Crowdfunded Comics that deserve more attention: Dulce: The New Guy

Today we’re looking at a comic book Kickstarter project entitled “Dulce: The New Guy”.

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The comic takes place in Dulce, New Mexico, a place that is allegedly home to a joint U.S military and alien base.

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The story follows the adventures of Marcus as he begins his first day working at the base and promises that Marcus will come face to face with “reptilians, fear deities, chimera, monsters, and a variety of races of aliens…”

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The comic itself was created by Eric J. Cockrell and Gene Hoyle with artwork by Greg Woronchak, colors by Avery Ferdinand, lettering by Michael Waggoner, and editing by Chuck Pineau.

At the time of writing the project has raised $1,150 of its $3,300 goal with 22 days left in the campaign.

Kickstarter link: https://www.kickstarter.com/projects/1410875579/dulce-the-new-guy-comic-book/description

Why I like it

I’m a sucker for comedies that take big, grand, and potentially Earth shattering revelations and treat them as ordinary mundane things.

Marcus is an ordinary human, thrust into extraordinary circumstances, and forced to deal with things that no human has probably ever had to deal with.

For God’s sake, his co workers are a lizard man and a human sized fly.

they’re dealing with time travel like it’s no big deal,

the comic has GIANT KILLER BUNNIES!

Isn’t that awesome!?

For me, the best comedy takes place when you have the extraordinary happening in a mundane and boring way.  The more indifferent people are to the crazy things happening around them, the funnier it gets.

Come to think of it, wasn’t there a movie that was released a little over a decade ago that treated cosmic, earth shattering events with casual interest?

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Also, come to think of it, wasn’t there an incredibly popular television comedy in an office setting that dealt with the everyday lives of office drones?

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Huh, neat.

I bring this up because this comic makes me think of The Office with a healthy dose of Men in Black thrown in.  Now, Men in Black is one of my favorite films of all time, and while I’m not the biggest fan of The Office (I know it’s sacrilege, but let’s just say that I’ve had too many people compare me to Dwight to get into the show) I understand its appeal and believe it deserves the praise it gets.

Now, I admit I could be wrong in this comparison,  but it is my honest to God opinion that a comic that combines some of the best elements of a very good movie like Men in Black  and a very good TV show like The Office deserves my attention and respect.

Why you should donate

For starters, the rewards that these guys are offering are fantastic.

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This is not the first tango these guys have had with Kickstarter created comics, and they certainly know how to take care of the people who give them money.

But there’s another, deeper reason why this comic is worth your time, and dare I say…important.

We can always use a good laugh at the expense of those in power.

Let’s face it, for the longest time places like Area 51,

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occupied a lighthearted and almost jovial place in American pop culture.

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I think it’s pretty cool that that United States government has taken the reputation of one of their testing grounds for top secret aircraft and embraced it.

Unfortunately, while places like Area 51 have given “Top Secret” a lighthearted spin, there have been times when secret government programs have taken on a much more sinister meaning.

Over the past decade the United States government, which is supposed to be accountable to the people, has tried to keep the following things secret from the public:

kidnapping and torturing people suspected of terrorism against the United States,

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launched mass surveillance programs on the American citizens,

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and we’re currently trying to figure out if our current President has been the willing/unwilling participant in election rigging conducted by a foreign power.

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It’s all really scary stuff, but you know what really helps in times of trouble?

Laughter…and fantastic stories about crazy monsters and strange science.

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Kickstarter link: https://www.kickstarter.com/projects/1410875579/dulce-the-new-guy-comic-book/description

 

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Golden Age Showcase: Jill Trent, Science Sleuth.

It’s funny that popular culture doesn’t associate women with the sciences, and it’s especially interesting when you consider that women have been responsible for huge advances in science from early mathematics and astronomy,

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to creating the genre of science fiction,

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to taking us to the moon,

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and basically inventing the whole idea of computer sciences and programming.

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Interestingly enough, the comic book industry had a female science hero to call their own in the 1940’s, and I thought it might be fun to talk about her today.

This is Jill Trent, Science Sleuth.

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Origin and Career

Jill Trent made her first appearance as a back up story in Fighting Yank #6 in 1943.

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She was created by artist Al Camy, a man who had done a lot of work for Standard Comics including work on one of their most popular heroes, the Black Terror.

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The setup for each story followed the standard Golden Age setup with not a lot of attention paid to the backstory and not a lot of effort being put into explaining how Jill makes a living.  She’s just a genius who invents stuff and solves crimes with them.

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As you can see from the page above, Jill Trent was a genius inventor and scientist.  Not only did she develop a way to see through walls, she presumably figured out a way to defy gravity as well.

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To help her with her adventures Jill had a friend named Daisy Smythe, who was her confidant and sidekick throughout her adventures.  This were their sleeping arrangements.

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Sure those are double cots placed side to side and it’s no different than what Batman and Robin were doing around this time,

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but let’s face it, your mind already went there didn’t it?

Not only was Jill a genius, but both ladies were actually very capable fighters and had no qualms about defending themselves by any means necessary.

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Also, they weren’t above the use of guns either, especially in one particular adventure when they were fighting off a bunch of goons over a copper bedframe.

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Granted, the crooks were trying to get the bed back because it had a large stack of money in it but still, it certainly puts a vicious spin on customer complaints.

Despite being a bit controversial Jill and company were actually reasonably successful.  They appeared in two issues of Fighting Yank and were then moved to a title called Wonder Comics where they appeared in twelve issues.

So what happened?

Her publisher suffered with the rest of the comic book industry in the 1950’s and she was cancelled in 1956.

With that being said, she may have been cancelled but she hasn’t been forgotten.  She’s actually in the public domain and free for anyone to use, although the sources I’ve checked have said to be careful since there still might be some legal issues.

However, legal grey area or not, that hasn’t stopped the independent comics scene from reviving the two heroines.  In 2015 a Kickstarter was launched to give Jill a modern update and it was incredibly successful.

Cover art by Rafael Romeo Magat.

Sadly, I have no idea where you might be able to buy this if you’re interested.  If anyone knows, please post a comment.

Jill Trent isn’t just progressive and potentially subversive, she’s pretty awesome as well.  She throws down like Wonder Woman, she’s dedicated to the pursuit of scientific knowledge like Einstein, and she has the ability to come up with more gadgets than Q from James Bond.

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She would make a genuinely fantastic modern heroine and more people deserve to know about her.

Golden Age Showcase: Waku Prince of the Bantu

Did I go and see the Black Panther movie this weekend?  Of course I went to go see the Black Panther movie this weekend!

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It’s a great movie, if you haven’t seen it yet than you need to stop what you’re doing and go watch this movie right now, you can read this article while you’re watching the dozens of previews attached to the movie.

But I’m not here to talk about how this movie is important, other people are doing a better job of that than I can.  While he was the first black character in mainstream comics, he wasn’t the first black character to star in his own series.

That was Waku, Prince of the Bantu.

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Origin and Career

Waku made his first appearance in Atlas Comics’ Jungle Tales #1 in September of 1954.

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Yes, the title says “Jungle Action” we’ll get to that.

The character was created by artist Ogden Whitney,

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who worked as a fairly successful artist for several comic book companies and is most famous for co creating a hero named Herbie Popnecker.

It’s pretty clear that the comic is following in the footsteps of the old Tarzan stories, which makes sense because this book came out during a time when comics were moving away from super heroes and into alternate genres such as romance and westerns.

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It was also released at a time when race relations in America weren’t at their best.

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What’s interesting about comics is that black people have actually been part of the comic book landscape since the beginning.  It’s just that the way they’ve been portrayed hasn’t always been…

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well let’s be polite and say “sensitive”.

Waku was the first black character to star in a series of stories as the main lead.  Not only that, but the stories featured a predominately black cast.

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Certainly sounds familiar.

The character was the head of a tribe living in the depths of South Africa, and it is worth mentioning that there is some respect paid to actual history here.  The Bantu Migration was an actual historical event and is widely considered to have played an important role in developing African politics and identity.

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You can read more about it here.

The character’s first adventure has him inheriting the leadership of the tribe from his dying father, who tells him to forswear violence and govern with kindness and wisdom.  This proves problematic when he refuses to participate in ritual combat in order to take his place as king and loses his throne to a greedy and ambitious rival, who tries to sell his people’s services to “white hunters” at great personal profit.  Waku winds up killing this usurper and is about to kill himself in penance for what he’s done when his father appears as an apparition and frees him from his vow.

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The character would go on to appear in seven more issues and in each issue he would fight off some challenger to his throne or threat to his people.  This ranged from wrestling lions,

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to evil shamans capable of raising armies of the dead.

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In all of his appearanc

So what happened?

Jungle Tales lasted seven issues and was later changed to Jan of the Jungle.

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I guess it’s true what they say, sex sells.

Normally changing a title like that hints at some serious problems for the publisher but this time it wasn’t the case.  Atlas Comics re branded in the 60’s as the more familiar Marvel Comics.

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I’m sure they need no introduction.

Marvel rode the coattails of a little known writer who had been working for them since the 30’s and an artist with an incredible work ethic and a penchant for smoking cigars: Stan Lee and Jack Kirby.

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For the handful of people that don’t know their names, these two men basically invented the entire Marvel Universe that we know and love today.

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And in 1966 they  introduced the Black Panther in Fantastic Four #52.

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After a couple of guest spots with the Fantastic Four and Captain America, Black Panther was given his own solo series.  The title of the book?  Jungle Action.

Now, I’m not saying that Stan Lee and Jack Kirby used Waku as a direct inspiration for Black Panther, there isn’t any evidence of that and any allegations made would be unfounded and unprofessional.  But it’s worth considering that both characters were kings of African nations and tribes, both of them were capable warriors, and both Lee and Kirby were working for Atlas at the time Waku was being published.

I’d say that is one hell of a coincidence.

Is Waku a better character than Black Panther?  Not really.  Should Waku have been the face of black characters in comics? No.  But Waku was the first black character who was the star of his own stories and he was treated with respect and dignity.

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He was a good man, a capable ruler, and a good starting point for Marvel’s long and storied collection of black comic book characters.