Crowdfunded comics that deserve more attention: The Arcane Cocktail Enthusiast

Today we’re talking about a Kickstarter comic called The Arcane Cocktail Enthusiast.

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The comic is written and created by Jeff Rider and drawn by Dave Puppo.

The story is about a bar owner named Lark Leraar.

Lark Leraar, the Arcane Cocktail Enthusiast herself!

She owns an establishment called The Archanist, which she also uses as a base and secret lair to practice magic.


The comic is seeking funding for its first issue and at the time of writing has raised $1,883 out of $3,500 with fifteen days left to donate.

Kickstarter link: https://www.kickstarter.com/projects/cloudwrangler/the-arcane-cocktail-enthusiast-print-edition-comic?ref=av0qnc

Why I like it

I don’t drink very much.

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Sure I’ll indulge a bit in social settings, but when it comes to the consumption of alcohol I am a complete lightweight and too poor and too busy to explore the subtle differences between types of scotch.

But while the idea of a magical bartender serving magical drinks doesn’t excite me personally, I do find it incredibly interesting from a historical point of view, and and if you ask anyone who knows me in the slightest they will tell you that I do loooove me some history.

Let me explain.  Since the beginning of human history we have spent a lot of time trying to figure out new and exciting ways to get drunk.

The Egyptians invented one of the earliest recipes for beer and even paid laborers with booze.

The Babylonians took their beer so seriously that if they caught a brewer tampering with his or her product, they killed him by drowning the offender in it.

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And during the Middle Ages most of the brewing, distribution, and sale of booze was done by women.  You could always tell who was a brewer with their trademark pointed cap, a broom like whisk for filtering out lumps of material from their cauldron brew, and a cat to help keep away rats and mice from the grain.

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If the above image looks like a stereotypical witch you’re not wrong.  There are some who would say that our modern interpretation of witchcraft was a widespread propaganda campaign to get women out of brewing beer.

The point is that the creation of alcohol has had an important, almost magical, place in human history.  Makes sense really, booze made you feel good and anyone who could get you drunk better than anyone else must have seemed like a wizard.

The Arcane Cocktail Enthusiast takes this idea and gives it a modern update and I think that is really cool.

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Not only does it put a modern twist on this idea, it uses it to tell a story about an awesome lady who goes out and fights a manticore with nothing but her magically enhanced hands.

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That’s pretty awesome.

Why you should donate

Of course, these days we’re not big fans of magic and coffee has become the dominant brain altering drink of choice.

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But while we may be men and women of science and rational thought, we still have our own brand of sorcery that we use to turn certain people who make our food into insanely rich gods.

I am, of course, talking about celebrity chefs.

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Sure, these guys aren’t witches or warlocks, but you have to admit that there’s something magical about watching food being prepared.

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Hell, we love this so much that we have entire channel on the television where we just watch people cook and eat food.

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But if we have dedicated all this time and effort into praising the accomplishments of the people that make our food, what about the people who prepare our drinks?

Where are our celebrity brewers and bartenders?

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As I stated in the previous section, our ancestors practically worshiped the creation and consumption of alcohol.  Today?  Not so much.

Don’t get me wrong, we still hold a place of reverence for things like microbreweries and bartenders who can but a bit of flair into their job,

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but I think it’s safe to say that the bartender and brewer has been greatly overshadowed by the chef in today’s culture.

Don’t you think it’s time that bartenders got the same respect and attention that we give celebrity chefs?  Don’t you think it’s time that we elevated the people who serve us alcohol to the place of respect that they once held?  Don’t you think it’s time to put the magic back into a beverage that has been so important to human history?

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I sure as heck think so.

Kickstarter link: https://www.kickstarter.com/projects/cloudwrangler/the-arcane-cocktail-enthusiast-print-edition-comic?ref=av0qnc


Comic book showcase: The Flaming Carrot

You know what?  I think it’s time to take a break from the Golden Age this week.

The Golden Age of Comics was an age of ridiculous comic book characters and a “well let’s just throw things against the wall and see what sticks” attitude, which is the main reason why I started this blog in the first place, but I’d like to branch out and see if there might be other characters that could be just as ridiculous and crazy.

Sure, we’ve talked about comic book characters from different time periods before, but there has to be something there that’s crazy, bold, and…

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oh hello, where have you been all my life?

Screw tradition, this is the Flaming Carrot.

Origin and Career

The Flaming Carrot made his first appearance in a small comic called Visions which was published by a convention called the Atlanta Fantasy Fair in 1979.

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A bit of context here: the early 1980’s were a time when the independent comic book scene was really starting to take off.  Creators were often ditching the big publishers of Marvel and DC to self publish their own stuff or with smaller publishers who were much more generous with their checkbooks and willingness to share credit.

For a bit more context, this was the time period that gave us the Teenage Mutant Ninja Turtles.

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The Flaming Carrot comic would later be self published through a company called Killian Barracks Press and then find different homes through various publishers over the next thirty years.

He was created by comic book author and illustrator Bob Burden.

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The hero was meant to be a parody of superhero comics at the time.

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he got his powers by suffering from brain damage after reading 5,000 comics in a single sitting.

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Just goes to show you, comics are bad for you and will rot your brain.

How did his head turn into a carrot?

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Don’t ask such stupid questions.

The Carrot lived in the fictional neighborhood of Palookaville in Iron City.  He didn’t have any superpowers but he would often win the day through grit, determination, and sheer dumb luck.  Also, he had a toy chest of gadgets to help him along with a gun, which he used without hesitation or remorse.

His enemies were equally ridiculous, as you can see below.

You’ll notice that a lot of the interior artwork is in black and white.  It was like this to cut down on art and printing costs.  Believe me, I know.

Over the course of his career, the Flaming Carrot developed a cult following and became pretty popular.  He even found some time to create a team of working class heroes known as “The Mystery Men”

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We’ll touch on that later.

So what we have here is an independent creator, publishing a black and white comic, that parodies super hero stories, and is self published without any help or support.


Can’t imagine why I would relate to something like that.

Side note: did you know that we actually have another web comic up and running?  It’s called “Questing 9 to5” and it’s on our Tapastic account which you can find here 

So what happened?

It’s actually kind of difficult to pinpoint the exact time and moment when Flaming Carrot ceased publication ended.  Despite its success as an indie hit, it ceased being an ongoing title when issue #31 was released in 1994.

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The hero would make various appearances in one shots and crossovers over the course of the 1990’s, including a crossover with the Teenage Mutant Ninja Turtles in 1993.

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Sadly, this did not make it into the show.

In 2004, the character was picked up by Image Comics and four more issues were published.

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His last appearance was in 2006 and to this date, Bob Burden hasn’t published anything else.

Thankfully, Flaming Carrot was just crazy enough, and just popular enough, to garner attention from Hollywood, and in 1999 Burden helped create a movie based around Flaming Carrot’s teammates.  The movie was called Mystery Men,

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and it failed spectacularly.  It’s actually kind of sad really, the movie has some great actors who would go on to better things, so it was clear that there was SOME effort put into it.  Although, it had Dane Cook in it which was just…

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However, there was one thing about the movie that has stayed with us and has gone on to pop culture immortality.

You know that one song by a band called Smash Mouth?  The one that was really REEEAAALY popular in the early 2000’s and everyone knew as “that song that plays at the beginning of the first Shrek movie”?

Yep, this is the movie where that song came from and why the introduction has a whole bunch of ridiculous superheroes…and Dane Cook.

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You’re welcome.

I’m going to level with you, Flaming Carrot is that kind of ridiculous cheesiness that makes comic books the unique and wonderful medium that they are.  He was a rough and tumble, blue collar, scrappy hero with the kind of gimmick that would make you roll your eyes and groan.

But it was very clear that there was a lot of heart and effort put into The Flaming Carrot, and although he was ridiculous, he was drawn proof the the wonderful and heartfelt insanity that could only occur in comic books.

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Crowdfunded Comics that deserve more attention: Prison Witch

Today we are going to talk about a comic book project seeking funding on Kickstarter called Prison Witch.

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The project is a seventy page graphic novel about a woman who works to control her latent magical abilities in prison with the help of a secret coven of witches.

At the time of writing the project as already hit its funding goal with $8,651 out of $8,500 raised and has 14 days left in the campaign.

Kickstarter link: https://www.kickstarter.com/projects/248241887/prison-witch-a-graphic-novel-about-magic-love-and?ref=category&ref=discovery

Why I like it

For starters the artwork is fantastic.

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The comic is created by husband and wife team Pat and Amy Shand, with Erica D’Urso providing the artwork.  Her ability to convey tiny little moments of great emotion is awe inspiring and you can tell the book is going to be an emotional roller coaster without any words.

But what really intrigues me about this book is the possibility of combining the subject matter with the setting.

I like to dabble in storytelling from time to time and for me, magic is a way to build a character without having to rely on boring exposition.

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A wizard who controls fire will probably have a different personality than a wizard who can raise the dead.  Magic is an extension of its user and can be used as a sort of visual shorthand for their personality and beliefs.

Prisons are supposed to be a place where people who have done something wrong go to reflect on their deeds and work towards reforming themselves.

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In some countries the intention is to turn criminals into functioning members of society, in others it’s a place where dissidents and critics of the status quo are sent to…change their mind.  Here in America it clearly isn’t the case because if it was, we would be the most introspective and thoughtful nations on the planet.

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Yes, the land of the free does put way to many people in prison.

So what happens when you have a collection of people who have their personalities displayed through spells and witch craft stuck in a place that is designed to change and mold a person into something different?

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I have no idea, but I can’t wait to find out.

Why you should donate

I don’t know if anybody reading this post knows this, but during the 1970’s there was a very specific and popular genre of films specifically about women in prison.

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With a poster like that it’s quite apparent that these movies were somber, thoughtful affairs that talked about the harsh realities of prison life and gave a voice to some of the most vulnerable people in modern society and…

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nope.  The movies were porn with a bit more attention on the plot and slightly higher production values.

Now to be fair, it wasn’t like all the films were total trash.  Johnathen Demme, the man who made Silence of the Lambs,

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got his big break after directing a Roger Corman prison film called Caged Heat.

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The film was actually pretty well reviewed and it did delve into some actual social commentary, but it was still a bunch of pretty women with no hope, no way out, and almost no clothing.

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Rather thankfully, times and tastes change and I say it’s time for the women in prison genre to get a modern update that treats its characters like actual human beings and uses its subject matter to talk about important and socially relevant issues.

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Okay, so there’s that but I bet there isn’t a comic that does…

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Okay, so revising the women in prison genre for modern tastes is well trodden ground, but Prison Witch takes the genre and does something different with it.

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By combining the wonder and mystery of magic with the drama and emotional pain of prison life, Prison Witch is set to create a story filled with wonder, mystery, introspection, and one hell of an emotional gut punch.

Kickstarter link: https://www.kickstarter.com/projects/248241887/prison-witch-a-graphic-novel-about-magic-love-and?ref=category&ref=discovery



Crowdfunded Comics that deserve more attention: The Kugali Anthology

So I thought the Black Panther movie was awesome,

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and if the box office numbers have anything to say, everyone reading this is probably thinking the same thing.

I’m willing to bet that the creators of today’s Kickstarter comic looked at the release of the movie and thought that now would probably be the best time to try and raise money for their project: The Kugali Anthology.

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The Kugali Anthology is a collection of comic stories and characters written and drawn by black creators, with an emphasis on creators from Africa.

The comic is being funded out of Britain, so any funding information is converted into American dollars.  At the time of writing this comic has currently raised $5,922 out of $13,782 and has 26 days left in its campaign.

Kickstarter link: https://www.kickstarter.com/projects/kugalimedia/the-kugali-anthology?ref=discovery

Why I like it

Before we start I should make one thing incredibly clear, I am not an expert on Africa and I have no ancestral or familial ties to Africa.  Outside of a few close family friends and an extremely brief section of my school’s history curriculum, my knowledge of African history and culture is very limited.  I am simply writing as a very curious, and very white, comic book fan and tourist.

From the looks of it, this particular anthology is focusing on fantasy stories and folk tales.

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I will admit that I could be wrong, but even if I am, the very idea of having a magazine that brings more attention to creators and artists from Africa telling stories that are based in African culture and history is incredibly exciting and makes me very happy.

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What little I do know has been enough to pique my interest in Africa for a while and I find its history absolutely fascinating.  Africa is a vast,

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and incredibly diverse continent filled with larger than life places and people.  Stories about great kings such as Mansa Musa of the Mali Empire,

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the East African spice ports,

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and the life and exploits of Shaka Zulu,

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have captured my imagination and I have been trying to learn more ever since.

Heck, Africa is home to one of the first and greatest civilizations in Western history, a civilization that some historians devote their entire lives to studying.

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Again, I will admit that I am writing this from a place of relative ignorance but let me ask you this:  If my limited knowledge of Africa can demonstrate that the continent is more than a collection of unfortunate stereotypes, that there is more to it than poverty, disease, and violence, what do you think we could learn from people who actually live there?

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This leads me directly into my next point…

Why you should donate

Because the world is getting smaller and introducing people to entertainment influenced by different cultures just makes sense.  Plus, it can provide creators with a much needed infusion of new ideas and aesthetics.

I’m going to explain by picking on the fantasy genre for a minute.  To be clear, I love a good fantasy story but let’s be honest, the second you read the word “fantasy” your mind probably brought up images like this:

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or this,

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or maybe this if you’re a Japanophile:

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Sure, some creators have helped audiences branch out by introducing fantasy worlds that aren’t influenced by Medieval Europe or Japan.

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but European and pan Asian cultures are not the only places that have stories worth telling and interesting aesthetics.

Africa has so many stories, characters, and themes to offer the world and it’s high time that African creators took their rightful place on the cultural stage and shared their voices with the world.

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The Black Panther movie showed us that audiences are ready for stories that uphold the idea of a strong and confident Africa and that African themes and aesthetics can be a viable source of entertainment.


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Let’s take the next step and introduce audiences to the wonderful world of African comic books.

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Kickstarter link: https://www.kickstarter.com/projects/kugalimedia/the-kugali-anthology?ref=discovery


Golden Age Showcase: Olga Mesmer

When writing about the Golden Age of Comics, one of the fun little treats is discovering and sharing the origins of the tropes and ideas that permeate the genre to this day.

Batman was the the first superhero to have his parents killed,

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Doll Man was the first superhero who used his ability to change size as a superpower,

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Superman was the first hero to have a secret identity,

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the list goes on.

We’ve talked at great length about the impact that female characters have had on the comic book industry, and while Wonder Woman may be the most famous super heroine of the Golden Age,

there were several lady superheroes who came before her and a woman named Fantomah is considered to be the first female superhero in a comic book.

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However, today’s entry comes from a time before we knew what superheroes were.  Heck, it comes from a time when we didn’t even know what comic books were.

Today we are going to talk about a woman with strange and mysterious powers and who some consider to be America’s first super heroine: Olga Mesmer.

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Origin and Career

Before comic books were a thing there were comic strips, serialized stories that were published in newspapers across the country and could range from a strip with a few panels,

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to grand and complex illustrations that could take up an entire page.

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While the comic strip industry laid the groundwork for an entire generation of comic book artists, it was the pulp magazines that laid the foundation for the themes and tropes that would define the future of superheroes.

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The pulps were fiction magazines that were really popular for the first half of the 20th century.  They got their name from the cheap pulp paper they were printed on, one of them many ways they cut corners and lowered production costs.

They made up for the cheap quality with lurid and fantastic stories that helped influence the heroes that came after.  The Shadow was a pulp vigilante who prowled the streets at night and hunted criminals,

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and John Carter was a war veteran who found himself transported to Mars, where the planet’s gravity gives him superpowers.

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While it’s impossible to pinpoint it exactly, it’s easy to see how the creators of Batman and Superman must have been influenced by their popularity.

Olga Mesmer was an interesting case.  She was a comic strip that was initially published inside a pulp magazine.  Specifically, she appeared in a magazine hilariously titled Spicy Mystery in September of 1937.

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The book was published by a company called Culture Publications.

As for the art itself, nobody really knows who created the artwork or wrote the stories, since old timey publishers didn’t give a damn about creators rights or credit.  However, we do know that the artwork was contracted out to an art studio known as Majestic Studios, which was owned by a man named Adophe Barreaux.

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Barreaux was a well known and established comic book artist from Charleston, South Carolina who worked for several ad agencies and drew other comic strips for Spicy Mysteries such as the raunchy “Sally Sleuth”,

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and his own syndicated strip: “The Enchanted Stone of Time”

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As for Olga Mesmer herself, her origin story is actually quite interesting.

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She was the daughter of a royal family originally from the planet Venus and ruled a secret kingdom under the Earth.

It’s really interesting to see how people in the past were convinced that there was a whole different world underneath our feet.
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Olga’s mother was the queen named Margot who had been removed from power during a coup d’etat from a villain named Ombro.  She lost her memory in the escape and met a scientist named Dr. Hugo Mesmer.  The two fell in love, married, and had a child together.  But while she was pregnant, the Doctor began to suspect that his wife was different and his curiosity led him to exposing her to “soluble x-rays”, which left her blinded and bedridden.

Yeah, real father of the year material there.

Margot eventually recovered and discovered that she had the ability to see in the x ray spectrum and could see through walls.  This gift wound up killing her husband (people didn’t really understand x-rays back then) and Margot fled back underground.

Olga was born shortly after and inherited her mother’s ability to see through walls and super strength.

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It’s worth mentioning that there aren’t any pictures of Olga where she doesn’t have ripped clothing.  In fact, there aren’t that many pictures of her at all.

She wound up rescuing a man named Rodney Prescott from a group of assailants, which she dealt with by casually killing them.

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However, Rodney was seriously wounded and was only saved by a blood transfusion from Olga, which granted him a small measure of her power.

Yeah, people didn’t really understand blood transfusions either.

The two became a duo, traveling underground to rescue her mother and defeat the evil machinations of Ombro.

The story ended in 1939, with the two traveling back to Venus and being proposed by a prince of Mars named Boris.  Apparently the two planets were at war with each other and their union would hopefully bring peace to the two cultures.

I have no idea what happened next, although I would like to assume everything wound up fine.

So what happened?

Action Comics #1 came out in 1938 and pop culture and entertainment was changed forever.

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Comic books became the new literary fad for young boys and girls and while comic strips continued to exist through syndication, the age of the pulp novel as a dominant cultural force was over.

Adolph Barreaux went where the work was and wound up producing comic book art for a whole bunch of publishers.  He ended his career in 1953 after working as a children’s book illustrator for a company called Trojan Publications.

Olga Mesmer is less than a footnote in pop culture history.  She played a small part in a fairly small magazine that was part of a culture that preferred to read her stories and then throw them away.  Even her status as America’s first super heroine is up for some debate since she doesn’t display many of the tropes we associate with heroes today.

However, it is my honest opinion that Olga Mesmer was a hero and that she deserves far more recognition than she is currently getting.  Plus, it’s kind of cool to see a woman from the 1930’s kick so much ass.

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Crowdfunded Comics that deserve more attention: Kaiju Gods

Full disclosure: this project contains work by Frankie B. Washington, an artist who has done work for this site.  No money or special favors were exchanged for the writing of this article.

Today we’re talking about a Kickstarter project entitled Kaiju Gods.  


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This is an anthology book featuring stories about the Japanese giant monster genre of movies known as “kaiju” movies.  At the time of writing this project has 20 days left and has raised $4,960 of it’s $16,000 goal.  Funding ends on March 16th.

Kickstarter link: https://www.kickstarter.com/projects/208514895/kaiju-gods?ref=nav_search&result=project&term=kaiju

Why I like it


Raiderman by Jay Piscopo


Sloan by Daniel Warner and Chris Enterline


Story by Garrett Gunn and Nicolas Touris


Banana Katana by Kevin Roditeli and Rottsteak

Sorry…got a little carried away there.

I am a sucker for stories about big things punching other big things and yes, Pacific Rim was a great movie and I am eagerly awaiting the release of Pacific Rim Uprising.

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As you can tell from the artwork posted above, there is a huge amount of creativity and passion on display here.  In fact, if you got to the campaign page and read it through, you’ll find that the guy putting the anthology together had no trouble finding people willing to participate.

Now, while I am a big fan of big things being punched, I will admit that there is the possibility of it getting…boring.  Thankfully, this anthology has gathered a wide and diverse pool of talent utilizing different backgrounds, art styles, and story techniques to tell a wide range of stories that deal with the kaiju monsters.

There seems to be a story where a samurai fights a kaiju with nothing but a bow and arrow,

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I don’t know any of the specifics, all I know is that it looks awesome.

Why you should donate

Because kaiju are the perfect metaphor for our time.

We live in a massive, interconnected, and increasingly complicated world that is in the process of changing in ways that we can’t possible imagine.

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Don’t get me wrong, I’d rather live here and now instead of anywhere else, but when times change the chaos can be incredibly destructive.

The internet and social media may have given the individual a greater voice and reach bigger and bigger audiences, but all that noise and activity and be so overwhelming that it drives us to become more and more isolated and withdrawn.

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Globalization has allowed millions of people to be lifted out of poverty, but has reduced millions more to jobs where they are nothing more than cogs in a very large machine that is nearly impossible to comprehend.

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To top it all off, the Earth’s climate is changing, creating an uncertain future where we are unable to sustain our current lifestyle and doom entire countries to ecological and environmental disaster.

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If it all seems a bit overwhelming it’s because it is.  Our brains are incapable of processing tragedies that affect so many people, so we simply shrug our shoulders and write off the suffering of millions as just “something that happens”.

That sort of dehumanization is terrifying, and it is that kind of horror that the Japanese knew all too well as they watched their cities being bombed into oblivion by the seemingly overwhelming and alien force that was the United States military.

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One man who understood that horror well was a little known director named Ishiro Honda,

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and in 1954 he gave that horror a name: Godzilla.

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We can look back at the past and admire how far we’ve come, we can look towards the future and eagerly await what’s to come, but it is important to look at where we are in the present and realize just how small and insignificant we really are.

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Kickstarter link: https://www.kickstarter.com/projects/208514895/kaiju-gods?ref=nav_search&result=project&term=kaiju



Golden Age Showcase: Waku Prince of the Bantu

Did I go and see the Black Panther movie this weekend?  Of course I went to go see the Black Panther movie this weekend!

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It’s a great movie, if you haven’t seen it yet than you need to stop what you’re doing and go watch this movie right now, you can read this article while you’re watching the dozens of previews attached to the movie.

But I’m not here to talk about how this movie is important, other people are doing a better job of that than I can.  While he was the first black character in mainstream comics, he wasn’t the first black character to star in his own series.

That was Waku, Prince of the Bantu.

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Origin and Career

Waku made his first appearance in Atlas Comics’ Jungle Tales #1 in September of 1954.

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Yes, the title says “Jungle Action” we’ll get to that.

The character was created by artist Ogden Whitney,

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who worked as a fairly successful artist for several comic book companies and is most famous for co creating a hero named Herbie Popnecker.

It’s pretty clear that the comic is following in the footsteps of the old Tarzan stories, which makes sense because this book came out during a time when comics were moving away from super heroes and into alternate genres such as romance and westerns.

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It was also released at a time when race relations in America weren’t at their best.

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What’s interesting about comics is that black people have actually been part of the comic book landscape since the beginning.  It’s just that the way they’ve been portrayed hasn’t always been…

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well let’s be polite and say “sensitive”.

Waku was the first black character to star in a series of stories as the main lead.  Not only that, but the stories featured a predominately black cast.

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Certainly sounds familiar.

The character was the head of a tribe living in the depths of South Africa, and it is worth mentioning that there is some respect paid to actual history here.  The Bantu Migration was an actual historical event and is widely considered to have played an important role in developing African politics and identity.

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You can read more about it here.

The character’s first adventure has him inheriting the leadership of the tribe from his dying father, who tells him to forswear violence and govern with kindness and wisdom.  This proves problematic when he refuses to participate in ritual combat in order to take his place as king and loses his throne to a greedy and ambitious rival, who tries to sell his people’s services to “white hunters” at great personal profit.  Waku winds up killing this usurper and is about to kill himself in penance for what he’s done when his father appears as an apparition and frees him from his vow.

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The character would go on to appear in seven more issues and in each issue he would fight off some challenger to his throne or threat to his people.  This ranged from wrestling lions,

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to evil shamans capable of raising armies of the dead.

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In all of his appearanc

So what happened?

Jungle Tales lasted seven issues and was later changed to Jan of the Jungle.

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I guess it’s true what they say, sex sells.

Normally changing a title like that hints at some serious problems for the publisher but this time it wasn’t the case.  Atlas Comics re branded in the 60’s as the more familiar Marvel Comics.

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I’m sure they need no introduction.

Marvel rode the coattails of a little known writer who had been working for them since the 30’s and an artist with an incredible work ethic and a penchant for smoking cigars: Stan Lee and Jack Kirby.

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For the handful of people that don’t know their names, these two men basically invented the entire Marvel Universe that we know and love today.

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And in 1966 they  introduced the Black Panther in Fantastic Four #52.

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After a couple of guest spots with the Fantastic Four and Captain America, Black Panther was given his own solo series.  The title of the book?  Jungle Action.

Now, I’m not saying that Stan Lee and Jack Kirby used Waku as a direct inspiration for Black Panther, there isn’t any evidence of that and any allegations made would be unfounded and unprofessional.  But it’s worth considering that both characters were kings of African nations and tribes, both of them were capable warriors, and both Lee and Kirby were working for Atlas at the time Waku was being published.

I’d say that is one hell of a coincidence.

Is Waku a better character than Black Panther?  Not really.  Should Waku have been the face of black characters in comics? No.  But Waku was the first black character who was the star of his own stories and he was treated with respect and dignity.

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He was a good man, a capable ruler, and a good starting point for Marvel’s long and storied collection of black comic book characters.


Golden Age Showcase: The Eye

Last week we talked about a superhero known as “The Hand”.

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Everyone seemed to like it so here’s a write up about another body part that decided to become a superhero.

Yes, there was more than one of these, and this one was actually a bit more successful.

Say hello to The Eye.

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Origin and Career

The Eye made its first appearance in Keen Detective Funnies #12 in December of 1939.

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The book was published by a company called Centaur Publications, one of the earliest comic book publishers in American history and the company that helped Bill Everett get his start in comics.

Bill Everett is the man who helped create Namor the Submariner and Daredevil.

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The character itself was created by a man named Frank Thomas.

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You may not know the man’s face, but I’m willing to bet that if you’re an animator or a Disney fan you know his his name and his work.

The man was one of the original animators on Walt Disney’s creative team when the company was just starting out and helped produce some of the most recognizable classics in modern animation history.  One example?  He animated this scene from Snow White.

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He also helped write a book with a colleague of his named Ollie Johnston called The Illusion of Life,

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a book that remains one of the most important milestones in 2D hand drawn animation to this day.  In fact, the two men were so influential that they were given a cameo appearance in The Incredibles, one of my favorite movies of all time.

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Basically Frank Thomas was a big deal, and The Eye was his contribution to the comic book world.

As for The Eye itself, his first adventure starts with the whitest Afghani family on the face of the planet.

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The old man laments that he was once a prosperous businessman but had his livelihood stolen from him.  Suddenly, a disembodied eye appears in the room.

Comic Book Cover For Keen Detective Funnies v2 #12

Meanwhile, in Kabul we’re introduced to the vain and pompous villain of the story, a man named Herat, who wants the old man dead.

Comic Book Cover For Keen Detective Funnies v2 #12

You know, I can’t help but wonder how differently this story would play out if it was published today.

Anyway, the villain tries to hire two hitmen to take out his rival.  Fortunately The Eye stops them with his ability to travel anywhere and shoot heat blasts out of his…well eye.

Comic Book Cover For Keen Detective Funnies v2 #12

Boy, I know red eye flights are a pain…but this is ridiculous.  (wait don’t go…come back!)

The story resolves itself quickly and just in the way you would expect.  The villain is defeated, and justice is served.  The Eye has saved the day and the old man and his daughter are free to return to their business.

Comic Book Cover For Keen Detective Funnies v2 #12

The Eye would go on to become something of a regular back up feature in the comic.  The stories weren’t connected, it was more of an anthology tale where The Eye would drop in on a group of criminals committing a crime and use one of his many ill defined powers to save the day.

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He was also given a sidekick, a young attorney named Jack Barrister who would assist The Eye whenever it needed a hand.

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The Eye ran for eight issues in Keen Detective and must have been popular because he was given his own series in November of 1940.

Comic Book Cover For Detective Eye #1

So what happened?

The Eye may have been popular enough to get his own series, but his publisher wasn’t so lucky.  While Centaur may have been one of the first comic book publishers ever, poor distribution and business sense saw the company go under in 1940.

While the company folded, it did retain something of a legacy.  In 1987 one of his stories was reprinted in a book called Mr. Monster’s Hi Shock Schlock by Michael T. Gilbert.

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And in 1992 a company called Malibu Comics revived a bunch of Malibu characters into a team known as The Protectors,

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and the Eye was cast as a supporting character.

The Eye was a genuinely interesting idea and character for a superhero.  He had an interesting gimmick and he had a legendary creator behind him.  If it wasn’t for his publisher going out of business I’m willing to bet it would have gone on to become a staple of modern comic book superheroes as well.

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It’s a real shame to see an idea like that go to waste.


Golden Age Showcase: The Hand

This one is going to be a short one, but boy is it a weird one.

We’re all familiar with the idea of a giant hand that is used as a metaphor for controlling things.  The hit video game Super Smash Bros. has the “Master Hand” as a final boss,

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Marvel Comics has the super secret group of ninja demons known as “The Hand”,

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and many real life people love to claim that our lives and fortunes are at the whim of the “invisible hand of the market”.

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Yes, the hand is always there.  It’s big, it’s powerful, and it’s completely unknown to we small pathetic creatures.

But did you know that someone tried to take this idea of “The Hand” and turn it into a superhero in the 1940’s?

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Told you this was going to be weird.

Origin and Career

The Hand made his first appearance in Speed Comics #12 in 1941.

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The comic series was the first comic book title published by Harvey Comics, a relative newcomer to the comic book scene and a company that would become famous for licensed titles such as Caspar the Friendly Ghost and Richie Rich.

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Fun fact: Speed Comics had been bought from a struggling publisher called Brookwood Publications and was Harvey’s entry point into comic book publishing.  Without this title, Harvey wouldn’t go on to become a major comic book publisher.

The character of The Hand was created by Ben Flinton and Bill O’Connor, two men who would go on to create the Golden Age version of the superhero known as The Atom.

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Unfortunately, both men would wind up joining the armed services in 1942, and while both men survived they did not return to comics after that.

In his first and longest adventure, the Hand doesn’t fight Nazis or stop saboteurs.  Instead, he stops a couple of card sharks from ripping off a casino.

He is introduced with no fanfare, no explanation, and no backstory.  He just appears and warns two men that they better watch themselves.

Comic Book Cover For Speed Comics #12

The two men ignore the warning and begin to clean out the house.  The Hand warns management, who takes it all in remarkable stride and agrees to let the disembodied hand help him.

Comic Book Cover For Speed Comics #12

I like to imagine that the hand belongs to some sort of cosmic being that is actually a child and is trying to act all grown up by helping people.

Why not?  It’s more explanation than the comic gives.

The Hand is also a capable fighter…and capable of phasing through walls.

Comic Book Cover For Speed Comics #12

However, when the criminals attempt to stop The Hand by confessing, The Hand realizes that they will not be arrested or charged for their crimes.  So he brands them on the forehead so the world will know what they’ve done.

Comic Book Cover For Speed Comics #12

Apparently, The Hand has never heard of hats.  Which kind of makes sense.

On a side note: this comic issue deserves special mention for the story that came directly after this one.  Since most comics at the time were anthologies publishing short stories of only a couple of pages, we got treated to this one.

Comic Book Cover For Speed Comics #12

A kid taking out a head of state with a rifle and people being okay with it?  Boy the times really were different back then.

Anyway, The Hand would have one more story in the following issue of Speed Comics where he played the patriotic game and helped the F.B.I defeat some foreign spies.

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It was shorter, but had more action.

So The Hand was an established hero with a gimmick and a creative team behind him…

So what happened?

…and that was it, those were the only two issues that featured The Hand as a superhero.

It’s really not that surprising really.  The character was a small backup feature in a series that didn’t last very long and was published by a company that shifted focus away from original characters and into licensed stories.

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Plus, let’s be honest, the two stories that The Hand appeared in weren’t that exciting or good.

The Hand may have been a small time character with boring stories, but that doesn’t mean the concept wasn’t interesting or that he didn’t have any value.  Sure, the creature was a hero and had a sense of agency and purpose, but it always had room for normal people to step in and take over when the time was right.

Comic Book Cover For Speed Comics #13

It appeared that The Hand was some sort of benevolent spirit who helped where he could and allowed normal people to do the right thing, and if that isn’t heroic I don’t know what is.

The Hand had potential, it would be a shame to forget that.


Comic book showcase: Black Lightning

So I just watched the season premiere of CW’s Black Lightning yesterday.

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It’s pretty good.  The effects were great, the character dynamics were well thought out and have a lot of potential, and it pulls absolutely no punches when it comes to dealing with the…well let’s be polite and say “strained” relationship between black Americans and the police.

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By all accounts the CW has another hit on their hands and it looks like Black Lightning is here to stay, so let’s look at his origins and see what’s changed and if the show can learn anything from the comics.

Origin and Career

Black Lightning was created in 1977, a few decades after the Golden Age of Comics and the favorite time period of this blog.  This is going to require a little explanation.

It’s widely believed that the Golden Age of Comics ended in 1956 with the publication of Showcase #4 and the introduction of Barry Allen as the Flash.


This brought along the Silver Age of Comics, a time period that was known for comics that focused on a more sci fi and technological oriented appeal.

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Magic had been replaced by space science and monsters had been replaced by aliens.

This was also the time when Marvel Comics came into the world as the comic book company we all know and love today.  A little known creator named Stan Lee decided to create a super hero family that traveled across time and space to defeat strange and fantastic threats.

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It did pretty well and helped kick off the Marvel Universe that we all know and love today.

However, by the 1970’s things were changing again, and comics were moving out of the high concept science fantasy of the Silver Age.  Times were changing.  There were protests,

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racial violence,

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and there was a general sense of doom and gloom.

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Yes, the 1970’s were a unique and special time that we will never have to live through again.

The great thing about these changing times was that in the comic book industry restrictions on what comic books could be talk about were becoming looser and looser, and in 1970 we entered a time that comic book historians called “The Bronze Age of Comics”.

This was a time where comic books got darker and edgier, talking about issues like drugs,

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not shying away from violence,

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and launching an explosion of black superheroes.  Luke Cage is probably the most famous and successful of these heroes.

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Anyway, DC had a problem in the 1970’s, Marvel was growing too fast and taking away a huge portion of their business.  So DC decided to try and beat Marvel by flooding the market with a slew of new titles.  One of these titles was going to be DC’s first black superhero and they eventually decided to publish….the Black Bomber.

The Black Bomber was supposed to be a white bigot who hated black people, but thanks to an accident he gained the ability to turn into a black superhero when under duress.

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This is the only picture I could find of him.  The only other reference he got in a comic book was a small reference in a Justice League of America comic written by Dwayne McDuffie.

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Yeah, this was probably not a good idea.

So what convinced the editors at DC to change their mind?  Why one of the writers of Luke Cage of course!

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The guy on the right is Tony Isabella, one of the early writers of Luke Cage.  DC had hired Tony to create their first black superhero and in 1977 he partnered with artist Trevor Von Eden,

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to create Black Lightning.

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Black Lightning’s real name is Jefferson Pierce.  He actually grew up in the poorest part of Metropolis known as Suicide Slum.  After becoming a highly successful athlete an scholar he returned home and he used a newly created power belt that helped him shoot bolts of electricity to clean up the streets of drug dealers and gang members.

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Where was Superman in all of this?  Probably saving Earth from aliens but whatever.

Black Lightning did initially play up a lot of stereotypes that were prevalent among the black community in the 1970’s.  His costume and accent were over the top and almost comical but his intentions were good and he proved himself to be a respectable hero in his own right, gaining the trust of Superman and several other figures in the city in his battle against the gang that had made Suicide Slum their home, a group called The 100 and led by a large man known as Tobias Whale.

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Aside from changing the location, the show appears to be pretty loyal to the comics.  Granted, in his early appearances Black Lightning isn’t married and doesn’t have kids, but that would come later.

So what happened?

Unfortunately the individual series for the character only lasted 11 issues.  While DC had high hopes in regaining its market share by flooding the market with new comics, it didn’t work out so well due to rising printing costs, the 1977 blizzard, and an awful economic recession.  A year later the company cancelled 40% of its titles in an event known as the “DC Implosion”.

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Black Lightning survived, although he would only show up in other books for the next couple of years.  In 1983, he joined a group called the Outsiders, a group of superheroes led by Batman and featured mostly new characters like Katana and Geo-Force.

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So yes, the idea that Batman is everything is nothing new.

In 1989 it was revealed that his powers weren’t the result of his power belt, but they were actually derived from a genetic abnormality known as the “Metagene”, a plot point that has been used throughout the DC universe as the source of power for a large number of their heroes.

DC’s first black superhero would get another crack at a solo series in 1995, and they even brought back Tony Isabella to do the writing.

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Unfortunately, history has a nasty way of repeating itself and the series was cancelled after 13 issues.

Black Lightning has continued to exist in the DC universe as a hero making appearances in other books.  At one point, Lex Luthor actually made him Secretary of Education when he was elected President of the United States.

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But let’s not delve too much into the fact that a comic book company had a corrupt businessman elected to the Presidency, that’s just too unrealistic.

He would also get a family and two children to look after.  Their names were Anissa and Jennifer Pierce and they have been a staple of Black Lightning’s identity ever since.

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Even though he’s never had much of a solo career, Black Lightning is a capable and talented hero with a great backstory and plenty of potential.

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He is a teacher, a mentor, and a very capable role model for everyone in the DC universe but most importantly of all…he has the respect and attention of Batman.

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I think this CW show is going to be awesome.

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