You know what? I think it’s time to take a break from the Golden Age this week.
The Golden Age of Comics was an age of ridiculous comic book characters and a “well let’s just throw things against the wall and see what sticks” attitude, which is the main reason why I started this blog in the first place, but I’d like to branch out and see if there might be other characters that could be just as ridiculous and crazy.
Sure, we’ve talked about comic book characters from different time periods before, but there has to be something there that’s crazy, bold, and…
oh hello, where have you been all my life?
Screw tradition, this is the Flaming Carrot.
Origin and Career
The Flaming Carrot made his first appearance in a small comic called Visions which was published by a convention called the Atlanta Fantasy Fair in 1979.
A bit of context here: the early 1980’s were a time when the independent comic book scene was really starting to take off. Creators were often ditching the big publishers of Marvel and DC to self publish their own stuff or with smaller publishers who were much more generous with their checkbooks and willingness to share credit.
For a bit more context, this was the time period that gave us the Teenage Mutant Ninja Turtles.
The Flaming Carrot comic would later be self published through a company called Killian Barracks Press and then find different homes through various publishers over the next thirty years.
He was created by comic book author and illustrator Bob Burden.
The hero was meant to be a parody of superhero comics at the time.
he got his powers by suffering from brain damage after reading 5,000 comics in a single sitting.
Just goes to show you, comics are bad for you and will rot your brain.
How did his head turn into a carrot?
Don’t ask such stupid questions.
The Carrot lived in the fictional neighborhood of Palookaville in Iron City. He didn’t have any superpowers but he would often win the day through grit, determination, and sheer dumb luck. Also, he had a toy chest of gadgets to help him along with a gun, which he used without hesitation or remorse.
His enemies were equally ridiculous, as you can see below.
You’ll notice that a lot of the interior artwork is in black and white. It was like this to cut down on art and printing costs. Believe me, I know.
Over the course of his career, the Flaming Carrot developed a cult following and became pretty popular. He even found some time to create a team of working class heroes known as “The Mystery Men”
We’ll touch on that later.
So what we have here is an independent creator, publishing a black and white comic, that parodies super hero stories, and is self published without any help or support.
Can’t imagine why I would relate to something like that.
Side note: did you know that we actually have another web comic up and running? It’s called “Questing 9 to5” and it’s on our Tapastic account which you can find here
So what happened?
It’s actually kind of difficult to pinpoint the exact time and moment when Flaming Carrot ceased publication ended. Despite its success as an indie hit, it ceased being an ongoing title when issue #31 was released in 1994.
The hero would make various appearances in one shots and crossovers over the course of the 1990’s, including a crossover with the Teenage Mutant Ninja Turtles in 1993.
Sadly, this did not make it into the show.
In 2004, the character was picked up by Image Comics and four more issues were published.
His last appearance was in 2006 and to this date, Bob Burden hasn’t published anything else.
Thankfully, Flaming Carrot was just crazy enough, and just popular enough, to garner attention from Hollywood, and in 1999 Burden helped create a movie based around Flaming Carrot’s teammates. The movie was called Mystery Men,
and it failed spectacularly. It’s actually kind of sad really, the movie has some great actors who would go on to better things, so it was clear that there was SOME effort put into it. Although, it had Dane Cook in it which was just…
However, there was one thing about the movie that has stayed with us and has gone on to pop culture immortality.
You know that one song by a band called Smash Mouth? The one that was really REEEAAALY popular in the early 2000’s and everyone knew as “that song that plays at the beginning of the first Shrek movie”?
Yep, this is the movie where that song came from and why the introduction has a whole bunch of ridiculous superheroes…and Dane Cook.
I’m going to level with you, Flaming Carrot is that kind of ridiculous cheesiness that makes comic books the unique and wonderful medium that they are. He was a rough and tumble, blue collar, scrappy hero with the kind of gimmick that would make you roll your eyes and groan.
But it was very clear that there was a lot of heart and effort put into The Flaming Carrot, and although he was ridiculous, he was drawn proof the the wonderful and heartfelt insanity that could only occur in comic books.
This one is going to be a short one, but boy is it a weird one.
We’re all familiar with the idea of a giant hand that is used as a metaphor for controlling things. The hit video game Super Smash Bros. has the “Master Hand” as a final boss,
Marvel Comics has the super secret group of ninja demons known as “The Hand”,
and many real life people love to claim that our lives and fortunes are at the whim of the “invisible hand of the market”.
Yes, the hand is always there. It’s big, it’s powerful, and it’s completely unknown to we small pathetic creatures.
But did you know that someone tried to take this idea of “The Hand” and turn it into a superhero in the 1940’s?
Told you this was going to be weird.
Origin and Career
The Hand made his first appearance in Speed Comics #12 in 1941.
The comic series was the first comic book title published by Harvey Comics, a relative newcomer to the comic book scene and a company that would become famous for licensed titles such as Caspar the Friendly Ghost and Richie Rich.
Fun fact: Speed Comics had been bought from a struggling publisher called Brookwood Publications and was Harvey’s entry point into comic book publishing. Without this title, Harvey wouldn’t go on to become a major comic book publisher.
The character of The Hand was created by Ben Flinton and Bill O’Connor, two men who would go on to create the Golden Age version of the superhero known as The Atom.
Unfortunately, both men would wind up joining the armed services in 1942, and while both men survived they did not return to comics after that.
In his first and longest adventure, the Hand doesn’t fight Nazis or stop saboteurs. Instead, he stops a couple of card sharks from ripping off a casino.
He is introduced with no fanfare, no explanation, and no backstory. He just appears and warns two men that they better watch themselves.
The two men ignore the warning and begin to clean out the house. The Hand warns management, who takes it all in remarkable stride and agrees to let the disembodied hand help him.
I like to imagine that the hand belongs to some sort of cosmic being that is actually a child and is trying to act all grown up by helping people.
Why not? It’s more explanation than the comic gives.
The Hand is also a capable fighter…and capable of phasing through walls.
However, when the criminals attempt to stop The Hand by confessing, The Hand realizes that they will not be arrested or charged for their crimes. So he brands them on the forehead so the world will know what they’ve done.
Apparently, The Hand has never heard of hats. Which kind of makes sense.
On a side note: this comic issue deserves special mention for the story that came directly after this one. Since most comics at the time were anthologies publishing short stories of only a couple of pages, we got treated to this one.
A kid taking out a head of state with a rifle and people being okay with it? Boy the times really were different back then.
Anyway, The Hand would have one more story in the following issue of Speed Comics where he played the patriotic game and helped the F.B.I defeat some foreign spies.
It was shorter, but had more action.
So The Hand was an established hero with a gimmick and a creative team behind him…
So what happened?
…and that was it, those were the only two issues that featured The Hand as a superhero.
It’s really not that surprising really. The character was a small backup feature in a series that didn’t last very long and was published by a company that shifted focus away from original characters and into licensed stories.
Plus, let’s be honest, the two stories that The Hand appeared in weren’t that exciting or good.
The Hand may have been a small time character with boring stories, but that doesn’t mean the concept wasn’t interesting or that he didn’t have any value. Sure, the creature was a hero and had a sense of agency and purpose, but it always had room for normal people to step in and take over when the time was right.
It appeared that The Hand was some sort of benevolent spirit who helped where he could and allowed normal people to do the right thing, and if that isn’t heroic I don’t know what is.
The Hand had potential, it would be a shame to forget that.
So I just watched the season premiere of CW’s Black Lightning yesterday.
It’s pretty good. The effects were great, the character dynamics were well thought out and have a lot of potential, and it pulls absolutely no punches when it comes to dealing with the…well let’s be polite and say “strained” relationship between black Americans and the police.
By all accounts the CW has another hit on their hands and it looks like Black Lightning is here to stay, so let’s look at his origins and see what’s changed and if the show can learn anything from the comics.
Origin and Career
Black Lightning was created in 1977, a few decades after the Golden Age of Comics and the favorite time period of this blog. This is going to require a little explanation.
It’s widely believed that the Golden Age of Comics ended in 1956 with the publication of Showcase #4 and the introduction of Barry Allen as the Flash.
This brought along the Silver Age of Comics, a time period that was known for comics that focused on a more sci fi and technological oriented appeal.
Magic had been replaced by space science and monsters had been replaced by aliens.
This was also the time when Marvel Comics came into the world as the comic book company we all know and love today. A little known creator named Stan Lee decided to create a super hero family that traveled across time and space to defeat strange and fantastic threats.
It did pretty well and helped kick off the Marvel Universe that we all know and love today.
However, by the 1970’s things were changing again, and comics were moving out of the high concept science fantasy of the Silver Age. Times were changing. There were protests,
and there was a general sense of doom and gloom.
Yes, the 1970’s were a unique and special time that we will never have to live through again.
The great thing about these changing times was that in the comic book industry restrictions on what comic books could be talk about were becoming looser and looser, and in 1970 we entered a time that comic book historians called “The Bronze Age of Comics”.
This was a time where comic books got darker and edgier, talking about issues like drugs,
not shying away from violence,
and launching an explosion of black superheroes. Luke Cage is probably the most famous and successful of these heroes.
Anyway, DC had a problem in the 1970’s, Marvel was growing too fast and taking away a huge portion of their business. So DC decided to try and beat Marvel by flooding the market with a slew of new titles. One of these titles was going to be DC’s first black superhero and they eventually decided to publish….the Black Bomber.
The Black Bomber was supposed to be a white bigot who hated black people, but thanks to an accident he gained the ability to turn into a black superhero when under duress.
This is the only picture I could find of him. The only other reference he got in a comic book was a small reference in a Justice League of America comic written by Dwayne McDuffie.
Yeah, this was probably not a good idea.
So what convinced the editors at DC to change their mind? Why one of the writers of Luke Cage of course!
The guy on the right is Tony Isabella, one of the early writers of Luke Cage. DC had hired Tony to create their first black superhero and in 1977 he partnered with artist Trevor Von Eden,
to create Black Lightning.
Black Lightning’s real name is Jefferson Pierce. He actually grew up in the poorest part of Metropolis known as Suicide Slum. After becoming a highly successful athlete an scholar he returned home and he used a newly created power belt that helped him shoot bolts of electricity to clean up the streets of drug dealers and gang members.
Where was Superman in all of this? Probably saving Earth from aliens but whatever.
Black Lightning did initially play up a lot of stereotypes that were prevalent among the black community in the 1970’s. His costume and accent were over the top and almost comical but his intentions were good and he proved himself to be a respectable hero in his own right, gaining the trust of Superman and several other figures in the city in his battle against the gang that had made Suicide Slum their home, a group called The 100 and led by a large man known as Tobias Whale.
Aside from changing the location, the show appears to be pretty loyal to the comics. Granted, in his early appearances Black Lightning isn’t married and doesn’t have kids, but that would come later.
So what happened?
Unfortunately the individual series for the character only lasted 11 issues. While DC had high hopes in regaining its market share by flooding the market with new comics, it didn’t work out so well due to rising printing costs, the 1977 blizzard, and an awful economic recession. A year later the company cancelled 40% of its titles in an event known as the “DC Implosion”.
Black Lightning survived, although he would only show up in other books for the next couple of years. In 1983, he joined a group called the Outsiders, a group of superheroes led by Batman and featured mostly new characters like Katana and Geo-Force.
So yes, the idea that Batman is everything is nothing new.
In 1989 it was revealed that his powers weren’t the result of his power belt, but they were actually derived from a genetic abnormality known as the “Metagene”, a plot point that has been used throughout the DC universe as the source of power for a large number of their heroes.
DC’s first black superhero would get another crack at a solo series in 1995, and they even brought back Tony Isabella to do the writing.
Unfortunately, history has a nasty way of repeating itself and the series was cancelled after 13 issues.
Black Lightning has continued to exist in the DC universe as a hero making appearances in other books. At one point, Lex Luthor actually made him Secretary of Education when he was elected President of the United States.
But let’s not delve too much into the fact that a comic book company had a corrupt businessman elected to the Presidency, that’s just too unrealistic.
He would also get a family and two children to look after. Their names were Anissa and Jennifer Pierce and they have been a staple of Black Lightning’s identity ever since.
Even though he’s never had much of a solo career, Black Lightning is a capable and talented hero with a great backstory and plenty of potential.
He is a teacher, a mentor, and a very capable role model for everyone in the DC universe but most importantly of all…he has the respect and attention of Batman.
I think this CW show is going to be awesome.