The Secret Lives of Villains #247

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Crowdfunded Comics that deserve more attention: Drawing Blood

Normally this blog is reserved for obscure, small time artists and creators looking to fund a project that would have a very difficult time getting attention from a major publisher.  That’s the spirit in which sites like Kickstarter were created and it’s a spirit that we appreciate and aspire to.

However, today is the day where we attempt to sell out in a blatant attempt to gain more views and popularity.

Today we’re looking at a project called Drawing Blood.  It’s a biographical graphic novel detailing the rise and fall of a humble comic book creator named Shane Bookman.  The project is headed by Kevin Eastman, David Avallone, and Ben Bishop.

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As of the time of writing the project has already reached over $40,000 of it’s $75,000 goal and ends in 24 days.

Kickstarter link: https://www.kickstarter.com/projects/2073065927/kevin-eastmans-drawing-blood-vol-1-a-graphic-novel/description

Why I like it

I like it because it’s a biography about indie comic book legend Shane Bookman and his journey from the highest highs of success to the lowest lows of fame and fortune.

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What, you’re telling me that you’ve never heard of Shane Bookman?  The creator of the 1992 hit comic “Radically Rearranged Ronin Ragdolls”?

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You know, the comic that started off as a darkly humorous parody of the grim and gritty comic books of the time and was spun off into a merchandise and tv empire that remains a pop culture phenomenon to this day?  In fact, it was so successful that there are rumors there will be a big budget action movie produced by some super Hollywood director named Daniel Flay, who really likes explosions and movie series with a seemingly infinite number of sequels.

Ok, so you probably know that Shane Bookman doesn’t exist.  In fact, those of you in the know probably recognized what this project actually is when you saw who was creating it.

For those of you who don’t know, Kevin Eastman is one of the co creators of the Teenage Mutant Ninja Turtles,

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You know, the comic that started off as a darkly humorous parody of the grim and gritty comic books of the time and was spun off into a merchandise and tv empire that remains a pop culture phenomenon to this day and has been turned into another Michael Bay reboot that will probably churn out sequels until the day we die.

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Drawing Blood was created to be a fictitious, semi autobiographical, darkly comedic look at the creation of the Teenage Mutant Ninja Turtles and the rise and fall of a great artist.  It looks like it’s going to be grim, dark, violent, and promises to go behind the scenes of the creation of one of the most famous and popular comics of recent memory.

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I love this sort of stuff.  Call me weird but there are few things more satisfying than watching a success story pan out with all the trials, tribulations, thrills, chills, and potential for violence.

Why you should donate

Because being a comic book creator is hard, and while a select few creators do get to enjoy the fruits of their labor and create characters and stories that are enjoyed by millions of people,

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there are hundreds, if not thousands more men and women who put their heart and soul into their work and got screwed out of their righteously deserved credit.

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Ok sure, Alan Moore isn’t the best example but when it comes to talking about creators getting nothing for their work (although while he has made a lot of money you could make a strong case for him getting shafted by watching Hollywood butcher some of his greatest work like V for Vendetta and The League of Extraordinary Gentlemen) but the comic book world is a special case when it comes to the discussion of creator’s rights and credit.

In the very beginning comic book artists and writers didn’t own anything they created.  Their work belonged to the companies that employed them and the only money many o them would see from their creations would be the page rate they received on a work for hire basis.

This is why legends such as Jerry Seigel and Joe Shuster,

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who created the iconic Superman had to sue Warner Brothers in the 1970’s for the credit and recognition they justly deserved, and why Shuster died in debt.

The struggle of the creator for the rights and recognition to their work is a long and often tragic tale and it’s problems are still being worked out and argued over today.

Some creators, such as the founders of of Image Comics,

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have made it possible for creators to have greater control over their work and how it’s used, but it’s still a sensitive and complex issue that’s still being talked about.

I bring all this up because I think that a project like Drawing Blood is important to this discussion.  Audiences see the end result of the hard work and sacrifice that goes into creating stories and characters, but not a lot of people pay attention to the stuff that really goes on behind the scenes.

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Sometimes the creation of a story is just as import as the actual story itself, and if a project like Drawing Blood can draw more attention to the world behind the story than it is a story worth reading.

Kickstarter link: https://www.kickstarter.com/projects/2073065927/kevin-eastmans-drawing-blood-vol-1-a-graphic-novel/description

Golden Age Showcase: Blackhawk

So I saw the Dunkirk movie yesterday.

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I liked it, it was very well directed, and it’s probably the most British movie since Chariots of Fire.

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The movie got me thinking about this blog.  The simple truth of the matter is that this blog deals with heroes that were created in a time when the world needed a bit of escapist fantasy and the comic book industry responded by creating a whole bunch of heroes who could do the fighting for them.

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While there was a time and a place for these types of stories it’s important to remember that the fantastical violence shown in World War 2 era comics was very real for a lot of people and many of those people didn’t make it out alive.

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Now, we’ve covered some of the more “realistic” war comics with characters like Sgt. Fury and the Howling Commandos,

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but this week I thought it might be fun to talk about another war comic that was actually published during World War 2 with Quality Comics’ fighter squadron/expertly dressed hero Blackhawk.

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Origin and Career

Blackhawk made his first appearance in Quality Comics’ Military Comics #1 in August of 1941.

Comic Book Cover For Military Comics #1

Right off the bat the main character made the cover and looks good doing it.

There is some debate as to who created the character in the first place.  While many credit comic book legend Will Eisner with the character’s creation,

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Eisner himself gave most of the credit to artist Charles Cuidera and writer Bob Powell.

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For a time when the United States hadn’t entered the war in Europe, this comic was certainly very much for it.  In the very first page the comic shows the Nazis steamrolling through Poland and introducing the main villain of Captain von Tepp, who is the very definition of a bastard.

Comic Book Cover For Military Comics #1

Seriously, even kicking puppies seems a bit tame for this guy.

Von Tepp and his Butcher Squadron discover a mysterious black plane that they shoot down.  The Captain makes the unknown pilot’s life even more hellish by destroying a farmhouse with innocent people in it.

Comic Book Cover For Military Comics #1

The pilot is revealed to be a man named Blackhawk, who vows revenge against the Nazis and gets his wish a few months later when he confronts Von Tepp and kidnaps him.

Comic Book Cover For Military Comics #1

Blackhawk takes the Captain back to his island base where they decide to settle their grievances with an honorable duel using airplanes.

Comic Book Cover For Military Comics #1

Naturally the Nazi cheats by sabotaging Blackhawk’s plane and the two crash to the ground, where the grudge is settled when Blackhawk shoots the Captain.

Comic Book Cover For Military Comics #1

In later issues it was revealed that the Blackhawks were actually a squadron of fighter pilots made up of men whose nations had been captured by the Nazis.

Comic Book Cover For Military Comics #2

Side note: this actually has a basis in real history.  Feel free to look up the exploits of groups like the Polish 303 Squadron if you want some real life heroics.

In Issue #3 the group would also get a Chinese cook, who was unfortunately named “Chop Chop”.

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…well they can’t all be good.

Sales wise the Blackhawks were a massive hit for Quality Comics.  They were so successful that they received their own comic in 1944.

Blackhawk #9

In 1950 it was revealed that the leader of the Blackhawks was actually an American volunteer fighter pilot who had joined the Polish air force and decided to form the squadron as a way to fight back against the Nazis, even though he and his comrades had no country.

Some of the most talented writers and artists of the Golden Age worked on the Blackhawk title and it was actually so popular that Quality continued to publish the title right up until they went out of business in 1956 with Blackhawk #107 being the last issue.

Blackhawk #107

So what happened?

Quality couldn’t make it past the comic book slump of the 1950’s and sold off the rights to most of their characters to DC comics in 1956.

Interestingly enough, the Blackhawks had been so popular that DC actually decided to continue publishing the title after they bought it,

Blackhawk #108

they even kept most of the original art team on the title ensuring that the only thing that changed with the comic was the logo.

Now that the Blackhawks had new life they wound up being one of the few superhero teams to transition into the Silver Age of Comics.  This time in comic book history saw the squadron face fewer Nazis and more science fiction themed villains and things got a little…weird.

Blackhawk #119

Also, in 1959 they added a lady to the team as an on and off supporting character.  She was given the rather unimaginative name of Lady Blackhawk.

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She would remain one of the biggest members of the supporting cast and even became a villain named Queen Lady Shark.

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I don’t know what’s funnier, the skis or that hat.

Ironically, the rise of superhero comics in the 1960’s hurt the Blackhawk Squadron and while DC attempted to revamp the group in 1967 by giving them new names and costumes,

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it only lasted 14 issues before the title was cancelled.

The Blackhawks would make a brief comeback in 1976 as a group of mercenaries,

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but they were cancelled again until the 1980’s when they were sent back to their familiar stomping grounds of World War 2.

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The 1980’s series reworked the Blackhawks and gave their older stories a more modern update in terms of storytelling, including a much more dignified appearance and backstory for poor Chop Chop.

In 1988 DC reworked its entire history with the mega event Crisis on Infinite Earths 

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and the Blackhawks made the cut.  They were given another reworking and this time the squadron was led by a man named Janos Prohaska, an actual Polish national who was forced to flee his home after the Soviets kicked him out.

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The Blackhawks continue to be a part of the DC universe.  One of their more noticeable appearances was in the excellent Justice League animated show where they played a major part in the episode “The Savage Time”.

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and in the show Arrow the “Blackhawk Squad Protection Group” made an appearance as the place of employment for John Diggle’s commanding officer Ted Gaynor.

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Also, a group calling themselves the Blackhawks got their own title in DC Comics’ New 52 relaunch,

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but they have yet to show up in DC’s more recent “Rebirth” relaunch.

The Blackhawks are a team with a long and fantastic history.  What I find really fascinating is just how well they were able to survive so much while so many of their contemporaries fell through the cracks, never to be seen again and if it wasn’t for characters like Plastic Man,

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I would go as far as to say that the Blackhawks were the best and most notable comic to ever be published by Quality Comics.

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Crowdfunded Comics that deserve more attention: Persephone

Today we’re taking a look at a graphic novel project called Persephone that is currently seeking funding on Kickstarter.

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The story is a revisionist look at the popular Western myth of the abduction of Persephone, the daughter of the ancient Greek goddess Demeter and queen of the Underworld after she was kidnapped by Hades.

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The project was created by Allison Shaw and is currently seeking $16,000 on Kickstarter.  At the time of writing the project has collected over half its goal with 26 days left in funding.

Kickstarter link: https://www.kickstarter.com/projects/19365079/persephone-one-volume-comic-adaptation?ref=category_recommended

Why I like this project

I like this project because I’m a sucker for Greek mythology.

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More specifically, I like how the Ancient Greeks used their gods and heroes to tell stories about the human condition.  Hercules wasn’t just a hero, he was a tortured soul looking for redemption through his twelve labors.

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The Greek gods weren’t just the rulers of the world, they were petty and vindictive bastards who had no problem screwing with mortals who upset them.

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The story of Hades and Persephone is one of the more popular stories in Greek mythology.  The god of the underworld sees the daughter of the goddess of the harvest, kidnaps her.

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In most interpretations of the story Persephone is kidnapped against her will and becomes a cold and distant queen.

But this Kickstarter project is different.

This story reworks the myth from a more modern feminist point of view and bucks thousands of years of tradition to ask: what if Persephone wasn’t forced by Hades to travel to the Underworld?

Honestly, it’s an interpretation that never really crossed my mind.  After Persephone was kidnapped her mother became very upset and refused to let anything grow.  The end result of the story is that Persephone ate the food of the dead and has to spend three months out of the year with her husband, during which Greece must suffer through a three month winter.

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I always read the story as a tragedy but this comic?  This comic frames the story as a romance between Persephone and Hades, which is something that I think is different, new, and very interesting.

Plus, I really like the art style.

To me it looks like a mix between Japanese manga and ancient Greek pottery,

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Why you should donate

There was a certain movie released this year about another female comic book character who is based in Greek mythology that did rather well at the box office.

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I’m going to go out on a limb here and say that Wonder Woman and the Persephone of this comic are really similar.  Both of them are women in a world dominated by men, both of them are different interpretations of Greek mythology, and both of them prefer to change the world using love and kindness.

The difference is that Wonder Woman prefers to show her love through extreme violence and pointy objects,

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while Persephone has a softer, gentler, and more erotic approach.

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This isn’t just a reworking of an ancient myth, it’s a type of story that comic books really haven’t paid much attention too over the years.

Sure there have been romance comics in the past,

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but romance comics really fell out of the limelight in the 1950’s in favor of characters who solved their problems with violence.

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Now I like a good fight as much as the next person, but why do we need so many characters that let their fists do the talking?

Persephone is a story about a different kind of female hero.  She doesn’t solve her problems by punching.  Instead of struggling and fighting her captor, she reaches out to him, tries to understand him, and winds up falling in love with him.

Persephone Chapter 7 by Eupraxia

The end result is a comic that forgoes violence in favor of a gentler and more sensual story, a story that provides a different kind of comic that we really haven’t seen before, and is worth your attention.

Persephone Chapter 3 by Eupraxia

Kickstarter link: https://www.kickstarter.com/projects/19365079/persephone-one-volume-comic-adaptation?ref=category_recommended