is the one that has probably enjoyed the most mainstream success.  But before that we need a brief history lesson.

Vertigo is an imprint of DC Comics (for those of you who aren’t sure what an imprint is think of it like a company within a larger company that focuses on one specific thing) and is one of the most popular brands in comics.  It was founded in 1993 with a lady named Karen Berger at the helm.

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Mrs. Berger had originally been responsible for bringing some of the most popular British comic book writers of the modern era into American comic books.  Names that included Grant Morrison

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Alan Moore

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and Neil Gaiman

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among many others.  This “British Invasion” of comics created some of the darkest, edgiest, and most exciting work the industry had ever seen with new takes on heroes like Animal Man, Hellblazer (this is the title of the comic that has Constantine in it), and The Swamp Thing.  This new sophisticated take on comics, coupled with an opportunity for DC to take over some projects that Disney comics had abandoned after an implosion in the 90’s (no really), led to the creation of the Vertigo imprint and the publishing of one of its most iconic series and my 4th most favorite comic.

4. Sandman (Vertigo Comics)

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Author: Neil Gaiman

Artists: Sam Kieth, Mike Dringenberg, Jill Thompson, Shawn McManus, Marc Hempel, and Michael Zull

Number of Issues: 75

Sandman is very intelligent storytelling told by a man who is very passionate and interested in things that often seem a bit childish.  It’s a fantasy series but this is most definitely not for children.  Gaiman loves to talk and write about magic and mythology and one of the best ways to tackle such massive subjects is to give them humanoid shape and personalities.

The comic follows the imprisonment and subsequent escape of Morpheus, the Lord of Dreams.

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After being imprisoned for decades by a black sorcerer Morpheus finally manages to escape and make his way back to his kingdom, a land where he rules over the dreams and imaginations of every human being in existence.

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It’s a strange world that seems both familiar and unfamiliar to the naked eye and is home to a large cast of strange and mysterious characters such as Cain and Abel

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Lucien the Librarian who looks after all the books and works ever created but were never made.

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and a whole host of dreams such as the terrifying Corinthian.

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It also turns out that Morpheus is not the only one of his kind.  The Lord of Dreams is one of seven “Endless”, a group of immortals that represent various aspects of the universe: Destiny, Death, Desire, Despair, Delirium, Destruction, and Dream.

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And that brings us to the second aspect of the comic and my personal favorite.  While the crux of the series is about Dream and how he tries to piece his life and his kingdom back together after being held in captivity, the Endless are immortal and powerful beings that hold sway over so much of humanity and access to every corner of the universe.  This gives the comic ample opportunity to jump across time, space, and dimension to bring stories about whatever the author wants to talk about.  In one issue Dream could be conversing with his brothers and sisters and trying to figure out what to do with some strange universe shattering phenomena in the next issue Dream could be sitting in a bar with an immortal human being discussing the nature of life.  The Sandman deals with the forces of Hell, Heaven, Norse Mythology, the French Revolution, Greek myths, inter dimensional travelers, super heroes, serial killers, Shakespeare, actors, and even normal everyday human beings trying to live their lives.  The story is massive, sprawling, and offers a glimpse into an imagination that is ripe with wonderful stories and tales to tell.

If you would like to read the series you can buy it digitally on Comixology or the Vertigo store.  Also, DC launched another Sandman title called “Sandman: Overtures” which is in stores and online right now.

The Primordial Soup: American vs. British comics

The world is filled with rivalries: Barcelona vs. Real Madrid, Pokemon Red vs. Pokemon Blue, Justice League vs. Avengers, butter side up vs. butter side down (you may laugh but they almost declared thermonuclear war in the book over this issue) and that’s not necessarily a bad thing.  Healthy rivalries give both sides something to work towards, the goal being to be better and more successful than the other.  It’s no small secret that the comic book industry is home to one of the biggest rivalries in entertainment, Marvel vs. DC, and talking about that little squabble and whether or not it really matters is an article all unto itself but today we are going to talk about something different.  Today we are going to talk about which country produces better comic books: America or Britain.

A quick explanation and a couple of ground rules.  The article will look at both sides of the debate and present the pros and cons of either side.  If you see something you disagree with or have a point to make please feel free to do so, just do it in a way that is constructive and beneficial to the conversation.  

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The Americans

Pro:

It’s no small secret that American comic books are kind of a big deal, in fact it’s pretty safe to say that the comic book as we know it (i.e a printed magazine with sequential art work designed to tell a story) is an American invention.

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And then we get to superheroes.  While superhero comics weren’t all that popular in the very early days of comics it didn’t take long for Action Comics #1 to change everything in 1938, introducing the man you all know so well that I don’t even have to say his name.

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In fact, there are so many famous characters that came out of American comics that to list them all would take months.

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Not only does the American scene have a superhero roster that dominates the comic book market but there is also a thriving independent scene with companies like Dark Horse and imprints like Vertigo delivering top notch non superhero comics.

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The way I see it, American comics are as varied as they are and as big as they because of what America is as a society.  While it may seem strange we have to understand that America is not a very old country.  We haven’t been around even 300 years which means we like to move forward and look to the future.  It’s that forward thinking attitude that lets us look at something like a cheap plup story and think “hey, that would make a really good multi million dollar movie” or “hey, why NOT write about a man who can bench press continents and stand for truth, justice, and the way of life our parents worked so hard for?”.  It’s that forward thinking, almost naive optimism that allowed America to create the genre and some of its most famous characters and it allowed the American comic book industry to flourish.

Con:

Just because you have an idea doesn’t mean you necessarily have the skill or the talent to pull it off and make it a success.  It’s a generally accepted rule that when something is successful there will be a host of imitators trying to cash in on its popularity and this is especially true with comic books.  While the American industry has produced some of the greatest ideas every conceived it has also produced a lot of crap.

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The British

Pro:

While you could be forgiven to think that this debate heavily favors the American side it is important to remember that Great Britain has its own comic culture and its own comic book icons that are some of the greatest in the business today.  British writers like Grant Morrison, Neil Gaimen, and Alan Moore (who I am going to affectionately dub “The Magic Bros.” on account of their shared fascination with the strange and the occult) have not only produced some of the greatest comic book stories of all time, but some of the greatest stories of the modern age period.  Don’t believe me?  Take a look.

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It’s also worth noting that Mark Millar, who is currently one of the most successful comic book movie creators, is Scottish and his violent and gory offerings are helping to shape what a comic book movie is.

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Now I’m not British so I really can’t explain why Britain produces such great writers but if I had to guess it’s because of Britain’s history and connection to their past.  Whether you miss it or hate it the British Isles once dominated a quarter of the globe and have turned out some of the greatest writers in human history.  When you’re part of a culture that once ruled the Earth and produced literary geniuses like Shakespeare, Dickens, Austen, and Eliot AND authors that defined genres like Tolkein, Conan Doyle, Orwell, and Clarke you respect the history and traditions that made it great.  Great Britain has produced some of the greatest writers of all time and it only makes sense that this seemingly natural talent translates over to comics as well.

Cons:

Name one British comic book series that is even as remotely iconic as a hero like Superman or Batman.

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Okay maybe, but can you name another?

Britain’s history and culture is one of its greatest strengths it is also a crippling weakness as well.  When you become too wrapped up in tradition and the way things are supposed to be you wind up stifling a lot of creative potential for something new.  Sure these traditions helped create a writer like Gran Morrison but it is no coincidence that Grant Morrison has done some of his most famous and best known work for American comic books.

So what do you think?  Does skill and tradition trump the desire for something new and a willingness to try new things?  Is it better to move forward and push the boundaries of what’s possible or devote your energy into honing your skill on an established piece of work?  Let us know in the comments below and feel free to share.