Golden Age Showcase: Blackhawk

So I saw the Dunkirk movie yesterday.

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I liked it, it was very well directed, and it’s probably the most British movie since Chariots of Fire.

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The movie got me thinking about this blog.  The simple truth of the matter is that this blog deals with heroes that were created in a time when the world needed a bit of escapist fantasy and the comic book industry responded by creating a whole bunch of heroes who could do the fighting for them.

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While there was a time and a place for these types of stories it’s important to remember that the fantastical violence shown in World War 2 era comics was very real for a lot of people and many of those people didn’t make it out alive.

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Now, we’ve covered some of the more “realistic” war comics with characters like Sgt. Fury and the Howling Commandos,

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but this week I thought it might be fun to talk about another war comic that was actually published during World War 2 with Quality Comics’ fighter squadron/expertly dressed hero Blackhawk.

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Origin and Career

Blackhawk made his first appearance in Quality Comics’ Military Comics #1 in August of 1941.

Comic Book Cover For Military Comics #1

Right off the bat the main character made the cover and looks good doing it.

There is some debate as to who created the character in the first place.  While many credit comic book legend Will Eisner with the character’s creation,

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Eisner himself gave most of the credit to artist Charles Cuidera and writer Bob Powell.

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For a time when the United States hadn’t entered the war in Europe, this comic was certainly very much for it.  In the very first page the comic shows the Nazis steamrolling through Poland and introducing the main villain of Captain von Tepp, who is the very definition of a bastard.

Comic Book Cover For Military Comics #1

Seriously, even kicking puppies seems a bit tame for this guy.

Von Tepp and his Butcher Squadron discover a mysterious black plane that they shoot down.  The Captain makes the unknown pilot’s life even more hellish by destroying a farmhouse with innocent people in it.

Comic Book Cover For Military Comics #1

The pilot is revealed to be a man named Blackhawk, who vows revenge against the Nazis and gets his wish a few months later when he confronts Von Tepp and kidnaps him.

Comic Book Cover For Military Comics #1

Blackhawk takes the Captain back to his island base where they decide to settle their grievances with an honorable duel using airplanes.

Comic Book Cover For Military Comics #1

Naturally the Nazi cheats by sabotaging Blackhawk’s plane and the two crash to the ground, where the grudge is settled when Blackhawk shoots the Captain.

Comic Book Cover For Military Comics #1

In later issues it was revealed that the Blackhawks were actually a squadron of fighter pilots made up of men whose nations had been captured by the Nazis.

Comic Book Cover For Military Comics #2

Side note: this actually has a basis in real history.  Feel free to look up the exploits of groups like the Polish 303 Squadron if you want some real life heroics.

In Issue #3 the group would also get a Chinese cook, who was unfortunately named “Chop Chop”.

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…well they can’t all be good.

Sales wise the Blackhawks were a massive hit for Quality Comics.  They were so successful that they received their own comic in 1944.

Blackhawk #9

In 1950 it was revealed that the leader of the Blackhawks was actually an American volunteer fighter pilot who had joined the Polish air force and decided to form the squadron as a way to fight back against the Nazis, even though he and his comrades had no country.

Some of the most talented writers and artists of the Golden Age worked on the Blackhawk title and it was actually so popular that Quality continued to publish the title right up until they went out of business in 1956 with Blackhawk #107 being the last issue.

Blackhawk #107

So what happened?

Quality couldn’t make it past the comic book slump of the 1950’s and sold off the rights to most of their characters to DC comics in 1956.

Interestingly enough, the Blackhawks had been so popular that DC actually decided to continue publishing the title after they bought it,

Blackhawk #108

they even kept most of the original art team on the title ensuring that the only thing that changed with the comic was the logo.

Now that the Blackhawks had new life they wound up being one of the few superhero teams to transition into the Silver Age of Comics.  This time in comic book history saw the squadron face fewer Nazis and more science fiction themed villains and things got a little…weird.

Blackhawk #119

Also, in 1959 they added a lady to the team as an on and off supporting character.  She was given the rather unimaginative name of Lady Blackhawk.

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She would remain one of the biggest members of the supporting cast and even became a villain named Queen Lady Shark.

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I don’t know what’s funnier, the skis or that hat.

Ironically, the rise of superhero comics in the 1960’s hurt the Blackhawk Squadron and while DC attempted to revamp the group in 1967 by giving them new names and costumes,

Blackhawk #230

it only lasted 14 issues before the title was cancelled.

The Blackhawks would make a brief comeback in 1976 as a group of mercenaries,

Blackhawk #244

but they were cancelled again until the 1980’s when they were sent back to their familiar stomping grounds of World War 2.

Blackhawk #251

The 1980’s series reworked the Blackhawks and gave their older stories a more modern update in terms of storytelling, including a much more dignified appearance and backstory for poor Chop Chop.

In 1988 DC reworked its entire history with the mega event Crisis on Infinite Earths 

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and the Blackhawks made the cut.  They were given another reworking and this time the squadron was led by a man named Janos Prohaska, an actual Polish national who was forced to flee his home after the Soviets kicked him out.

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The Blackhawks continue to be a part of the DC universe.  One of their more noticeable appearances was in the excellent Justice League animated show where they played a major part in the episode “The Savage Time”.

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and in the show Arrow the “Blackhawk Squad Protection Group” made an appearance as the place of employment for John Diggle’s commanding officer Ted Gaynor.

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Also, a group calling themselves the Blackhawks got their own title in DC Comics’ New 52 relaunch,

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but they have yet to show up in DC’s more recent “Rebirth” relaunch.

The Blackhawks are a team with a long and fantastic history.  What I find really fascinating is just how well they were able to survive so much while so many of their contemporaries fell through the cracks, never to be seen again and if it wasn’t for characters like Plastic Man,

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I would go as far as to say that the Blackhawks were the best and most notable comic to ever be published by Quality Comics.

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Golden Age Showcase: Betty Bates, Lady at Law.

Full disclosure, this is going to be a short article.  That being said, I think today’s comic book heroine is awesome enough on her own and doesn’t need a whole lot of space to show how awesome she is.

Today we’re going to talk about a female heroine who SHOULD have been one of the great female heroes to come out of the 1940’s: Betty Bates, Lady at Law.

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Origin and career

Betty Bates first appeared in Quality Comics’ Hit Comics #4 in October of 1940.

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She was a backup character created by artist and writer Bob Powell,

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whose other credits include characters such as Sheena, Queen of the Jungle.

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Betty Bates was an interesting character, especially for the 1940’s.  While the era has been criticized for its rampant sexism and misogyny it is the era that gave us classic female super heroines such as Wonder Woman,

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Lady Satan,

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and an early Black Widow.

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With all these super powered ladies flying around it seems difficult for someone as plain as Betty Bates to stand out, but she manages to do that in grand style.

For starters, Betty Bates was a District Attorney, a profession that was almost exclusively reserved for male characters.

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She was almost unnaturally honest, refusing to take bribes and to be coerced into letting criminals go free.

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She was also a capable and talented detective, determined to get to the truth.  She never had a secret identity or costume, never had any colorful gadgets, and while she only fought gangsters and thugs with colorful names, when it came time to throw down and defend herself…

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she could handle herself in a fight.

So what happened?

Her series was published by a company called Quality Comics, a company whose most famous creation was this guy.

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Quality Comics sold off most of its characters in the 1950’s to DC Comics but the company had been suffering for a while.  Betty Bates was lost in the shuffle and after a ten year run her title was cancelled.

Despite her unglamorous end, Betty actually has a pretty impressive legacy.

She outlasted many of her more traditional male superhero counterparts and would continue to have a comfortable position as a back up character in the Hit Comics line for over ten years.  In fact, she still holds the honor of being the longest running non super powered, non main character heroine in comic book history.  Plus, there is only one comic book lawyer who has lasted longer than she has.

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Anyone want to try to explain why we’re not talking about her instead of Wonder Woman as a female comic book icon?

Sadly, she has remained forgotten for most of history and hasn’t been revived or brought back in any modern issues.

Which is a crying shame if you ask me.

How could she be brought back?

Unlike many of the Golden Age heroes we talk about on this blog that might have trouble fitting into a modern setting, Betty’s problems are actually quite the opposite.

There are a seemingly endless number of law procedural shows on television today.

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and Betty Bates could fit into any one of them

Also, we are now living in an age where leading ladies are gaining an increasingly large portion of the spotlight in popular culture.

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and I think Betty could fit right in.

The difficulty rests in finding a leading lady.  Personally, I nominate Haley Atwell.

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But that’s just me.

Golden Age Showcase: Thin Man

Confession time.  I’m sitting in an airport terminal in Portland Oregon (long story) and I’ve been so busy that I nearly forgot to write an article this week.

Thankfully I’ve got about two hours to kill before my flight leaves so today we’re going to talk about the first superhero who was able to stretch his body and use it as a super power.

Today we’re going to talk about Thin Man.

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Origin and Career

The Thin Man first appeared in Mystic Comics #4 in June of 1940.

He was created by artist Polish artist Klaus Nordling (I was unable to find a picture) and an unknown writer.

As for origins, Thin Man was the first super hero who was able to stretch and mold his body into various shapes.

What really sets him apart from a various number of heroes is that while Plastic Man got his powers from a lab accident,

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and Reed Richards got his powers from cosmic rays,

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Thin Man got his powers from a group of advanced humans living in a forgotten valley in the Himalayas.

Thin Man’s identity was Bruce Dickenson, a scientist who was exploring the Himalayas and discovered the entrance to a forgotten kingdom called Kalahia.

After he faints, Bruce discovers that the inhabitants of Kalahia have the ability to change their shape and size at will and that for some reason they decided to give him this ability without his knowledge or consent.

What I really love about this story is how they completely disregard world changing revelations such as the existence of aliens on Mars and multiple dimensions and head straight to the crime fighting.

Bruce convinces the elders of Kalahia to allow him to travel back to his home, accompanied by the daughter of one of the elders named Ollala, because this is the Golden Age of comics and you only need three panels to do anything.

As you can see above, Bruce builds a highly advanced propeller driven plane that he uses to murder people, because the casual murder of suspected criminals is totally justified and doesn’t require any explanation.

The rest of the story involves Thin Man and Olalla foiling a group of mobsters who are trying to collect protection money from a taxi driver.

Thin Man uses his advanced technology and his ability to become as thin as a piece of paper to foil the hoodlums and bring the boss to justice.

 

I like to think that if his adventures had continued that plane would have wracked up one hell of a body count.

So what happened?

Sadly, this origin story would be Thin Man’s first and only Golden Age appearance.

However, Thin Man’s career would get a second wind in the 1970’s when he became part of the World War 2 era Marvel team known as the Liberty Legion.

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He’s on the right of the panel in the green and yellow suit.

Long story short, the Liberty Legion fought a lot of Nazis and Nazi related schemes.

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Thin Man would later reveal to Captain America that he lost his family and connection to his powers after Olalla had returned to her home shortly before it had been discovered and destroyed by a Nazi villain named Agent Axis.

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After Agent Axis gloated that he could not be harmed or prosecuted due to his position as a Nazi scientist working for the United States, Thin Man got angry and snapped his neck.  He was arrested by Captain America and sent to prison.

In the 2004 series The New Invaders Thin Man was pardoned by the United States government with the purpose of equipping the new version of his old team with Kalahian technology.

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Unfortunately this turned out to be a ruse by the Red Skull, who was disguised as the Secretary of Defense at the time.

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Thin Man would wind up creating a warship called The Infiltrator which was a massive battleship designed to be able to cloak itself from any scanner and teleport across dimensions.

The ship wound up sacrificing itself to destroy a doomsday device and saving the world from a villain named U Man.

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I don’t know if Thin Man was on board the ship or not when it exploded.

Thin Man is an interesting hero for a number of reason.  First, he was the first superhero who could stretch himself and change his form at will, setting the precedent for other heroes such as Reed Richards and Plastic Man.  Also, he was the ambassador of a new and different world within the Marvel universe, and if they had not been destroyed by the Nazis I’m willing to bet that they would have become an integral part of the Marvel Universe.

Golden Age Showcase: Anteas the Bouncer

So this weekend I went to Rhode Island Comic Con and had the great pleasure of meeting comic book artist Jim Steranko.

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The man is a living legend, one of the medium’s greatest artists, and about a million times nicer than he has any right to be.

Anyway, while I was talking to him I told him about this blog and what I was trying to do.  I asked him if he knew any obscure Golden Age superheroes that I could write about.  He got a sly smile on his face, took out his pen, wrote a name on a piece of paper, and handed it to me.

He introduced me to the comic book hero Anteas the Bouncer.

Comic Book Cover For The Bouncer #13

Mr. Steranko, if you are reading this I want to thank you from the bottom of my decrepit heart.  You are a king among men and I hope this becomes the greatest article I ever write.

Origin and Career

Anteas the Bouncer first appeared in his own titled comic in 1944.

Comic Book Cover For The Bouncer [10]

He was published by Fox Feature Syndicate, the company that was most famous for giving us the Blue Beetle.

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Fox was an interesting company.  On one hand they published one of the first blatant Superman ripoffs in comic book history, on the other hand they made crazy heroes like the Anteas the Bouncer.

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Despite his ridiculous name and appearance there was actually quite a bit of thought and talent that went into this guy.

He was written by a man named Robert Kanigher.

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Not only did Robert write Wonder Woman for over 20 years, he actually wrote the first appearance of the Silver Age Flash: Barry Allen.

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Anteas was also drawn by Louis Ferstadt, a man with few known credits but he did do some work on Plastic Man.

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So the character had a pretty impressive team behind him, but why would they commit to something so ridiculous?

Well, the answer is pretty simple, Anteas is an actual figure from Greek mythology.

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He’s featured prominently in the Legend of Hercules as the son of Gaia, or Mother Earth. While working on his 11th labor of collecting the golden apples of Hesperides, Hercules is confronted by the giant Anteas.  While Hercules was strong there was a problem.  As long as Anteas’ feet were on the ground he was invincible and even stronger than Hercules himself.  If Anteas hit the ground he would rise again and his strength would be restored.

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As you might have gathered from the totally not suggestive sculpture above (they’re just wrestling, honest), Hercules defeated Anteas by lifting him up off the ground and crushing him to death.

This particular piece of Greek mythology would inspire Robert Kanigher to create a modern take on the character, and the results were actually quite clever.

It turns out that Anteas’ had a family and they continued to survive thousands of years into the 1940’s and Anteas’ great, great, great (honestly I don’t know how many greats there are to go back that far, let’s just assume a lot) grandson actually shared the power of his ancient ancestor,

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That’s him on the right with the beret and glasses and this is a part of his origin story.

Comic Book Cover For The Bouncer #11

He was driven away from being a superhero when he realizes the trouble his powers cause.

Comic Book Cover For The Bouncer #11

 He became a sculptor who didn’t care much for the world and just wanted to make things.

Comic Book Cover For The Bouncer #11

Unfortunately, he made a sculpture of his famous ancestor so lifelike that it became a living being.  Because that is how this stuff works.

Comic Book Cover For The Bouncer #11

The statue would drag Anteas Jr., yes that was the sculpture’s name, on various adventures and crime fighting forays.  The sculpture possessed immense strength that was tied to the Earth just like his namesake while Anteas Jr., who had similar powers, fulfilled the role of a sidekick.

The adventures of the Bouncer were a mixed bag.  One day he would be fighting standard gangsters and another he would be fighting clowns dressed like Satan

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That being said, there was one particular gimmick to the character that was pretty cool.

The comic encouraged readers to send in letters to the studio along with pictures of themselves for a chance to be in the comic and accompany the Bouncer and Anteas Jr. on their adventures.

Comic Book Cover For The Bouncer [10]

Think of it like an early version of a Kickstarter reward where being in the comic is offered as a reward tier.  This led to some bizarre meta humor and fourth wall breaks in the comic where the Bouncer would acknowledge the winners and encourage readers to participate and buy the comic.

So what happened?

He’s the immortal spirit of a figure from Greek mythology who lives in a statue and fights crime by bouncing, he was just too perfect for this world.

Sadly the Bouncer and his sculptor sidekick only lasted five issues.  Despite the audience participation gimmick, the talented writing, and halfway decent art, the comic couldn’t sell well enough to stay in print and it was cancelled.  While he made a few appearances in other titles nobody seemed interested in reviving and/or reprinting the character.

The Bouncer was a ridiculous hero with a ridiculous backstory and a ridiculous gimmick.  But despite all of that I like to think there was a genuine passion behind his creation and it looks like everyone involved worked hard on his stories.

In other words, he is the kind of dopey and sincere comic book character that is perfect for this kind of blog.

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