Golden Age Showcase: Superman and the Clan of the Fiery Cross

WARNING: This article contains a frank description of the history and politics of the American hate group known as the Ku Klux Klan. This group has a long and ugly history of racist violence that unfortunately continues today.  Also, this article contains images and descriptions that many people will find offensive.  If this bothers you, it is perfectly okay to not read this article.

Superman is 80 years old today!

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Today I want to talk about one of Superman’s greatest, and most important, stories.  It’s not a comic book, it’s a radio show, and it is one of the most important pieces of superhero media ever produced.

It’s Superman and the Clan of the Fiery Cross, the story where Superman literally, not figuratively but LITERALLY, helped bring down one of the most vile and awful hate groups in American history.

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Background and History

The KKK was a white nationalist group that was initially founded just after the American Civil War in 1865 by a group of former Confederate soldiers.

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Their goal was to intimidate newly freed black slaves and prevent them from voting and trying to improve their lives.

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The Federal Government cracked down on them, declaring them a paramilitary terrorist organization and forbade them from assembling.

While this version of the group was crippled, they would make a comeback in the 1920’s with the premiere of D.W Griffith’s Birth of a Nation: a fictionalized and highly romanticized account of the original klan.

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Unfortunately, the movie was an incredibly effective recruiting tool and the new version of the klan exploded in popularity.  They adjusted their message slightly, instead of targeting black people they became anti immigrant and for the prohibition of alcohol.

They even managed to become involved in politics.

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By the 1940’s the Klan returned to form, campaigning against equal rights for black people across the American South through violence.

One of the people who saw all these horrible things happen was a man named Stetson Kennedy,

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Kennedy was a writer and activist from Florida who saw what was going around him and decided that he didn’t like the KKK very much.  So he decided to do something about it by infiltrating the organization and finding out as much as he could.

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He discovered that the Klan was less intimidating and had some really stupid customs and rituals, not really surprising considering that it’s a bunch of guys dressed in sheets, and decided to make them look as ridiculous as he could.

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Sadly, there was a problem: how was Stetson going to share his information with the public?  What could he use to reach as many people as possible?

This is where The Adventures of Superman radio show came in.

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The show was produced and syndicated by the New York radio station WOR and starred a man named Bud Collyer as Superman and Joan Alexander as Lois Lane.

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In 1946, Mr. Kennedy approached the radio show and asked them if he could use Superman to share his findings about the Klan with the world.  DC comics was more than happy to oblige since the Second World War was over and Superman couldn’t fight German Nazis anymore.  Now he would fight the American version.

Here’s the first part of the radio special for your listening pleasure.  I skipped the first two minutes of the video because it’s an add for a discontinued breakfast cereal called Kellogg Pep, but it’s still pretty good and I highly recommend tracking down the rest of the series and giving it a listen.

So what was the impact?

The effects of the radio broadcast were immediate and massive.  Within two weeks recruitment into the Klan was down, and by 1948 people were openly mocking its members at their rallies.

Kennedy would go on to share the rest of what he learned about the Klan with the authorities, and even wrote several books which led to arrests and prosecutions for several chapters.

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So the Klan was substantially weakened, thanks to Superman.

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Sadly, while the Klan was substantially weakened it wasn’t killed off completely.  The organization maintains a violent anti immigrant and white nationalist stance and holds rallies to this day,

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and there’s a former low level politician named David Duke who is a member of Klan who has gained an unfortunately large amount of attention.

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It’s worth mentioning that the FBI has reported a rise in hate crimes and hate groups in America over the past couple of years, it’s not a very large rise and can be attributed to a small number of very vocal fringe groups.

A lot of people say that Superman is boring, too powerful, and too much of a goody two shoes to be interesting in the modern world.  But in a world that is filled with some awful people and vile ideologies,

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it’s good to know that we have characters like Superman who stand for what is true and just.

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Here’s to 80 more years.

 

 

Golden Age Showcase: Target and the Targeteers

 

You know what they say…comedy comes in threes.

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And I like to think that today’s superhero group took that lesson to heart, even though I’m willing to bet any comedy was unintentional.

Today we’re talking about the rather humorously named Target and the Targeteers.

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Origin and Career

This trio of superheroes was published by a company called Novelty Press, which was created in 1940 by Curtis Publishing.  If that name isn’t familiar all you need to know is that they publish the Saturday Evening Post.  If that name isn’t familiar then you probably recognize this cover.

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Novelty Press was created as a comic book imprint in order to take advantage of the comic book craze.  They were able to draw a lot of great Golden Age talent such as Joe Simon, Jack Kirby, and Basil Wolverton and their two most famous publications were the superhero series Blue Bolt,

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and the anthology series Target Comics.

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Despite sharing the name of the title, the superhero we’re talking about today didn’t appear until issue #10 in November of 1940.

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Yes that is him on the cover and I have to admit I don’t know what’s funnier: the testicular fortitude of a man who is willing to get shot by painting a giant target on his chest or how stupid the gangsters are for not aiming at the knees or face.

The hero was created by artist Dick Briefer under the pseudonym of Dick Hamilton. Image result for golden age dick brieferBriefer’s most famous work was with the Frankenstein character and is widely considered to be the first modern comic book artist to work with horror stories.

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 Back to Dick’s most famous superhero, Target’s first adventure had him sending an ominous message to criminals everywhere: “Live your life on the straight and narrow or I’ll find you”.  He does this by buying up advertising space on nationwide newspapers, radio space, and even hijacking the phone service.

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You know how in modern movies the bad guy can mysteriously deliver a message to every computer, television, and phone around the world?  It’s nice to know that this particular cliche isn’t so modern.

The Target’s ominous message doesn’t deter a group of gangsters from kidnapping a scientist who is developing a new explosive that other countries want.

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The gangsters reach the professor’s house, only to find that the Target is already there.

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On the face of it, it would appear that the hero has a very poorly designed costume for dealing with guns, but the comic explains that while the suit protects his chest and arms (thus leaving the face and legs unprotected) the target is there to draw enemy fire to the places where the bullets can’t harm him.

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I would commend the comic for attempting to use “Batman psychology” to explain why the hero made the decisions he made but no, in real life that man is dead.

The adventure ends in typical fashion.  The bad guys are stopped, the hero saves the day, and the reader is left wondering what’s next.

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The next issue not only delves into the Target’s backstory, it also reveals that he has two friends who share a similar death wish by dressing in similar costumes.

The Target’s civilian identity is Niles Reed.  He was an athletic prodigy who decided to become a metallurgist had a brother named Bill, who decided to become a lawyer.

Unfortunately, Bill was framed for murder and arrested.  In his rage, Niles decided to rescue his brother while disguised as a masked vigilante.

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While it’s a bit unclear it would appear that the cops accidentally shot Bill as he was trying to escape with his brother.  So in an interesting twist, Niles was responsible for his brother’s death.

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Later that evening Niles happens to stumble across two orphaned boys who were in a lot trouble with some gangsters for not paying protection money.  The three become friends and decide to dress up like superheroes using the same bulletproof costumes of Niles’ design.

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The origin story ended with the reveal that Bill had been framed by a crime boss named Hammerfist, who would become something of a recurring villain for the trio.

I’ll admit, there are some interesting points to this story.  The fact that the hero is actually responsible for his brother’s death coupled with him taking in two orphans who share similar tragic stories draw a lot of similarities to more popular heroes like Spider Man and Batman.

The rest of the trio’s adventures were all one shots with a very patriotic bent them.  The three did their duty and fought against America’s enemies, both at home and abroad.

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The post war years saw a return to form for the trio where they went back to waging war against criminals in the United States.

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So what happened?

The trio of crime fighters had a pretty long shelf life for the Golden Age heroes.  They lasted until issue #95 of Target Comics where their last adventure had them foiling criminals who were sabotaging advertising signs in order to extort an advertising firm.

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Yeah, maybe it was a good thing that they got cancelled.

The trio would disappear for a while until the Target made an appearance in AC Comics’ Men of Mystery series in 1999.

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The trio itself made a comeback in Dynamite Entertainment’s Project Superpowers series in 2008.

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Their backstories remained the same, only this time they all had super speed on top of their indestructible suits.

The Target and the Targeteers embodied everything that worked and didn’t work about the Golden Age of Comics.  On one hand they were goofy, wore silly costumes, and relied on some pretty bad science in order to survive and function.  On the other hand, they had one of the better origin stories I’ve read, they had a long run, and a lot of the things that made it into their stories such as the use of psychology to fight criminals would be use to great effect in other, more popular comic hero stories.

All in all, they weren’t that bad.

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Golden Age Showcase: The Face

You know who everyone loves?  Batman.

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You know what one of his greatest lines is?

“Criminals are a superstitious and cowardly lot”.

I love that line because it sums up Batman perfectly.  So much of his character is about instilling fear and dread into his opponents and it’s an integral part of the costume, especially the mask.

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This is part of what made Batman so popular and as we all know, popularity breeds imitators.

Today we’re going to talk about one of Batman’s earliest, and least successful, imitators simply known as…The Face.

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Hold on to your seats ladies and gentlemen.

Origin and Career

The Face was one of the hallmark creations of a little known comic book publisher called Columbia Comics.

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The company was formed in 1940 through a partnership between a newspaper company called the McNaught Newspaper Syndicate and a man named Vin Sullivan.

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Interesting fact: Vin Sullivan was the man who bought the rights of a little known character named Superman from Siegel and Shuster for a company called National Allied Publications, although you know them better as DC comics.

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Anyway, Columbia’s biggest seller was an anthology comic called Big Shot Comics and the Face was in the very first issue published in May of 1940.

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He was created by an artist named Mart Bailey.

As for backstory, the Face was the superhero identity of humble radio station announcer Troy Trent who decided to fight crime just because he could.

Comic Book Cover For Big Shot Comics #1 - Version 1

In order to do this he decided to don a horrifying green mask with red hair, long fangs, and yellow eyes.  This disguise proved to be incredibly helpful since it struck enough fear into his enemies’ hearts that he could either get the jump on them or wrangle a confession from them quickly.

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In his first adventure the Face helped save a group of sick orphans who were being poisoned by food supplied by a greedy businessman who was pocketing government aid money and selling sub par supplies back to the people that needed them.

Comic Book Cover For Big Shot Comics #1 - Version 1

No, I am not joking, this comic was absolutely serious.  I know that it may seem a bit much for our more developed brains to accept a story where the bad guy is just that evil and the good guy’s job is to save a bunch of orphans, but I thought it was sincere enough and just well written enough to make for a pretty good story.

Come to think of it, “pretty good” describes most of the Face’s stories.  The art work was pretty good, for Golden Age comic book standards, and while he never graduated past fighting crooks and gangsters his stories were either interesting enough or had some twist to them that made the writing a step above most of the crap that was being published at the time.

The character had a nice gimmick, with a good artist, and some good storytelling behind him.  He would wind up becoming one of Columbia Comic’s greatest heroes and I could easily see him making the leap into modern times along with more well known heroes like Batman and Superman.

So what happened?

The same thing that happened to Columbia Comics, he disappeared after they went out of business in 1949 due to declining sales.

Despite the fact that the Face was successful the sad fact of the matter was that superheroes just weren’t selling in the late 1940’s and by the early 1950’s the entire comic book industry would be on the ropes.

Sadly, the Face’s career was over.  However, a new hero who was heavily based off of him called “Mr. Face” did appear in Dynamite Comics’ Project Superpowers comic book series.

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His powers got a much needed update after being thrown into a mystic object known as the Urn of Pandora.  When he emerged he realized that people would see their worst fears come to life if they looked at his face and mask.

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Boy, this is a short section.  I wonder if there is anything I can do to add to this article?

How could he be remade?

What’s this?  A new section for long time readers in an attempt to remain fresh and interesting?  Well alright then.

In this section of the article I’m going to take a look at the character of the week and see if he/she/it could be remade and how it could be done.  Think of it like a pitch for a superhero revival only I’m not being paid for it.  Also, if anyone reading this should take a look at the article and be moved to turn it into a story of their own please feel free, I wouldn’t have put this on the internet if I didn’t want people to copy it.

Alright, so here’s what works.  The Face has a cool gimmick and costume.  Sure Batman has the whole “strike fear into criminals using the costume” deal but he also has decades of training and a bottomless bank account to help.  Our modern take on the Face would double down on the “using the mask to cause fear” idea and not rely on martial arts as much.

Maybe he could use the mask in conjunction with a fear inducing chemical like the Scarecrow,

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or maybe it could be some sort of mystic curse or ancient deity like a much more serious version of the Mask?

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What doesn’t work that much is the backstory and secret identity.  Having a superhero fight crime and have a life outside of crime may have been okay in the 1940’s but that just won’t fly here.  We need to give him a semi plausible backstory and motivation for fighting crime.

So, without further ado, here’s a short paragraph describing my idea for a revamped Face.

Tony Trent is a government scientist working on a top secret drug for the United States government.  He is a brilliant chemist working in conjunction with a psychologist named Tanya Ferguson (his love interest and helper) and they have been partnered together  in order to develop a drug for what they think is for crowd control purposes but is actually a powerful hallucinogenic drug for interrogation and discrediting enemies of America.  Tanya discovers the project’s true purpose and threatens to go to the press with the news.  Fearing reprisal the government shuts down the project and attempts to liquidate both Tony and Tanya.

The assassination attempt fails and both of them manage to flee.   The rest of the comic is the two of them trying to find the people responsible for trying to kill them and shutting the project down.  Tony is able to use the prototype fear gas, along with a plastic mask that he randomly picks up, as a weapon against anyone who would try to take them out.

Golden Age Comics: Chandu the Magician

If you’re like me you probably went to go see the new Marvel movie this weekend: Dr. Strange.

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If you haven’t seen it my spoiler free review is this: GO SEE IT NOW!!!

It’s trippy, mind warping, Benedict Cumberbatch is an awesome edition to the Marvel Universe, and it has some of the coolest fight scenes I’ve ever seen.

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Normally I would do a blog post about the history behind Dr. Strange but here’s the thing, the character really doesn’t belong to the Golden Age of Comics.

Dr. Strange was created by Stan Lee and Steve Ditko, the creative team behind Marvel’s greatest hero: Spider Man.

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Dr. Strange premiered in 1963 in the anthology series Strange Tales.  Since the character was a sorcerer and master of magic Ditko used the comic to create some of the coolest and most mind bending artwork ever seen.

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Sadly, while the art was fantastic, Dr. Strange didn’t really catch on as a solo character in his own series like Iron Man or the Hulk.  While he was popular with college kids who were experimenting with Eastern mysticism and psychedelic stimulants like LSD, the character was more at home as a supporting hero who was useful to other heroes whenever they were confronted with magical threats.

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Like I said before, Dr. Strange really doesn’t fit the bill for this blog.  However, while researching the character’s history I discovered that Stan Lee took a lot of influence for Dr. Strange from an old radio program called Chandu the Magician.

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After looking up Chandu on the internet I decided to write this week’s blog post on this instead.  Sure it’s a radio show turned into a movie series, but it’s got enough comic book elements in it to justify a place here.

Origin

Before there were comic books and comic book movies, there were radio shows and pulp novels.

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Chandu the Magician premiered in 1931 on the Los Angeles station KLR.  The show featured a man named Frank Chandler who was played by radio actor Gayne Whitman

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Frank was an American who had traveled to India to learn the mystic arts from the yogis.  Such skills included astral projection, hypnosis, and escape artistry.

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After he had learned everything he could he was sent into the world to fight evil in all its forms with the new identity of Chandu the Magician.

He would have various adventures every week, broadcast in 15 minute adventures, and sponsored by companies such as White King Soap and Beech Nut Gum.  He had several love interests such as the Egyptian princess Nadji who was played by actress Veola Vonn.

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The program was successful and lasted from 1932 to 1935, and was even revived in the late 1940’s.

On top of the radio show, they even made a movie about Chandu in 1932.

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Chandu the Magician stared actor Edmund Lowe as the title character,

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and horror movie icon and king of over the top epic performances, Bela Lugosi as the villain Roxor.  You probably know him better as Dracula.

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The movie was 71 minutes of glorious 1930’s cheese filled with magic, sappy romance, and death rays.  If you don’t believe me please watch this clip of Bela giving the best damn evil villain monologue I have ever heard.

The movie was successful enough to spawn sequels and I can assume the studios loved Lugosi because they cast him as Chandu in the sequel.

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So what happened?

Life and society moved on, leaving radio and old heroes like Chandu in the dust.

While I normally feel a pang of regret and nostalgic longing for the heroes that I write about in this blog I’m really not feeling a whole lot for this one.

Sure he was a cool magician and yes the adventures were creative and exotic, and we got one of the best Bela Lugosi performances I’ve ever seen out of it, but the character was definitely a product of his time.  There’s a pretty strong undercurrent of some of the more uncomfortable ideas that permeated American entertainment during the 1930’s.  Everything from blatant racism to casual sexism is on call here.  Granted, a lot of the early comics played with that as well, but I get the feeling that a lot of people won’t be lining up to see the Chandu reboot at the box office.

Still, it was a fun little story and it seemed to have enough of an effect on a young Stan Lee to create Doctor Strange, so it wasn’t all bad.

4th of July Special: My top 5 Superman stories

Happy Fourth of July everyone!

and what better way to celebrate American independence than to look at the greatest American superhero ever created.

Is there anyone in modern fiction that embodies the ideals of truth, justice, and the American way?

Well, technically that last part isn’t exactly honest.  The “American Way” part of the motto wasn’t added until the 1950’s in an attempt to make Superman more politically friendly and “safe” for kids.  The original Superman had no problem threatening politicians and destroying homes in the name of justice and fair treatment.

Still, all things aside, Superman’s commitment to fighting for the little guy does make him an important figure in American pop culture.  He’s been dissected, discussed, and re interpreted countless time throughout the decades and today I would like to talk about five of the most important and/or interesting Superman stories ever told.

I believe that these five stories focus on a major aspect of Superman’s character and attempt to explain who the Man of Steel is and why he is, and must remain, the way he is.  This list is not designed to be an extensive description of the plots of each of these stories and I highly encourage you to check them out on your own.

Note: This list is my opinion and my opinion only.  If I left out your favorite Superman story please feel free to let me know in the comments.

5. Superman: Red Son

Writer: Mark Millar

Artists: Dave Johnson and Killian Plunkett

Date published: 2003

A huge part of Superman’s personality and character stems from the fact that he grew up on a small farm in the middle of Kanses, the heartland of America.

His parents raised him the best way they could and gave their adopted son Clark the values and moral compass that made him the hero he became.

“Red Son” asks the question: what if Superman hadn’t landed in Kansas?  What if he had landed in America’s ideological opponent: the Soviet Union?

Without going into too much detail it’s safe to say it doesn’t end very well for America and instead of being instilled with values that promote freedom and individual liberty the new Soviet Superman becomes something akin to a Big Brother figure, watching over the people of the world as an authority figure rather than a benevolent guardian.

4. What’s so funny about Truth, Justice, and the American Way?

Writer: Joe Kelly

Artists: Doug Mahnke and Lee Bermejo

Date published: 2001

Unlike most titles on the list this is not a stand alone story, rather it’s an arc in the Action Comics title, which is the long running Superman series that started in 1938 and only ended in 2011 (we’ll get to that).

This story is a discussion on one of the biggest questions a lot of readers have about Superman: why doesn’t he just kill his enemies?

Now, some superheroes do kill,

and some superheroes used to kill

but had that part of their character changed due to editorial mandate and the need to keep a running stable of villains.

While Superman has had his fair share of violent streaks, he has remained pretty committed to not killing his enemies for a very long time.  Even though he has the power to wipe out entire solar systems

and many people have pointed out that, by letting the bad guys he captures live, they have gone on to cause even more death and destruction.

Seriously, in order for a villain to present a threat to Superman they either have to have enough power to rack up a body count in the billions or wield enough intelligence and influence to control countless numbers of people.

“What’s so Funny about Truth, Justice, and the American Way?” answered that question and gave a pretty good reason as to why Superman doesn’t just kill his enemies, no matter how much they may deserve it.

The story starts with Superman coming face to face with a group of heroes known as “The Elite”

They are a group of erstwhile heroes who have no qualms about killing the villains they capture, much to the delight of the people of Earth and the dismay of Superman.

Things come to a head and the Elite and Superman wind up fighting each other.

It is very much an ideological battle that asks a whole lot of questions.  What is the purpose of a hero?  What is the proper use of power?  How far should a hero go in order to keep the peace?

All of these questions are answered in a fight that I believe is one of the best fights in comics.  Granted, the story can be a little heavy handed and self serving at times, but the story shows why Superman must remain the way he his, why he is still relevant it today’s society, and gives us a glimpse into the terrifying vision of a Superman who has no problem killing people.

3. All Star Superman

Writer: Grant Morrison

Artist: Frank Quietly

Publication date: 2011

This is the most modern Superman story to appear on the list and one that answers the OTHER big question about Superman: how can you make a man who is literally invulnerable interesting?

Morrison tackles this question by doing something brilliant: he kills Superman.

Basically, an accident near the sun saturates Superman’s cells with radiation and he only has a short while to live before he disintegrates into energy.

The story is about the last days of Superman on Earth as he says goodbye to Louis Lane.

manages to defeat Lex Luthor one last time,

and comes to grips with his own mortality and several of the stranger bits of the Superman mythos.

This is Superman at his most basic essence.  He’s not protecting a cause, he’s not working with any other hero, he’s a God among men and he is doing everything he can to help.

This series is also home to what I consider to be the greatest page in all of comics.

I tear up every time.

2. Action Comics #1

Not only is this the first appearance of the Superman we know and love, it’s the first American superhero comic ever published.

We owe so much to this comic it’s difficult to describe.  Everything from the costume,

to his secret identity,

To his strange origins define so much of what it means to be a modern day superhero.

Granted, there were other masked vigilantes around before Superman and yes, there are plenty of heroes who have gone on to eclipse the Man of Steel in popularity but I think it is important to remember that without this,

there would be none of this.

1. Superman and the Clan of the Fiery Cross

This isn’t a comic book, it’s a story that ran as a radio serial between June 16th, 1946 to July 1st, 1946 and I believe it is the single most important Superman story ever created.

Post war America had a problem with a group called the Ku Klux Klan.

For anyone who might not know, the Ku Klux Klan (or KKK for short) is a vile hate group that was formed by white men in the American South in order to protect American societ, just as long as that society was white and Protestant Christian.

Unfortunately they are still around and while they used to campaign against the inclusion of black people into American society

they continue to exist today as a force campaigning against immigration and what they perceive as an invasion of America by foreigners.

So why am I talking about this?  Well, in the 1940’s a human rights activist and investigative journalist from Jacksonville Florida named Stetson Kennedy decided to go undercover and investigate the Klan.

He uncovered a whole bunch of the Klan’s secrets from how they ran their meetings, to how they were organized, and even what their secret handshakes looked like.

He actually discovered that beneath the violence and horrific racism the Klan was pretty stupid and after a while he was ready to report his findings to the world.

Unfortunately this was going to be difficult since the Klan was big and Kennedy had no idea if the police of newspaper editors he could share his findings with were members.

So Stetson went to the writes of the popular Superman radio show and together they came up with a 16 part radio drama where Superman fought and defeated “The Clan of the Fiery Cross”.

I won’t talk about the story, you can read a synopsis here and listen to it here if want the original serial complete with ads for Kellog’s Pep, but what I do want to talk about is the real world impact that story had.

The story claimed to expose real Klan codes and practices and in 2005 a book called Freakonomics stated that this single radio serial was the biggest contributor to the decline in Klan membership in the 1940’s.

Whether it’s true or not the fact remains that Superman helped fight and bring down one of the worst and most vile hate groups in American history.

No other hero in popular culture has had that kind of impact on our society and way of life, and that is why this story is the greatest Superman story ever told.  It doesn’t matter how many people like Superman or if people thing he’s too powerful or boring.  What matters is that he is there for us as an example of pure, unadulterated good in the world and worthy of being the champion for the ideals of truth and justice that America was founded on and strives to live up to.

 

Happy July 4th everyone.